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Sarah Hagi

Sarah Hagi's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
The Last Voyage of the Demeter (2023) 50% EDIT “What will be this summer’s ideal passive thrill, the type of film you go to see on a lazy afternoon that is just fine and a little fun? Look no further than The Last Voyage of the Demeter.” – Globe and Mail Aug 10, 2023 Full Review Missing (2023) 89% EDIT “Missing is a delightful surprise.” – Globe and Mail Jan 19, 2023 Full Review Whitney Houston: I Wanna Dance with Somebody (2022) 43% EDIT “Despite the film’s bloated length, we simply never get enough time with one single event to understand how Whitney’s mind worked or why she made certain decisions. There is almost nothing new to learn about her life.” – Globe and Mail Dec 22, 2022 Full Review Vengeance (2022) 82% EDIT “Vengeance has some infrequent laughs and, to Novak’s credit, is well-paced. But ultimately it just doesn’t have much to say that’s worth watching – or even worth listening to as a podcast.” – Globe and Mail Jul 28, 2022 Full Review Father Stu (2022) 42% EDIT “Father Stu’s marketing materials make it seem like a faux movie, a parody. But after being invited to a press screening the other week, I can confirm that Father Stu is indeed a real-deal film – although it probably shouldn’t be.” – Globe and Mail Apr 15, 2022 Full Review The Tender Bar (2021) 51% EDIT “Moehringer is a prolific bestselling author who bootstrapped his way into achieving his dreams of becoming a writer - yet his real-life story can't make this film compelling.” – Globe and Mail Jan 5, 2022 Full Review Bruised (2020) 51% EDIT “As a director, Berry provides the true emotional punches that the film otherwise pulls.” – Globe and Mail Nov 18, 2021 Full Review Reminiscence (2021) 37% EDIT “For a film about memories, Reminiscence is ultimately truly forgettable.” – Globe and Mail Aug 20, 2021 Full Review Beckett (2021) 49% EDIT “Beckett manages to be a semi-effective thriller, with Washington holding enough attention to get the audience to root for his titular protagonist, but the lack of character development means viewers are never fully invested in his story.” – Globe and Mail Aug 13, 2021 Full Review Jungle Cruise (2021) 62% EDIT “I have to give Disney credit for making Jungle Cruise the movie as close to riding Jungle Cruise, the theme park ride, as humanly possible. Just don't stand in too long a line for it.” – Globe and Mail Jul 27, 2021 Full Review Blue Miracle (2021) 68% EDIT “Even when it is at its most formulaic, it's visually nice to watch, with sweeping shots of the ocean and colourful neon streets.” – Globe and Mail May 29, 2021 Full Review Crisis (2021) 66% EDIT “Those who have died or spent years tackling the opioid crisis deserve better than this.” – Globe and Mail Mar 17, 2021 Full Review Judas and the Black Messiah (2021) 96% EDIT “What we're left with is a historically accurate and mostly powerful portrayal of what could've been the greatest Black leader of our time.” – Globe and Mail Feb 5, 2021 Full Review Promising Young Woman (2020) 90% 3/4 EDIT “Fennell builds a backward fantasy that feels ultimately cathartic in a very real way, but where its opening tone comes across as far too light for the palpable gravity of its ending.” – Globe and Mail Jan 14, 2021 Full Review Ma Rainey's Black Bottom (2020) 97% 3.5/4 EDIT “Under the expert direction of Wolfe and a sharp, cutting script, it's hard to not think of a reality in which Boseman had more performances like this under his belt.” – Globe and Mail Dec 18, 2020 Full Review Yellow Rose (2019) 87% 3.5/4 EDIT “What we are left with is a true and honest account of how quickly the lives of millions change overnight.” – Globe and Mail Oct 8, 2020 Full Review Come to Daddy (2019) 87% 3.5/4 EDIT “Providing both a tight script and interesting directing, and blending the best of indie horror with B-movie violence and gore, it's exactly what it needs to be for both the audience and Norval.” – Globe and Mail Feb 8, 2020 Full Review The Assistant (2019) 93% 2.5/4 EDIT “The film succeeds in showing how men with power can openly do essentially whatever they want as long as their company is successful, but it still left me wanting something more.” – Globe and Mail Feb 8, 2020 Full Review Jumanji: The Next Level (2019) 72% 3/4 EDIT “The Next Level works precisely for the same reasons why Welcome to the Jungle did. It's never boring, it's genuinely funny in a way that's family friendly but still clever, and the cast's chemistry is outstanding - it just works.” – Globe and Mail Dec 12, 2019 Full Review Playing With Fire (2019) 24% 1.5/4 EDIT “Will kids care about this man's career or that he is bad at dating? Nobody will.” – Globe and Mail Nov 8, 2019 Full Review Zombieland: Double Tap (2019) 68% 2.5/4 EDIT “Acting as much more of a fan-service product (the postcredits scene is maybe the best in ages) than an actually necessary sequel, Zombieland: Double Tap won't leave diehard fans of the first film too disappointed.” – Globe and Mail Oct 17, 2019 Full Review Harriet (2019) 74% EDIT “While it doesn't adequately display the talents of the criminally underrated Kasi Lemmons or Cynthia Erivo, people are finally getting to see Tubman in a real way.” – Jezebel Sep 19, 2019 Full Review Joker (2019) 68% EDIT “This is a fascinating, occasionally charming movie about a clown with an artsy veneer.” – Jezebel Sep 13, 2019 Full Review
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