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Miguel Martín Maestro

Miguel Martín Maestro's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
La Troisième Guerre (2020) 3/5 EDIT “The film transmits, and it does this quite well, that idea of ​​the army as a container that welcomes, aside from conscientious lovers of the militia, people unable to access a decent job, as riot police. [Full review in Spanish]” – El antepenúltimo mohicano Sep 9, 2021 Full Review Goodbye, Dragon Inn (2003) 81% 5/5 EDIT “An outstanding movie. [Full review in Spanish]” – El antepenúltimo mohicano Jun 10, 2021 Full Review Gunda (2020) 98% EDIT “An intimate and exquisitely filmed story. [Full review in Spanish]” – El antepenúltimo mohicano Jun 10, 2021 Full Review Nación (2020) 4/5 EDIT “Never ceases to amaze. [Full review in Spanish]” – El antepenúltimo mohicano Mar 25, 2021 Full Review La Mami (2019) 92% 2/5 EDIT “La Mami transforms itself into another part of the set, into a projection of the filmmaker's camera assuming complete control of the scenic space. [Full review in Spanish]” – El antepenúltimo mohicano Mar 19, 2021 Full Review Little Girl (2020) 100% 3/5 EDIT “Where the film flows... is when Sasha's doing what any girl would do without constraints. [Full review in Spanish]” – El antepenúltimo mohicano Mar 15, 2021 Full Review Pebbles (2021) 100% 3/5 EDIT “[A] promising debut feature. [Full review in Spanish]” – El antepenúltimo mohicano Mar 4, 2021 Full Review The Witches of the Orient (2021) 92% 3/5 EDIT “The [film's] rhythm is dynamic and the sense of the images of the past escapes from the torrent of verbiage to focus on the essentials. [Full review in Spanish]” – El antepenúltimo mohicano Feb 25, 2021 Full Review Louisiana: The Other Side (2015) 83% 4/5 EDIT “[Director Roberto Minervini] demonstrates a clear and deep knowledge of the winding swamps through which he passes... there is no respite. [Full review in Spanish]” – El antepenúltimo mohicano Feb 8, 2021 Full Review New Order (2020) 67% 3/5 EDIT “Who said that artistic work had to be unidirectional?... New Order proposes an exaggeration but not an impossible one. [Full review in Spanish]” – El antepenúltimo mohicano Feb 1, 2021 Full Review The Howls (2020) 3/5 EDIT “[Hernández Cordón's] most directly vindictive and also freest work. [Full review in Spanish]” – El antepenúltimo mohicano Jan 7, 2021 Full Review A Russian Youth (2019) 4/5 EDIT “Alexander Zolotukhin's first feature film is very simple and intelligible. [Full review in Spanish]” – El antepenúltimo mohicano Nov 23, 2020 Full Review Identifying Features (2020) 97% 3/5 EDIT “Mexican Fernanda Valadez's directing debut of offers a solidity, absent of concessions for the viewer. [Full review in Spanish]” – El antepenúltimo mohicano Oct 30, 2020 Full Review Between Dog and Wolf (2020) 2/5 EDIT “A missed opportunity to explain the reasons for maintaining the status quo from the voices of its defenders. [Full review in Spanish]” – El antepenúltimo mohicano Oct 8, 2020 Full Review The Mole Agent (2020) 95% 3/5 EDIT “[Director and writer Maite] Alberdi shows that it's not necessary to twist the knife to denounce. [Full review in Spanish]” – El antepenúltimo mohicano Sep 29, 2020 Full Review 1/5 EDIT “Transitions from comedy to irrelevant melodrama, strung together by clichés. [Full review in Spanish]” – El antepenúltimo mohicano Sep 29, 2020 Full Review Technoboss (2019) 60% 3/5 EDIT “The visual device [Director João] Nicolau crafted is descended from his magnificent John From, although here it loses freshness and appears to be predetermined. [Full review in Spanish]” – El antepenúltimo mohicano Sep 29, 2020 Full Review Echo (2019) 100% 4/5 EDIT “[Director and writer Rúnar] Rúnarsson allows us to think about a change of style in Icelandic cinema, and it's appreciated as much as it is needed. [Full review in Spanish]” – El antepenúltimo mohicano Aug 31, 2020 Full Review La mafia non è più quella di una volta (2019) 40% 4/5 EDIT “There's farce, there's comedy, there's ridicule... but we must never forget that the farce is nothing but the consequence of a tragic reality. [Full review in Spanish]” – El antepenúltimo mohicano Aug 21, 2020 Full Review By the Time It Gets Dark (2016) 90% 4/5 EDIT “Cryptic in many of its proposals, but very bright and very exciting in its answers. [Full review in Spanish]” – El antepenúltimo mohicano Aug 3, 2020 Full Review Our Defeats (2019) 4/5 EDIT “Without grand philosophical displays, the protagonists' words end up resembling those of Godard's, Karmitz's, Tanner's or Marker's characters. [Full review in Spanish]” – El antepenúltimo mohicano Jul 24, 2020 Full Review For the Money (2019) 75% 4/5 EDIT “[For the Money] is pure cinema. [Full review in Spanish]” – El antepenúltimo mohicano Jul 20, 2020 Full Review Piranhas (2019) 58% 3/5 EDIT “It has the virtue of winding up in a no man's land, but there are too many commonalities to be surprised by anything except the age of the protagonists. [Full review in Spanish]” – El antepenúltimo mohicano Jul 15, 2020 Full Review Sweat (2020) 96% 4/5 EDIT “There is a look of absolute emptiness, no matter how magnetic the crystalline blue gaze of the protagonist is in [Magdalena Kolesnik's] first and outstanding performance. [Full review in Spanish]” – El antepenúltimo mohicano Jul 10, 2020 Full Review 4/5 EDIT “If something deserves attention from new Chinese cinema... it's its ability to create social criticism without emphasizing a redundant or underlined message. [Full review in Spanish]” – El antepenúltimo mohicano Jun 24, 2020 Full Review
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