Marc by Sofia (2025)
EDIT
“Marc by Sofia doesn’t claim to be comprehensive, or even the definitive portrait of Marc Jacobs. It’s just a film that’s interested in a lot of different things and will make you more interested in all of them, too.” –
Vogue
Sep 3, 2025
Full Review
The Voice of Hind Rajab (2025)
95%
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“This isn’t just a film you’ll keep thinking about, it’s one you’ll live with -- and that’s what makes it an astounding cinematic achievement.” –
Vogue
Sep 3, 2025
Full Review
The Testament of Ann Lee (2025)
88%
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“... [The film's] music, cinematography, costumes, and production design all deserve attention, as does Seyfried, who has always been excellent, but here finally gets a big-screen leading role worthy of her talent.” –
Vogue
Sep 2, 2025
Full Review
Frankenstein (2025)
85%
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“The production design is sumptuous, the gore gleeful and sometimes abundant, and the special effects eye-popping, but none of this distracts you from the crux of the story...this is [a Frankenstein] adaptation to remember.” –
Vogue
Sep 2, 2025
Full Review
Bugonia (2025)
88%
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“... if you’re a Yorgos-for-life-r, you’ll find much to enjoy in the heightened performances, pitch-black humor, bursts of gory violence, and bizarre twists, including a mind-melting final sequence. ” –
Vogue
Sep 2, 2025
Full Review
The History of Sound (2025)
70%
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“Mescal and O’Connor have their breakthrough moments, too, naturally, but it’s just not enough to lift the film out of its general mood of bleak and desolate austerity, nor to pierce through the gray patina that seems to hang over everything.” –
Vogue
May 22, 2025
Full Review
Sentimental Value (2025)
97%
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“[Sentimental Value is] poignant, poetic, frequently surprising, and quietly devastating.” –
Vogue
May 22, 2025
Full Review
Alpha (2025)
56%
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“With Alpha, Ducournau has completed quite the trifecta when it comes to portraying the horrors of being a woman...” –
Vogue
May 21, 2025
Full Review
Eddington (2025)
68%
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“It all results in something that feels incredibly pointless: a literal regurgitation of a time we all remember all too clearly, which revels in its hallucinatory, farcical chaos but features no new, thought-provoking insights or observations.” –
Vogue
May 19, 2025
Full Review
Die My Love (2025)
74%
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“It’s a lot of empty provocation; a frantic throwing of things at the wall; much sound and fury signifying nothing...” –
Vogue
May 19, 2025
Full Review
The Phoenician Scheme (2025)
77%
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“With its glut of stars, abundant twists, wild action set pieces, and predictably stunning world building, The Phoenician Scheme is never less than diverting, though some of the more outlandish episodic segments...feel too contrived...” –
Vogue
May 19, 2025
Full Review
Warfare (2025)
92%
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“...this is the first actually great film of this new season—and one that has, with its sheer explosiveness, secured its spot in the canon of heart-stopping war movies.” –
Vogue
Apr 9, 2025
Full Review
A Complete Unknown (2024)
82%
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“[Timothée Chalamet's] portrayal [of Bob Dylan] is an entirely committed, deep-seated, almost cellular embodiment, entirely different from anything he’s ever done before and one that heralds the beginning of an exciting new chapter in his career...” –
Vogue
Feb 15, 2025
Full Review
Nickel Boys (2024)
92%
EDIT
“This is a searing drama with an abundance of style and hallucinatory visual splendor, but one in which every choice feels deliberate and meaningful, too.” –
Vogue
Oct 14, 2024
Full Review
Queer (2024)
77%
EDIT
“Sadly, the sun-soaked, dust-coated drama... becomes a slog, though it has two redeeming factors: Daniel Craig, who stars as the film’s loquacious, scenery-chewing anti-hero, and Outer Banks’s Drew Starkey as the quiet, inscrutable object of his affection.” –
Vogue
Sep 6, 2024
Full Review
The Room Next Door (2024)
80%
EDIT
“Ultimately, what won me over, though, was not simply the irresistible pleasures of all of Almodóvar’s work but the natural chemistry and warmth between Moore and Swinton, as they play two friends who are preparing for the unthinkable.” –
Vogue
Sep 6, 2024
Full Review
Maria (2024)
76%
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“Maria is a deliberately strange and beguiling film—when it soars it, like the extraordinary woman at its center, seems entirely transcendent; and when it falters it, like the soprano at the very end of her life, cowers into a heap.” –
Vogue
Sep 4, 2024
Full Review
Babygirl (2024)
76%
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“This is a thorny, unflinching declaration of raw female desire—and it is entirely shameless.” –
Vogue
Sep 4, 2024
Full Review
Furiosa: A Mad Max Saga (2024)
90%
EDIT
“Furiosa, with its explosive action and epic scale, is infinitely watchable. It just isn’t quite the grand feminist saga it thinks it is.” –
Vogue
May 18, 2024
Full Review
Kinds of Kindness (2024)
71%
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“At a time when cinema is often maddeningly simplistic or prescriptive, Kinds of Kindness delights in its own ambiguity. It also provides no shortage of things to get your teeth into.” –
Vogue
May 17, 2024
Full Review
Eileen (2023)
81%
EDIT
“The beauty of Eileen lies in its capacity to surprise not simply those who are coming to Moshfegh’s story for the first time, but also those who are already familiar with its slippery contours.” –
Vogue
Dec 7, 2023
Full Review
Priscilla (2023)
84%
EDIT
“It’s coercive control wrapped up in a glittery pink bow, but the film is careful not to flatten the musical icon into a misogynistic caricature...” –
Vogue
Sep 9, 2023
Full Review
Origin (2023)
82%
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“These intellectually rigorous portions of Origin are a mind-expanding thrill, and the film soars when it grapples with the more thorny aspects of its subject matter. ” –
Vogue
Sep 8, 2023
Full Review
Maestro (2023)
78%
EDIT
“One of Maestro’s greatest strengths [is that] it’s highly rare in being an authorized dramatization of the life of an American legend—Bernstein’s children have approved of the film and attended the Venice premiere—that is admiring without being fawning.” –
Vogue
Sep 7, 2023
Full Review
Poor Things (2023)
92%
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“A film which breaks boundaries and subverts our assumptions with as much joy and recklessness as its wide-eyed heroine.” –
Vogue
Sep 1, 2023
Full Review
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