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Critics list

Santiago Echeverría

Santiago Echeverría's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:
Official Website:

https://www.escribiendocine.com/autor/185-santiago-echeverria

Reviews

Movies TV Shows
The Gallerist (2026) 54% 4/10 EDIT “The film boasts an intriguing premise and a strong cast, but fails to articulate a vision that sustains its premise. [Full review in Spanish]” – EscribiendoCine Jan 27, 2026 Full Review The Invite (2026) 91% 8/10 EDIT “Wilde offers a film that observes, listens, and presents, without moralizing, a series of questions that transcend borders and cultures. [Full review in Spanish]” – EscribiendoCine Jan 26, 2026 Full Review The Huntress (2026) 7/10 EDIT “Adriana Paz's performance sustains the narrative both physically and internally. Her portrayal avoids the typical heroine archetype, instead building from trembling, exhaustion, and unwavering determination. [Full review in Spanish]” – EscribiendoCine Jan 23, 2026 Full Review Rondallas (2025) 7/10 EDIT “...Rondallas situates itself into the realm of so-called "feel-good cinema," but from a more restrained perspective. [Full review in Spanish]” – EscribiendoCine Dec 30, 2025 Full Review Frontier (2025) 6/10 EDIT “Between imposing landscapes and prolonged silences, the film offers a necessary reflection, though without achieving the dramatic impact that its historical material could have generated. [Full review in Spanish]” – EscribiendoCine Dec 15, 2025 Full Review Singular (2025) 7/10 EDIT “...[Singular] proposes a journey that oscillates between scientific research and affective exploration, questioning why we insist on living, loving, and desiring even when every process involves some form of loss. [Full review in Spanish]” – EscribiendoCine Dec 4, 2025 Full Review Subsuelo (2025) 5/10 EDIT “It is a brave, unsettling, and technically brilliant work, but also an emotionally distant and narratively frustrating experience. [Full review in Spanish]” – EscribiendoCine Nov 10, 2025 Full Review I Am Frankelda (2025) 6/10 EDIT “I Am Frankelda is a contradictory work: exuberant in form, uneven in content. But its historical value is undeniable. [Full review in Spanish]” – EscribiendoCine Oct 31, 2025 Full Review Three Goodbyes (2025) 7/10 EDIT “Without reinventing Coixet's universe or breaking with the conventions of European drama, Three Goodbyes finds its strength in observation and minimal gestures. [Full review in Spanish]” – EscribiendoCine Oct 24, 2025 Full Review Horizonte (2024) 7/10 EDIT “Horizonte offers a metaphysical portrait of war and its invisible consequences. Acevedo transforms collective grief into a sensorial journey, where questions resonate more than answers. [Full review in Spanish]” – EscribiendoCine Oct 24, 2025 Full Review Vieja Loca (2025) 6/10 EDIT “As an exercise in style, the film confirms Mauregui's ability to build atmosphere and direct actors, although his narrative approach seems to stall before reaching the intensity it promises. [Full review in Spanish]” – EscribiendoCine Oct 15, 2025 Full Review A History of Love and War (2024) 7/10 EDIT “Although the pace can be overwhelming at times due to the abundance of ideas and narrative elements, A History of Love and War establishes itself as a meaningful production due to its originality and audacity. [Full review in Spanish]” – EscribiendoCine Oct 3, 2025 Full Review Swim to Me (2025) 8/10 EDIT “Swim to Me confirms Sotomayor as one the directors that best explores Chile's social divides from the intimacy of the domestic. [Full review in Spanish]” – EscribiendoCine Sep 24, 2025 Full Review The Captive (2025) 71% 5/10 EDIT “Amenábar combines technical virtuosity with a contemporary discourse on identity and freedom, but without resolving the tensions between the historical and the allegorical. [Full review in Spanish]” – EscribiendoCine Sep 11, 2025 Full Review Dreams (2025) 68% 6/10 EDIT “Dreams is sustained by its oppressive atmosphere, the strength of its performers, and Michel Franco's ability to interrogate the bonds of power. [Full review in Spanish]” – EscribiendoCine Sep 11, 2025 Full Review The Lost Bus (2025) 88% 6/10 EDIT “When relying on the power of the true story and the work of his actors, Greengrass successfully conveys the intensity of a group caught in the midst of disaster, where the vehicle becomes a symbol of resilience and hope. [Full review in Spanish]” – EscribiendoCine Sep 9, 2025 Full Review Calle Málaga (2025) 94% EDIT “Although some narrative passages are predictable and the supporting characters lack the same prominence, Calle Málaga is sustained by Touzani's honest perspective and Carmen Maura's powerful performance. [Full review in Spanish]” – EscribiendoCine Sep 3, 2025 Full Review Landmarks (2025) 93% 9/10 EDIT “...Landmarks doesn't simply narrate a homicide, but rather exposes how the legal system, inherited from colonialism, legitimizes property titles that formalize dispossession. [Full review in Spanish]” – EscribiendoCine Sep 3, 2025 Full Review The Souffleur (2025) 6/10 EDIT “...[The Souffleur results in] a cinematic experience that stands out for its visual and conceptual approach, although it avoids narrative cohesion. [Full review in Spanish]” – EscribiendoCine Sep 3, 2025 Full Review Frankenstein (2025) 85% 7/10 EDIT “The formal setting is impeccable: sets, costumes, and makeup reinforce Del Toro's baroque visual style. However, the script tends toward literalism and reduces some secondary characters...[Full review in Spanish]” – EscribiendoCine Sep 3, 2025 Full Review The Birthday Party (2025) EDIT “Jiménez builds tension through secret recordings and charged glances, but the story is squandered by excessive dialogue and predictable twists. [Full review in Spanish]” – EscribiendoCine Aug 15, 2025 Full Review My Oxford Year (2025) 29% 4/10 EDIT “Although it attempts to capture the sensibility of stories like The Fault in Our Stars, the result is limited to a collection of empty quotes, devoid of real conflict or emotional depth. [Full review in Spanish]” – EscribiendoCine Aug 4, 2025 Full Review Who Wants to Marry an Astronaut? (2024) 6/10 EDIT “The film is part of a movement in LGBTQ+ cinema that seeks to move away from narratives centered on suffering, proposing a more everyday model of representation. This gesture is its greatest contribution. [Full review in Spanish]” – EscribiendoCine Aug 4, 2025 Full Review Good Savage (2023) 6/10 EDIT “More interested in disturbing than in explaining, Good Savage establishes itself as a provocation rather than a traditional comedy. It doesn't seek to please or delight, but rather to confront. [Full review in Spanish]” – EscribiendoCine Jul 22, 2025 Full Review Jurassic World Rebirth (2025) 50% 4/10 EDIT “As superficial entertainment, it delivers. But after seven installments, the question is no longer whether life will find a way, but whether audiences will still be willing to pay to follow it. [Full review in Spanish]” – EscribiendoCine Jul 7, 2025 Full Review
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