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3/10
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Larry Crowne
(2011)
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Martin Scribbs
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Could have been a solid, straightforward rom com coasting on likable leads; half-hearted additions trying to link the movie to economic crisis just detract.
Posted Dec 05, 2011
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I'm Not There
(2007)
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Martin Scribbs
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I'm Not There may inspire great movies, but doesn't have the discipline to be one itself.
Posted Nov 25, 2007
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Pirates of the Caribbean: At World's End
(2007)
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Martin Scribbs
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The wild, unstoppable commercial success of the Pirates franchise has freed Verbinski to spend a lot of time on flights of fancy and mythological asides.
Posted Jul 10, 2007
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Ocean's Thirteen
(2007)
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Martin Scribbs
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A subpar A-Team episode with George Clooney as Face.
Posted Jul 10, 2007
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Knocked Up
(2007)
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Martin Scribbs
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Goodhearted and refreshingly messy.
Posted Jul 10, 2007
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License to Wed
(2007)
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Martin Scribbs
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Forget blasphemy against the Holy Spirit, wasting our time with License to Wed is the one unpardonable sin.
Posted Jul 08, 2007
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These Are the Damned
(1962)
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Martin Scribbs
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Slow-building but creepy story of biker pug uglies, radiation poisoning, and prissy Brit schoolkids.
Posted Jul 08, 2007
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Evan Almighty
(2007)
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Martin Scribbs
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Feebleminded slapdashery.
Posted Jun 23, 2007
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Secret Honor
(1984)
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Martin Scribbs
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Does anyone have a clue what Altman was driving at with this intense glob of lunacy?
Posted Nov 19, 2005
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Bewitched
(2005)
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Martin Scribbs
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I'll have some of what Nora Ephron's having, as long as I don't have to watch her movies.
Posted Nov 19, 2005
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Good Night, and Good Luck.
(2005)
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Martin Scribbs
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Not only was Good Night, and Good Luck filmed in black-and-white, it was written and acted that way, too. This is Good versus Evil for Political Dummies.
Posted Nov 05, 2005
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Bad News Bears
(2005)
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Martin Scribbs
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Bad News Bears is a late summer hoot, and hopefully what your kids are really seeing when they tell you they're going to Sky High.
Posted Aug 07, 2005
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The World, the Flesh and the Devil
(1959)
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Martin Scribbs
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Belafonte is magic in his loneliness.
Posted Jun 26, 2005
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Batman Begins
(2005)
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Martin Scribbs
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The class dynamics of Batman Begins are just insufferable. Thank heavens we have our incorruptable masked moneybags to keep the criminal poor in line.
Posted Jun 17, 2005
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Leap Year
(1924)
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Martin Scribbs
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Slow-moving silent comedy which didn't get screened for sixty years because of Arbuckle's scandal; mainly of historical interest.
Posted Jun 07, 2005
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Primer
(2004)
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Martin Scribbs
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I didn't understand Primer; worse yet, I didn't care.
Posted Jun 01, 2005
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F for Fake
(1973)
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Martin Scribbs
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A little gem, full of vintage Welles ruminations on the ephemeral nature of personal celebrity and the elusiveness of ultimate truth.
Posted May 22, 2005
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The Yes Men
(2003)
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Martin Scribbs
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Chris Smith is the next great documentarian for mainstream American audiences to discover, and he richly merits a wide release.
Posted May 15, 2005
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The Day After Tomorrow
(2004)
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Martin Scribbs
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Preposterous, slow, and unimaginative.
Posted Feb 20, 2005
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College
(1927)
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Martin Scribbs
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Madcap fun as the supremely athletic Keaton plays a bookworm who, for love of a jock-loving girl, tries but fails heroically at every possible sport in every possible way.
Posted Feb 19, 2005
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Nikita
(1990)
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Martin Scribbs
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Superb thriller scored to Eurotrash synth pop, La Femme Nikita sets out a whole world of espionage and violence, and engages with a wild yet sympathetic lead.
Posted Feb 04, 2005
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Finding Neverland
(2004)
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Martin Scribbs
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A celebration of artistry, not as mere ornament, but as the very stuff of life.
Posted Feb 03, 2005
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Million Dollar Baby
(2004)
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Martin Scribbs
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Mystery of the Universe #237: the same Clint Eastwood who once co-starred with an orangutan is now America's finest director of tragedy.
Posted Feb 03, 2005
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Bad Education
(2004)
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Martin Scribbs
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Sexy and complicated as between its adult leads, Bad Education also marks the most insightful critique yet of the pedophile scandals in the Catholic Church.
Posted Feb 03, 2005
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Ray
(2004)
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Martin Scribbs
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Yet another ho-hum man of genius biopic, showcasing a scenery-chewing lead-behaving-badly, shoddy Freudian psychoanalysis, and cliche bottom-of-the-ninth redemption.
Posted Feb 03, 2005
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Sideways
(2004)
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Martin Scribbs
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A funny, heartfelt coming-of-middle-age story by, for, and about snobs.
