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Peter Gray

Tomatometer-approved critic
Biography:

Peter began his freelance writing career in 2010 with QNews, one of Australia's top-rated LGBT-friendly magazines. Biding his time between film reviews and entertainment reports and interviews, his freelance career has grown to include a multitude of outlets based across Australia (The AU Review, This Is Film, Brisbanista) covering weekly film releases and national events and premieres.

Reviews

Movies TV Shows
Send Help (2026) 94% 4/5 EDIT “Bold, unsettling, and wickedly funny, Send Help stands as one of Raimi’s most provocative works in years.” – The AU Review Jan 27, 2026 Full Review Bedford Park (2026) 90% 3.5/5 EDIT “Heartbreaking, beautifully acted, and deeply personal.” – The AU Review Jan 26, 2026 Full Review The Wrecking Crew (2026) 75% 3.5/5 EDIT “It knows the formula it’s working with and embraces it wholeheartedly, delivering bruising action, sharp chemistry, and a playful swagger that makes the journey worthwhile – even if you’ve seen the road before.” – The AU Review Jan 26, 2026 Full Review The Secret Agent (2025) 98% 4.5/5 EDIT “The Secret Agent stands as one of the year’s most vital films: a work that pulses with anger, empathy and cinematic ambition, insisting that the past is never past, and that looking away is not an option.” – The AU Review Jan 26, 2026 Full Review Primate (2025) 79% 3.5/5 EDIT “Director Johannes Roberts understands the assignment with almost admirable single-mindedness with Primate.” – The AU Review Jan 26, 2026 Full Review Blue Moon (2025) 90% 3.5/5 EDIT “For those willing to lean into its rhythms, Blue Moon is richly rewarding. And for Hawke, it stands as a career-defining reminder of what happens when an actor fully surrenders to a role – not to impress, but to tell the truth.” – The AU Review Jan 26, 2026 Full Review Mercy (2026) 23% 2/5 EDIT “It plays like a film that can’t decide whether it fears technology, worships it, or just wants to use it as a convenient set of shiny props.” – The AU Review Jan 22, 2026 Full Review Marty Supreme (2025) 93% 4/5 EDIT “In the end, Marty Supreme is a thrilling, messy, exhausting ride – a film about belief as both weapon and liability.” – The AU Review Jan 20, 2026 Full Review The Rip (2026) 80% 3.5/5 EDIT “Despite its streaming-service gloss, this is one of Netflix’s most confidently cinematic thrillers in recent memory: tense, bruising, and unapologetically adult.” – The AU Review Jan 16, 2026 Full Review It Was Just an Accident (2025) 97% 5/5 EDIT “A quietly devastating triumph, a film that proves how little spectacle is needed when moral tension, lived experience, and cinematic restraint are in perfect alignment.” – The AU Review Jan 15, 2026 Full Review SHEEPDOG (2025) 77% EDIT “In a cinematic landscape that often equates importance with volume, Sheepdog speaks softly - and listens closely. ” – Cinefied Jan 15, 2026 Full Review 28 Years Later: The Bone Temple (2026) 93% 4.5/5 EDIT “It’s torturous and harrowingly beautiful in equal measure, a film that will leave audiences stunned, unsettled, and ultimately in awe. ” – The AU Review Jan 13, 2026 Full Review Grow (2025) 93% 3/5 EDIT “It turns out pumpkins have been waiting patiently for their cinematic moment. Grow gives it to them, and to us, with warmth, humour, and a surprising amount of heart.” – The AU Review Jan 13, 2026 Full Review Hamnet (2025) 86% 5/5 EDIT “Hamnet is a film about carrying love differently after loss: how it changes shape, how it finds new vessels, how it refuses to disappear. It doesn’t ask to be admired so much as felt. And once it settles inside you, it doesn’t leave.” – The AU Review Jan 11, 2026 Full Review Dust Bunny (2025) 85% EDIT “It’s a film that trusts atmosphere over exposition and feeling over logic — and in doing so, delivers something haunting, playful, and quietly moving.” – Cinefied Jan 8, 2026 Full Review Song Sung Blue (2025) 78% 3.5/5 EDIT “Like the song that gives it its name, it understands that happiness and sorrow often harmonise, whether we’re ready for them to or not.” – The AU Review Dec 29, 2025 Full Review Anaconda (2025) 48% 4/5 EDIT “What makes Anaconda work – far more than it has any right to – is its razor-sharp meta self-awareness.” – The AU Review Dec 23, 2025 Full Review Rental Family (2025) 87% 4/5 EDIT “A beautiful, non-judgmental dramedy, Rental Family honours the service at its core.” – The AU Review Dec 22, 2025 Full Review The Housemaid (2025) 74% 4/5 EDIT “For the consuming 130 minutes (a running time that surprisingly flies by) of Sweeney and Seyfried’s game of upstairs-downstairs, you’d be hard pressed to find a more entertaining oeuvre.” – The AU Review Dec 22, 2025 Full Review The History of Sound (2025) 70% 3.5/5 EDIT “It’s a beautiful film, without question, but it’s also one that’s quite deliberate in how it moves with purpose.” – The AU Review Dec 17, 2025 Full Review New Fear's Eve (2023) 3/5 EDIT “Sick and self-aware, if horror fans are interested in a reprieve from the depths of the genre, it’s possible that this could be just what The Doctor ordered.” – The AU Review Dec 16, 2025 Full Review Ella McCay (2025) 22% 1/5 EDIT “Don’t let all the names on the promotional material lull you into a false sense of security, Ella McCay is someone you should stay far away from.” – The AU Review Dec 10, 2025 Full Review Silent Night, Deadly Night (2025) 77% 3.5/5 EDIT “Updates its concept with a sense of fun and ferocity, proving itself a remake that respects its original spirit without being bound to it.” – The AU Review Dec 10, 2025 Full Review Five Nights at Freddy's 2 (2025) 16% 2/5 EDIT “Much of what takes place across the film’s 104 minutes feels telegraphed, a bit cheap and, sadly, resigned for a more 12-year-old mind-frame. ” – The AU Review Dec 5, 2025 Full Review Nuremberg (2025) 72% 4/5 EDIT “Perhaps more successful as a character study and an examination on the psychology of such, Nuremberg is still a haunting feature that feels eerily, and unfortunately, relevant in today’s political climate.” – The AU Review Dec 5, 2025 Full Review
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