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St@tic Multimedia

St@tic Multimedia is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Sean Axmaker.

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Rating Title | Year Author Quote
The Candy Snatchers (1974) Sean Axmaker ... a forgotten classic of cynical drive-in noir, a perfectly nasty seventies exploitation film with a vicious sense of doom.
Posted Dec 14, 2005Edit critic review
The Bird With the Crystal Plumage (1970) Sean Axmaker ... the story is only a structure for Argento to spin his painstakingly choreographed visions of violence and terror with a fluid camera and carefully controlled colors.
Posted Dec 14, 2005Edit critic review
Cannibal Holocaust (1980) Sean Axmaker ... specious commentary on the manipulation of violence in news and documentary footage and the exploitation of sordid spectacle for entertainment.
Posted Dec 14, 2005Edit critic review
The Stairway to the Distant Past (1995) Sean Axmaker Hayashi's jazzy style is at once both playful and serious, full of comic wit and lighthearted character comedy...
Posted Oct 06, 2005Edit critic review
The Most Terrible Time in My Life (1994) Sean Axmaker ... a lively, witty tribute to American private eye films with a serious core.
Posted Oct 06, 2005Edit critic review
Night Creatures (1962) Sean Axmaker Unleashes Hammer's trademark Gothic style on a dynamic genre mix: part pirate film, part smuggler thriller, part shadowy small-town crime conspiracy.
Posted Sep 19, 2005Edit critic review
The Trap (1996) Sean Axmaker Hayashi's jazzy style is at once both playful and serious, full of comic wit and lighthearted character comedy...
Posted Sep 15, 2005Edit critic review
A Bell From Hell (1973) Sean Axmaker ... walks a fine line between horror and sick humor.
Posted Sep 15, 2005Edit critic review
The Specials (2000) Sean Axmaker It's such a low key parody that the undercurrent of deadpan nuttiness and sheer invention just sneaks up on you.
Posted Jul 05, 2005Edit critic review
Olga's Girls (1964) Sean Axmaker Indifferently acted, crude and sleazy, this fascinatingly bad exploitation artifact of 1960s grindhouses is hilarious camp...
Posted Jul 05, 2005Edit critic review
Bitter Victory (1958) Sean Axmaker Nicholas Ray directs with an uncompromising austerity that puts the hypocrisy and the bitter inhumanity of war in focus...
Posted Jul 05, 2005Edit critic review
Planet of the Vampires (1965) Sean Axmaker Though never particularly scary, Bava has a cool way with the alien eerieness of it all...
Posted Jul 05, 2005Edit critic review
Danger: Diabolik (1968) Sean Axmaker ... a surreal mix of spy movie, heist thriller, and anti-establishment satire, all with delirious style and tongue firmly in cheek.
Posted Jul 05, 2005Edit critic review
800 Bullets (2002) Sean Axmaker ... a tribute to the magic of movies and moviemaking set and shot in Almeria, Spain (home to scores of sixties westerns).
Posted May 08, 2005Edit critic review
My Name Is Nobody (1973) Sean Axmaker Part spoof, part farewell to the frontier myth, it's kind of a slapstick version of The Gunfighter.
Posted May 08, 2005Edit critic review
Parts: The Clonus Horror (1979) Sean Axmaker ... a sickly satirical parody of the free world.
Posted May 08, 2005Edit critic review
Quatermass Conclusion (1980) Sean Axmaker ... an ingenious bit of speculative fiction that combines science, myth, religion, and sociology...
Posted May 08, 2005Edit critic review
Trick Baby (1973) Sean Axmaker This confidence drama set on the streets of Philadelphia is charged with issues of race, racism, family, and trust in ways that no other blaxploitation film touches on.
Posted May 08, 2005Edit critic review
2.5/4
The Interpreter (2005) Sean Axmaker Pollack becomes so caught up in the machinations of plot that he allows the politics to boil down into simplistic mush.
Posted Apr 21, 2005Edit critic review
3/4
Sin City (2005) Sean Axmaker A pastiche of the most naively macho extremes of brutal pulp fiction, lovingly rendered as mock anti-hero B-movie crime opera.
Posted Mar 31, 2005Edit critic review
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