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Olga Artemyeva

Olga Artemyeva's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Mercy (2026) 24% EDIT “It’s definitely not the most outrageous or silly concept Bekmambetov ever worked with, but it’s certainly the least fun ... Strives to combine two of the director’s great passions: action movies and screenlife thrillers ... with mixed results.” – ScreenAnarchy Jan 22, 2026 Full Review All That's Left of You (2025) 100% EDIT “Dabis’ film is also a story of different kinds of love and being able to make choices even when they seem impossible. Among them, the choice to somehow go on no matter what appears to be the most devastating – but also at least a little bit soothing.” – ScreenAnarchy Jan 9, 2026 Full Review The Plague (2025) 97% EDIT “Succinct but effective ... presenting a welcome departure from what a lot of genre films tend to do these days. ... Might not have any groundbreakingly novel ideas on the painful subject, the ones it has are still relevant. ” – ScreenAnarchy Dec 25, 2025 Full Review A Private Life (2025) 80% EDIT “The sum of its quirks makes it charming enough to become one of these guilty pleasures you don’t really need to deny yourself.” – ScreenAnarchy Dec 17, 2025 Full Review Jay Kelly (2025) 75% EDIT “Clearly a personal project for several of its creators ... Which only makes it more perplexing how a personal work like this ends up feeling like the most sanitized, Hollywood-polished version of inner turmoil possible.” – ScreenAnarchy Dec 17, 2025 Full Review Sound of Falling (2025) 95% EDIT “One of the most fascinating and powerful cinematic experiences of the year.” – ScreenAnarchy Dec 17, 2025 Full Review A HOUSE OF DYNAMITE (2025) 75% EDIT “For Bigelow, the potential catastrophe – the fate of Chicago and possibly the rest of the world – isn’t a chance for a big-budget spectacle, but rather for the exploration of the chaos that ensues.” – ScreenAnarchy Dec 17, 2025 Full Review Peter Hujar's Day (2025) 92% EDIT “Whishaw's performance remains a masterclass in not only making something routine sound fascinating, but also in creating a great illusion of unrehearsed spontaneity.” – ScreenAnarchy Dec 17, 2025 Full Review Late Fame (2026) 85% EDIT “A bittersweet and at times painfully funny film about the horrors of desperately needing validation after receiving a small dose of it. At the same time, Late Fame is a very quiet movie that studiously avoids boisterous narrative stereotypes.” – ScreenAnarchy Dec 17, 2025 Full Review After the Hunt (2025) 37% EDIT “Much like David Mamet’s Oleanna, which After the Hunt is often compared to, the film tends to take a complicated matter and oversimplify it.” – ScreenAnarchy Dec 17, 2025 Full Review Riefenstahl (2024) 97% EDIT “It's a dig into a human’s complexity, made with a full realization on the authors’ part that an absolute clarity, something that might amount to being called the truth, can never really be achieved – even through the most meticulous study of archives.” – ScreenAnarchy Dec 17, 2025 Full Review Is This Thing On? (2025) 86% EDIT “When a person on stage enjoys their performance a bit too much, it doesn't necessarily guarantee that the people off stage are enjoying it to the same extent.” – ScreenAnarchy Dec 17, 2025 Full Review The Strangers: Chapter 2 (2025) 15% EDIT “A badly CGI-ed wild boar then appears out of the trees to harass poor Maya some more, and leaves us with one last question: what can the third film possibly come up with to make us even more horrified by the misuse of Harlin’s abilities?” – ScreenAnarchy Sep 25, 2025 Full Review Americana (2025) 63% EDIT “Rooted in the authors’ clear and genuine love for cinema. ... The issue that plagues Tost’s film, though, is that it’s not just the style that’s floundering in search of identity – it’s the movie’s essence as well.” – ScreenAnarchy Aug 25, 2025 Full Review Inside (2024) 97% EDIT “A debut feature crafted in an original way by Australian director Charles Williams. ... The editing, cinematography, and coloring help to create a sense of being in a separate world, where it doesn’t make a difference what the characters are in for. ” – ScreenAnarchy Jun 17, 2025 Full Review Our Hero, Balthazar (2025) 100% EDIT “Jaeden Martell in one of his best roles to date. ... The movie’s intonation can be both disturbing and devilishly hilarious. ... Has lots of macabre fun, picking at how little the online world has to do with actual reality. But then it goes further.” – ScreenAnarchy Jun 17, 2025 Full Review Westhampton (2025) EDIT “Wittrock is at the center of it all, and he gives one of the best performances in his filmography. ... That’s another great thing about Westhampton: it never attempts to simplify things that are so inherently messy, they don’t really have neat solutions. ” – ScreenAnarchy Jun 16, 2025 Full Review A Tree Fell in the Woods (2025) 54% EDIT “The general spiritual trajectory ... comes off akin to the uplifting pep talks Debs and Mitch like so much – pleasant, but not necessarily connected to reality.” – ScreenAnarchy Jun 16, 2025 Full Review After This Death (2025) 50% EDIT “The desire that is simmering underneath its stylized visuals, created by Barton Cortright’s camera, isn’t simply about sex and intimacy, despite a few sensual scenes. The real hunger here is for self-identity and self-expression.” – ScreenAnarchy Jun 16, 2025 Full Review Tow (2025) 100% EDIT “Rose Byrne ... is always a treasure and is obviously incredible here. ... Tow is, first and foremost, a human story, both simple and complex – once again, just like it usually is in life.” – ScreenAnarchy Jun 16, 2025 Full Review Sham (2025) 81% EDIT “As it is, it’s not even entirely clear what the film is aiming for in terms of its meaning, as it seems to lean into condemning society’s willingness to unreservedly believe the presumed victims, which, in reality, just isn’t true in most cases.” – ScreenAnarchy Jun 16, 2025 Full Review Birthright (2025) EDIT “Zoe Pepper has a distinctive voice, and her debut feature, for all of its black, absurdist humor, digs deep into the raw material of reality and the darkness that simmers underneath the façade of familiar relationships.” – ScreenAnarchy Jun 16, 2025 Full Review In Cold Light (2025) 43% EDIT “Unfortunately, it’s the only time the movie really delivers something surprising. ... It’s the whole neo-noir construct the movie relies on, the one that historically doesn’t grant its heroes and heroines many opportunities.” – ScreenAnarchy Jun 16, 2025 Full Review Dragonfly (2025) 92% EDIT “While cinema in general still tends to romanticize loneliness, Dragonfly shows it for what it is: a routine series of everyday, excruciating experiences that always build up to something that tends to be horrific, more often than not.” – ScreenAnarchy Jun 16, 2025 Full Review The Travel Companion (2025) 92% EDIT “Deadpan, bittersweet, and masterfully relies on the second-hand embarrassment. Another feeling in abundance, which the authors manage to turn into their artistic tool, is frustration, clearly based on a lot of personal experience.” – ScreenAnarchy Jun 8, 2025 Full Review
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