Sean Burns
Tomatometer-approved critic
Biography:
Sean Burns is a film critic for WBUR’s Arts & Culture and a contributing writer at North Shore Movies and Crooked Marquee. He was Philadelphia Weekly’s lead film critic from 1999 through 2013, and worked as a contributing editor at The Improper Bostonian from 2006 until 2014. His reviews, interviews and essays have also appeared in Metro, The Village Voice, Rolling Stone, The Boston Herald, Nashville Scene, Time Out New York, Philadelphia City Paper and RogerEbert.com.
The Sting (1973)
93%
EDIT
“‘The Sting’ is both a grift and a great escape. It makes you nostalgic for something that never was.” –
Crooked Marquee
Jan 16, 2026
Full Review
The Chronology of Water (2025)
90%
EDIT
“128 minutes of this is probably too much. But the sensory overload is integral to the experience. The movie is a piledriver.” –
WBUR’s Arts & Culture
Jan 16, 2026
Full Review
The Testament of Ann Lee (2025)
88%
EDIT
“You can see why so many people followed her to America. I’d follow Amanda Seyfried anywhere.” –
WBUR’s Arts & Culture
Jan 16, 2026
Full Review
28 Years Later: The Bone Temple (2026)
92%
EDIT
“Pandering in a fan service-y fashion. Around the third Duran Duran song I was like, ‘Yeah, we got it.’” –
North Shore Movies
Jan 16, 2026
Full Review
Starting Over (1979)
78%
EDIT
“It’s affecting work, vulnerable in ways we’re not used to seeing the star. Even Burt’s toupee looks less robust than usual.” –
Crooked Marquee
Jan 16, 2026
Full Review
The Rip (2026)
80%
EDIT
“Matt and Ben’s ‘Righteous Kill.’” –
North Shore Movies
Jan 16, 2026
Full Review
Is This Thing On? (2025)
86%
EDIT
“Giving Peyton Manning more dialogue than Dave Attell is what we call a misallocation of resources.” –
North Shore Movies
Jan 9, 2026
Full Review
Father Mother Sister Brother (2025)
81%
EDIT
“Pokerfaced and exacting even by Jarmusch standards, this is one of those movies that’ll cause some viewers to complain that nothing happens, even though everything does. It all comes in under the radar.” –
WBUR’s Arts & Culture
Jan 8, 2026
Full Review
The Housemaid (2025)
74%
EDIT
“A clever little mousetrap of setups and misdirection, with some twists I didn’t see coming because I’m either too dumb or just punchy from serious movie season.” –
North Shore Movies
Jan 8, 2026
Full Review
Marty Supreme (2025)
93%
EDIT
“I get the Chalamet thing now.” –
WBUR’s Arts & Culture
Dec 23, 2025
Full Review
Song Sung Blue (2025)
78%
EDIT
“Few actresses can light up the screen like Kate Hudson, which is easy to forget because she’s spent the past 25 years starring in garbage. ” –
WBUR’s Arts & Culture
Dec 23, 2025
Full Review
Avatar: Fire and Ash (2025)
66%
EDIT
“One can be in awe of the effort while also wondering if it’s really worth going to all of this trouble in order to accurately render a performance by Sam Worthington.” –
WBUR’s Arts & Culture
Dec 19, 2025
Full Review
Ella McCay (2025)
22%
EDIT
“The whole film feels concussed.” –
North Shore Movies
Dec 19, 2025
Full Review
Kill Bill: The Whole Bloody Affair (2006)
100%
EDIT
“In whatever form you may find it, ‘Kill Bill’ remains perhaps the purest distillation of its auteur’s fetishes and fixations.” –
WBUR’s Arts & Culture
Dec 4, 2025
Full Review
Left-Handed Girl (2025)
98%
EDIT
“Nina Ye gives the most endearing child performance since… well, since ‘The Florida Project.’” –
North Shore Movies
Dec 1, 2025
Full Review
Hamnet (2025)
86%
EDIT
“It seems weird that they didn’t cast Anne Hathaway in a movie about Anne Hathaway.” –
WBUR’s Arts & Culture
Nov 25, 2025
Full Review
Jay Kelly (2025)
75%
EDIT
“Does anybody involved have any idea how off-putting and unrelatable this is?” –
North Shore Movies
Nov 24, 2025
Full Review
Sweet Smell of Success (1957)
98%
EDIT
“Lancaster’s crisp elocution was never put to more satisfyingly sinister ends.” –
Crooked Marquee
Nov 24, 2025
Full Review
Peter Hujar's Day (2025)
92%
EDIT
“By the end, you feel like you’ve witnessed something dazzling, even cosmic. It contains multitudes.” –
WBUR’s Arts & Culture
Nov 20, 2025
Full Review
Wicked: For Good (2025)
66%
EDIT
“There’s a reason Broadway intermissions aren’t a year long.” –
WBUR’s Arts & Culture
Nov 18, 2025
Full Review
The Running Man (2025)
62%
EDIT
“One of those megabudget movies from a major media conglomerate that spouts facile, anti-corporate slogans amid the wall-to-wall product placement.” –
North Shore Movies
Nov 14, 2025
Full Review
Sentimental Value (2025)
97%
EDIT
“…a playful, career-topping turn from Skarsgård as a father amusingly oblivious to his own shortcomings,” –
WBUR’s Arts & Culture
Nov 13, 2025
Full Review
Predator: Badlands (2025)
86%
EDIT
“Feels like one of those crummy ‘Star Wars’ shows on Disney Plus: dense with lore, cheaply made and aimed at children.” –
North Shore Movies
Nov 8, 2025
Full Review
Die My Love (2025)
74%
EDIT
“Somewhat misleadingly being sold as an issue drama about postpartum depression, it’s really more of a morbid comedy about how everyday life is enough to drive anybody insane. ” –
WBUR’s Arts & Culture
Nov 6, 2025
Full Review
Hedda (2025)
89%
EDIT
“When Løvborg pulls the trigger, my viewing on Prime Video was interrupted by a commercial for UberEats. Ibsen would have loved that.” –
North Shore Movies
Nov 4, 2025
Full Review
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