Pallavi Keswani
Pallavi Keswani's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
After the Hunt (2025)
37%
EDIT
“The film sets up the delicate interpersonal issues between the trio against the broader socio-political assumptions of the time, but fails to find a meaningful way to make the two interact.” –
The Hindu
Nov 21, 2025
Full Review
Dhoom Dhaam (2025)
56%
EDIT
“Dhoom Dhaam is a harmless-enough watch, in that its creative aspects are uninspired, and tried and tested.” –
The Hindu
Feb 14, 2025
Full Review
Dìdi (2024)
96%
EDIT
“In Dìdi, Sean Wang pulls from his memory, and from the public memory, the experience of being a teenager in 2008. It is a tightly shot, intimate, yet sweeping affair that conjures personal memories.” –
The Hindu
Jan 27, 2025
Full Review
The Settlers (2023)
94%
EDIT
“The Settlers may require polishing in way of its performances, but is an example of a simply told yet richly-engaging story.” –
The Hindu
Apr 3, 2024
Full Review
My Name Is Loh Kiwan (2024)
57%
EDIT
“A film that delivers less than what it promised.” –
The Hindu
Mar 17, 2024
Full Review
The Tinder Swindler (2022)
97%
EDIT
“A cinematic look into the disturbing tale of a relentless conman turns its focus to the heavy price that come with the smaller scams.” –
The Hindu
Jan 24, 2024
Full Review
The Trapped 13: How We Survived the Thai Cave (2022)
100%
EDIT
“This bare-bones documentary on the 2018 Thailand cave rescue gives the narrative agency back to the community that underwent this trauma, and provides a fresh and contextually relevant perspective.” –
The Hindu
Jan 24, 2024
Full Review
Purple Hearts (2022)
32%
EDIT
“Attempting to straddle many different cliches, Purple Hearts quickly loses its footing and only a soulless adaptation is left standing.” –
The Hindu
Jan 23, 2024
Full Review
Senior Year (2022)
23%
EDIT
“Despite assembling all the right ingredients, any attempt at a saccharine piece of media is thwarted by a plot that is more confused than its protagonist.” –
The Hindu
Jan 23, 2024
Full Review
She Said (2022)
88%
EDIT
“An imperative account of Weinstein’s abuse that gives his victims the time to speak.” –
The Hindu
Jan 23, 2024
Full Review
Enola Holmes 2 (2022)
93%
EDIT
“A remarkable sequel that gives the audience a lively Holmes to cheer for.” –
The Hindu
Jan 23, 2024
Full Review
Broker (2022)
94%
EDIT
“Hirokazu Kore-eda’s Broker takes an extremely dark reality and relies on a strong plot to make it a heartwarming watch.” –
The Hindu
Jan 23, 2024
Full Review
Decision to Leave (2022)
94%
EDIT
“In a tender cat-and-mouse game, Park Chan-wook plays around with his favourite themes of a forbidden romance at the intersection of a murder mystery.” –
The Hindu
Jan 23, 2024
Full Review
Farha (2021)
100%
EDIT
“Through impactful storytelling, Farha extends its singular focus on war’s effects on its most burdened victims — civilians.” –
The Hindu
Jan 23, 2024
Full Review
Medusa Deluxe (2022)
72%
EDIT
“Precise and engaging, Medusa Deluxe crafts a wholly unique experience for the audience.” –
The Hindu
Jan 23, 2024
Full Review
Return to Seoul (2022)
97%
EDIT
“Davy Chou and Park Ji-Min sensitively translate the chaos of defining one’s identity.” –
The Hindu
Jan 23, 2024
Full Review
Nimona (2023)
92%
EDIT
“Whippingly fast-paced, chock-full of action sequences and descending almost immediately into the trademark Nimona-level of chaos and destruction, the film is a crisp entertainer.” –
The Hindu
Jan 23, 2024
Full Review
Past Lives (2023)
95%
EDIT
“Lilting between Korean and English, Celine Song’s debut feature Past Lives brings an understated but wholly affecting rumination on the immigrant experience.” –
The Hindu
Jan 23, 2024
Full Review
Alcarràs (2022)
93%
EDIT
“A moving observation of a family negotiating with traditions.” –
The Hindu
Jan 22, 2024
Full Review
True Spirit (2023)
74%
EDIT
“A potentially inspiring tale that struggles to stay afloat.” –
The Hindu
Jan 22, 2024
Full Review
A Million Miles Away (2023)
89%
EDIT
“The emphasis on the role of José Hernández’s family and community makes A Million Miles Away a compelling, feel-good watch.” –
The Hindu
Jan 19, 2024
Full Review
Passages (2023)
94%
EDIT
“Ira Sachs’ Passages is less interactive and more observational, looking squarely at the moments of transition in one’s life.” –
The Hindu
Jan 19, 2024
Full Review
Fingernails (2023)
60%
EDIT
“The film knows that it is about the frictions that emerge when humanity is rendered through technology, but does not fully reach out to explore a spectrum of emotions. In short, this love story also plays it safe.” –
The Hindu
Jan 19, 2024
Full Review
Hannah Waddingham: Home for Christmas (2023)
100%
EDIT
“It is not that Waddingham has to demand your attention in the musical extravaganza, you just can't help but give it to her.” –
The Hindu
Jan 19, 2024
Full Review
The Family Plan (2023)
29%
EDIT
“In The Family Plan, a lot of opportunities are surrendered in favour of dull characters, and an even duller plot.” –
The Hindu
Jan 19, 2024
Full Review
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