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Paul Farrell

Paul Farrell's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Crystal Eyes (2017) EDIT “A loving tribute to the days of switchblades and shoulder pads, Crystal Eyes gives credence to the giallo genre through its tongue-in-cheek absurdity and commitment to the transitory styles that defined its later years.” – Vague Visages Dec 13, 2023 Full Review Ghostland (2018) 50% EDIT “...it is not the gross-out factor that turns me off from Laugier’s second attempt at martyrdom, it is the casual virulence towards his characters...” – Vague Visages Dec 13, 2023 Full Review The Most Assassinated Woman in the World (2018) 86% EDIT “The Most Assassinated Woman in the World is not, by my estimation, a horror film, but a film about horror spectatorship; the joy of discomfort.” – Vague Visages Dec 13, 2023 Full Review Suspiria (2018) 65% EDIT “A swirling, tumbling vision of Cold War paranoia and coven politics, Suspiria will both astound and baffle; the conflict that defines its muted streets, full of uneasy dreams and restless feet, will come to bear on its audience and their nightmares.” – Vague Visages Dec 12, 2023 Full Review Happy New Year, Colin Burstead (2018) 86% EDIT “This film will undoubtedly become a key text for critical essays and university studies on post-referendum British cinema.” – Vague Visages Dec 12, 2023 Full Review Quién te cantará (2018) 86% EDIT “Quién te cantará is a cold, mournful study of mothers and daughters living despite each other, filtered through a mystery with a popstar shaped hole at its centre.” – Vague Visages Dec 12, 2023 Full Review Filmfarsi (2019) 100% EDIT “Bridging the riotous expression of a country in the midst of an identity crisis with the vilification of cheap thrills by revolutionary fundamentalists, Filmfarsi unearths a buried genre of low-budget films in Iran.” – Hyperallergic Feb 27, 2020 Full Review
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