Sarah Fonseca
Tomatometer-approved critic
J.T. LeRoy (2018)
55%
EDIT
“JT LeRoy is a movie suiting those who, at minimum, can entertain the idea that we might not get what we desperately want.” –
Vague Visages
Apr 2, 2024
Full Review
Ammonite (2020)
70%
EDIT
“To fully appreciate Kate Winslet's rugged performance as Mary, viewers should consider where her career essentially began:... in 1994's ripped-from-the-headlines thriller Heavenly Creatures.” –
Reverse Shot
Dec 10, 2020
Full Review
Knife + Heart (2018)
81%
EDIT
“There is suspense, sex. There are slayings. Yet often, we are instructed to approach with caution, as we are often their casualties. This difference in Knife+Heart is that queer characters are allowed prominent roles in their own tale.” –
them.
Jun 18, 2019
Full Review
Clementine (2019)
62%
EDIT
“This is not a story of winning a lover back, or getting over a lover with another. It's a languid story of learning to sit with uneasiness, smartly guised as a genre piece.” –
them.
Jun 18, 2019
Full Review
The Skin of the Teeth (2019)
71%
EDIT
“Matthew Wollin's first feature might be a shoestring indie with only two settings - a bachelor pad and a police station interrogation room - and a single camera set-up, but it keeps us enraptured until the very end.” –
them.
Jun 18, 2019
Full Review
Rafiki (2018)
94%
EDIT
“The power of Kahiu's film is its articulation that faith can be as primal as what draws the girls to one another.” –
Reverse Shot
Apr 22, 2019
Full Review
Her Smell (2018)
83%
EDIT
“This is the film that some, regally bored with the Strong Female Lead category's refusal to deliver little else but clean-nosed heroines and transcendent victims, have been waiting for.” –
Vague Visages
Apr 12, 2019
Full Review
AWOL (2016)
93%
EDIT
“Talking about class can be ugly. Yet as AWOL asserts, when you dare to comment, sometimes it frees up room for beauty to unfurl.” –
Autostraddle
Nov 13, 2018
Full Review
Whitney: Can I Be Me (2017)
87%
EDIT
“It's surprising how little Broomfield inserts himself into the narrative...[he] is respectful and Crawford is only present in old footage...” –
Autostraddle
Nov 13, 2018
Full Review
Disobedience (2017)
84%
EDIT
“Ronit's complexity never fully comes across in the film...” –
them.
Nov 10, 2018
Full Review
Thelma (2017)
92%
EDIT
“Horror allows Thelma to work with the history queer people have been dealt; the genre never requests an apology for yesterday's transgressions, but it might seek reparations by giving the viewer a few spooks.” –
them.
Nov 10, 2018
Full Review
Safe (1995)
88%
EDIT
“Intended to be an exploration of the attitudes and anxiety surrounding the AIDS crisis, Safe still possesses the ability to leave viewers breathless and squirming in their seats.” –
them.
Nov 10, 2018
Full Review
Jennifer's Body (2009)
47%
EDIT
“Jennifer's Body now ticks all of the boxes for what film audiences are now desperately demanding from Hollywood...” –
them.
Nov 10, 2018
Full Review
The Owls (2010)
EDIT
“Cruelly ahead of its time...” –
them.
Nov 10, 2018
Full Review
Regarding Susan Sontag (2014)
86%
EDIT
“While it would be easy to create a sterilized portrait of the accomplished intellectual, Kates refrains from doing so.” –
Autostraddle
Nov 3, 2018
Full Review
My Girl (1991)
57%
EDIT
“When I watched My Girl as a kid, I spent 80% of the movie having Schwinn Bicycle and mood ring envy. Now, I'm also able to appreciate [the] dialogue...” –
Autostraddle
Nov 3, 2018
Full Review
Foxfire (1996)
47%
EDIT
“The intermittently-spersed electric guitar solos make the movie a little less Revolution Grrrl Style Now and a lot more ABC After-School Special.” –
Autostraddle
Nov 3, 2018
Full Review
The Beguiled (2017)
79%
EDIT
“Through Coppola's lens, The Beguiled finally returns to the female-centric perspective of Cullinan's novel.” –
Wussy Mag
Nov 3, 2018
Full Review
Quiet Heroes (2018)
80%
EDIT
“Quiet Heroes is worthy of a loud round of applause.” –
Fandor
Nov 2, 2018
Full Review
We the Animals (2018)
92%
EDIT
“It's a pleasure to see Justin Torres' quiet wisdom brought to visual life.” –
Lambda Literary
Nov 2, 2018
Full Review
Colette (2018)
87%
C
EDIT
“Because Colette, like its Willy, is obsessed with Colette as a docile young girl and the early literary works that bottle her youth, we never get to fully experience Colette's wisdom or queer catharsis.” –
them.
Oct 18, 2018
Full Review
The Miseducation of Cameron Post (2018)
86%
A-
EDIT
“Given its chilly setting and its snarky teens, Cameron is bound to be compared to Jamie Babbit's 1999 ex-gay camp comedy But I'm a Cheerleader. Yet each film holds its own very well.” –
them.
Oct 16, 2018
Full Review
Bad Reputation (2018)
78%
EDIT
“Bad Reputation reminds us that people with a knack for keeping their cool during trying times aren't apathetic. Sometimes, they're exactly what we - and our headphones - need.” –
Autostraddle
Apr 26, 2018
Full Review
Sighted Eyes/Feeling Heart (2017)
100%
EDIT
“Sighted Eyes/Feeling Heart, fourteen years in the making, is a great example of a work that thoughtfully and creatively layers ideas about gender and sexuality alongside race.” –
Autostraddle
Apr 20, 2018
Full Review
Lizzie (2018)
66%
EDIT
“Lizzie is brutal, historically attuned, and committed to exploring effeminate trauma and retaliation.” –
Autostraddle
Apr 20, 2018
Full Review
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