Robert Faires
Robert Faires's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Lone Star (1996)
91%
4/5
EDIT
“Sayles is able to touch on the humanity of each [character] and the details of the region -- the heat, the beautiful but often unforgiving landscape, and especially the pride of the residents -- are vivid and true.” –
Austin Chronicle
Sep 6, 2023
Full Review
Planetary (2015)
44%
EDIT
“Their calm, measured words, the Human Suits' tranquil score, and the film's steady, even pace almost promote a meditative state -- fitting, perhaps, for receiving Planetary's message.” –
Austin Chronicle
Apr 23, 2015
Full Review
Max My Love (1986)
22%
2/5
EDIT
“Leaves us with nothing much but a vague sensation of surrealism that comes from seeing an affair between a woman and a chimp being treated in a matter-of-fact way.” –
Austin Chronicle
Apr 3, 2012
Full Review
American: The Bill Hicks Story (2010)
84%
3.5/5
EDIT
“They bring Hicks back to life, his rants still sounding fresh and brilliant. Scorched ears never felt so good.” –
Austin Chronicle
Apr 22, 2011
Full Review
Bad Behaviour (1993)
100%
4/5
EDIT
“” –
Austin Chronicle
Jul 31, 2003
Full Review
Belle de Jour (1967)
95%
EDIT
“One of master director Luis Buuel's most wry and elegant films.” –
Austin Chronicle
Mar 23, 2003
Full Review
...And the Earth Did Not Swallow Him (1994)
3/5
EDIT
“” –
Austin Chronicle
Sep 9, 2002
Full Review
God Said, Ha! (1998)
86%
3/5
EDIT
“” –
Austin Chronicle
Sep 9, 2002
Full Review
...And God Spoke (1994)
100%
3.5/5
EDIT
“” –
Austin Chronicle
Sep 9, 2002
Full Review
The Good Son (1993)
26%
3/5
EDIT
“Not The Bad Seed but not bad.” –
Austin Chronicle
Feb 10, 2002
Full Review
American Heart (1992)
86%
4.5/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
Fatal Instinct (1993)
14%
2.5/5
EDIT
“The result is pretty much what you expect: some really dumb stuff that will make you laugh and a lot that won't.” –
Austin Chronicle
Jan 1, 2000
Full Review
Robin Hood: Men in Tights (1993)
42%
2/5
EDIT
“Maybe [Brooks thinks he's] catching those Naked Gun/Hot Shots whippersnappers at their own game. Sadly, no.” –
Austin Chronicle
Jan 1, 2000
Full Review
The Music of Chance (1993)
100%
3/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
In the Name of the Father (1993)
94%
4.5/5
EDIT
“It is an injection into a society at war, Northern Ireland and England in the Seventies and a compelling account of a son and father making their peace.” –
Austin Chronicle
Jan 1, 2000
Full Review
Exit to Eden (1994)
5%
2.5/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
White Fang 2: Myth of the White Wolf (1994)
71%
3/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
Career Girls (1997)
88%
4/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
Cats Don't Dance (1997)
73%
4.5/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
James and the Giant Peach (1996)
91%
4/5
EDIT
“I hope we don't have to wait another quarter-century for the next great Dahl adaptation, but for a film as good as this one, I'll wait.” –
Austin Chronicle
Jan 1, 2000
Full Review
Chasers (1994)
33%
3/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
Much Ado About Nothing (1993)
90%
4/5
EDIT
“Kenneth Branagh's return to Shakespeare captures the Bard's captivating comic romance at the peak of flavor.” –
Austin Chronicle
Jan 1, 2000
Full Review
The Madness of King George (1994)
93%
4.5/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
Boxing Helena (1993)
17%
1.5/5
EDIT
“An infantile piece of psychosexual mumbo-jumbo.” –
Austin Chronicle
Jan 1, 2000
Full Review
The Winter Guest (1997)
63%
3.5/5
EDIT
“” –
Austin Chronicle
Jan 1, 2000
Full Review
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