Posted Feb 03, 2005
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Carandiru
(2003)
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Martin Scribbs
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Humanity struggles out from under a maximally oppressive system, commenting by haunting metaphor on life outside the prison walls.
Posted Feb 03, 2005
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Mars Needs Women
(1966)
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Martin Scribbs
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If Plan 10 From Outer Space, a.k.a. Mars Needs Women, doesn't tickle your funnybone, you really don't have one.
Posted Feb 03, 2005
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Gacy
(2003)
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Martin Scribbs
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Gacy channels its horror through bicentennial suburban kitsch, clowns-in-the-closet visuals, and a heaving, foul, maggot-carpeted crawlspace deep with death and lies.
Posted Dec 31, 2004
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Caligula
(1979)
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Martin Scribbs
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Caligula turns the Julian dynasty's most violent chapter into a sleazy snoozefest. Even the Penthouse Pets look pained to be decorating this historic bomb.
Posted Nov 25, 2004
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Alfie
(2004)
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Martin Scribbs
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What at first seems a glossy ad for the swinging single life gradually reveals itself as an stinging indictment of the emotional impotent.
Posted Nov 17, 2004
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Taxi
(2004)
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Martin Scribbs
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License revoked.
Posted Oct 16, 2004
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A Home at the End of the World
(2004)
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Martin Scribbs
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All roads lead to ruin in Home's world, lending an unexpectedly reactionary tone to the work.
Posted Oct 03, 2004
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Porn Star: The Legend of Ron Jeremy
(2001)
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Martin Scribbs
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Porn Star runs out of insight and surprises long before the closing credits roll.
Posted Oct 02, 2004
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The Lion in Winter
(1968)
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Martin Scribbs
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A must-see for perhaps the most scathing verbal pyrotechnics ever committed to film.
Posted Sep 26, 2004
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5/5
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Pink Flamingos
(1972)
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Martin Scribbs
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The alpha and omega of shock filmmaking.
Posted Sep 26, 2004
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The Mouse That Roared
(1959)
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Martin Scribbs
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A welcome return to a more innocent time in geopolitics. Also be sure to catch the mod! fab! DVD preview for Dr. Strangelove.
Posted Sep 26, 2004
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Bounce: Behind the Velvet Rope
(2000)
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Martin Scribbs
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Self-important knuckleheads bloviate on club life. Though docs are reknown as tools to create empathy, Bounce merely confirms the worst prejudices of its audience.
Posted Sep 26, 2004
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007: Goldfinger
(1964)
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Martin Scribbs
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Goldfinger remains the gold standard for the Bond movies. Recent entries can't compare to this lustrous thriller, a throwback to when the term "thriller" had meaning.
Posted Sep 26, 2004
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Kurt & Courtney
(1998)
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Martin Scribbs
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Unenlightening.
Posted Sep 26, 2004
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3/5
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Coffee and Cigarettes
(2003)
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Martin Scribbs
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Arranged in short episodes, each composed entirely of awkward and embarassed conversation between midlevel celebs, Coffee and Cigarettes entertains fitfully.
Posted Sep 26, 2004
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Napoleon Dynamite
(2004)
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Martin Scribbs
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With wit as dry as the chapped lips of a constant mouth-breather, Napoleon Dynamite finds moments of painful reserve even in slapstick.
Posted Sep 04, 2004
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Hero
(2002)
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Martin Scribbs
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Truly beautiful, but undeniably resigned to peace through tyranny.
Posted Sep 04, 2004
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The Spanish Apartment
(2002)
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Martin Scribbs
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European Union navel-gazing plus braying youth worship equals L' Auberge Espagnol.
Posted Sep 01, 2004
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Stoked: The Rise and Fall of Gator
(2003)
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Martin Scribbs
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Stoked gives a young woman's rape and murder almost no narrative weight -- it is merely the disappointing spoiler to a talented skateboarder's career.
Posted Sep 01, 2004
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Westray
(2001)
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Martin Scribbs
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Westray explains in painful detail how communities will themselves into fatal ignorance.
Posted Aug 13, 2004
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The Bourne Supremacy
(2004)
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Martin Scribbs
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Bourne himself hovers above mere physical threats, draining this action movie of any urgency.
Posted Aug 13, 2004
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4/5
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Thelma & Louise
(1991)
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Martin Scribbs
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Super-charged, Amazonian feminism hijacks the caper, buddy, revenge, and road trip genres. One hell of a ride.
Posted Aug 08, 2004
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A Nous la Liberte
(1931)
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Martin Scribbs
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The French have no equal when it comes to perfectly aligned bottom-kicking, showing revulsion at the ill-breeding of others, or performing semi-socialist slapstick.
Posted Aug 07, 2004
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Cold Mountain
(2003)
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Martin Scribbs
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Cold Mountain is one cold teat -- tough and lifeless, yielding nothing. When even a semi-nude Jude Law can't save a movie, it's time to go direct to video.
Posted Jul 31, 2004
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