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Shayna Maci Warner

Shayna Maci Warner's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Nonnas (2025) 82% C EDIT “Nonnas is a perfectly digestible advertisement for Enoteca Maria, both through its decadent food photography and successful evocation of the warmth of a hard-built community.” – AV Club May 9, 2025 Full Review The Wedding Banquet (2025) 86% B EDIT “The Wedding Banquet may not take its modern queer skepticism as far as its characters could naturally go... but it is an enjoyable, worthwhile 100 minutes spent laughing, groaning, and hoping. ” – AV Club Apr 17, 2025 Full Review This Is Me... Now: A Love Story (2024) 75% 7.5/10 EDIT “There’s no question that This Is Me…Now: A Love Story is from the heart, soul, dreams and budget of Jennifer Lopez, and despite some of its visual missteps, it’s a pleasure to immerse yourself in that level of wholehearted artistic commitment. ” – Paste Magazine Feb 14, 2024 Full Review Mutt (2023) 89% 8.4/10 EDIT “Mutt makes space for the sadness, mundanity and possibility of life in transition.” – Paste Magazine Jan 28, 2023 Full Review Eileen (2023) 81% 8.0/10 EDIT “Gross, uncomfortable, hot. Welcome to Eileen.” – Paste Magazine Jan 24, 2023 Full Review Cassandro (2023) 91% 8.6/10 EDIT “The film uses Roger Ross Williams’ intimate knowledge—and an impressive roster of Mexican American film workers—to pay a complex, thoughtful and warm homage to Cassandro.” – Paste Magazine Jan 23, 2023 Full Review The Janes (2022) 100% 8.8/10 EDIT “Those telling their stories aren’t from a completely alien era, and the knowledge that they share, in tones frank and thoughtful by turn, is incredibly valuable.” – Paste Magazine Jun 7, 2022 Full Review Nothing Compares (2022) 99% B EDIT “Nothing Compares mounts a compelling argument for the reassessment of yet another intense, intensely interesting musician demonized far beyond the scope of her actions. ” – The Film Stage Feb 8, 2022 Full Review Riotsville, USA (2022) 91% A- EDIT “What Riotsville, USA does most successfully is remind us no individual actions can be shamed under the ethos that everything a cop does is for the good of society. ” – The Film Stage Feb 8, 2022 Full Review Calendar Girls (2022) 100% B+ EDIT “This fantasia in sparkles and patriotic leotards is a phenomenon worthy of ethnographic study, and though it doesnt dig too deeply into its subjects beliefs, the film is a highly watchable, admiring snapshot of girls who just want to have fun. ” – The Film Stage Feb 8, 2022 Full Review F.T.A. (1972) 83% EDIT “There could not be a more perfect time to bring this film out of its enforced, premature retirement. ” – The Film Stage Feb 8, 2022 Full Review My Name Is Pauli Murray (2021) 94% EDIT “The film seems to know its limitations as a single documentary, and its wide breadth of subjects both personally and professionally associated with Murray provide a grounded, complex foundation. ” – The Film Stage Feb 8, 2022 Full Review Pleasure (2021) 88% C+ EDIT “Despite its technical prowess and performances, I wouldnt be surprised if a no-nuance porn really is bad becomes a popular takeaway from Pleasure, and thats just no fun at all. ” – The Film Stage Feb 8, 2022 Full Review Passing (2021) 91% B+ EDIT “By turns stifling and lucid with seduction, Halls debut is impressive, even when its atmosphere sometimes overtakes its pace. ” – The Film Stage Feb 8, 2022 Full Review Sirens (2022) 98% 8.8/10 EDIT “Sirens is a smartly crafted, hugely entertaining look at the band as it goes through growing pains, fights for bookings, and navigates inter-band dyke drama.” – Paste Magazine Feb 2, 2022 Full Review Girl Picture (2022) 97% 8.9/10 EDIT “Girl Picture is a joyous, resonant snapshot of growing into one's own, and challenging even your own expectations of who you thought you could be.” – Paste Magazine Jan 31, 2022 Full Review Framing Agnes (2022) 81% 6.5/10 EDIT “This is one gender-fucked viewer who can't help but feel a little shortchanged by the decay of meaning of it all” – Paste Magazine Jan 31, 2022 Full Review Cha Cha Real Smooth (2022) 85% 8.4/10 EDIT “Raiff's clever script, affable characters and naturalistic direction makes it painless enough to sympathize with someone who can't moonwalk, but will nevertheless skate on by.” – Paste Magazine Jan 26, 2022 Full Review Call Jane (2022) 82% 7.9/10 EDIT “Call Jane can't decide whether it's a character study or the study of a movement...successfully tiptoeing in both directions before retracting its more confrontational opinions” – Paste Magazine Jan 24, 2022 Full Review Mars One (2022) 97% 9.0/10 EDIT “Insightful, kind and exceptionally well-acted, Marte Um reminds its characters that they'll find what they need if they just keep looking.” – Paste Magazine Jan 23, 2022 Full Review Gunpowder Milkshake (2021) 60% 6.6/10 EDIT “Gunpowder Milkshake's thin thread of emotional sincerity gets lost in Israeli horror director Navot Papushado's gory venture into big-budget action.” – Paste Magazine Jul 13, 2021 Full Review Together Together (2021) 90% 8.9/10 EDIT “Together Together is an amiable, successfully awkward surrogacy dramedy that also has the respectable distinction of being a TERF's worst nightmare.” – Paste Magazine Apr 22, 2021 Full Review Wojnarowicz (2020) 97% 8.2/10 EDIT “Bolstered by interviews with friends, relatives, lovers, curators and admirers, the documentary sketches out as much of Wojnarowicz's personal history and impact as it can fit in under two hours.” – Paste Magazine Mar 23, 2021 Full Review
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