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Gamak Ghar
(2019)
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Rahul Desai
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Shot in the narrative language of a documentary...
Posted Oct 02, 2024
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Taish
(2020)
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Prathyush Parasuraman
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A messy but promising experiment...
Posted Oct 02, 2024
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Sadak 2
(2020)
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Anupama Chopra
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More than anything, Sadak 2 is a brutal reminder of the ravages of time...
Posted Aug 28, 2024
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Yeh Ballet
(2020)
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Rahul Desai
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Imperfect but instinctive.
Posted Aug 28, 2024
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Ullozhukku
(2024)
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Aswathy Gopalakrishnan
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A tender film on love that defies conventions...
Posted Jul 25, 2024
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Bad Newz
(2024)
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Rahul Desai
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The soundscape of Bad Newz just doesn't know how to quit. It drove me nuts...
Posted Jul 22, 2024
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Bad Newz
(2024)
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Anupama Chopra
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Would be passable if more of the jokes landed.
Posted Jul 19, 2024
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Freddy
(2022)
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Rahul Desai
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Freddy is socially awkward, stunted, creepy, needy, tone-deaf and a bit of a lunatic. And that's just the film. Its protagonist is worse.
Posted Jul 15, 2024
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KALKI
(2024)
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Anupama Chopra
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First of it's kind!
Posted Jul 15, 2024
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Manjummel Boys
(2024)
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Anupama Chopra
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I wept and wept!
Posted Jul 15, 2024
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Munjya
(2024)
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Anupama Chopra
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A worthy addition to the Stree universe!
Posted Jul 15, 2024
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Indian 2
(2024)
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Sruthi Raman
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It was a film that explored the penalty of being a bad and a good person. The sequel has no space for such deep dualities.
Posted Jul 12, 2024
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Sarfira
(2024)
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Rahul Desai
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It empathises with poignant ground realities, but from the sky. As a result, it's hard to tell a soaring take-off from a choppy landing.
Posted Jul 12, 2024
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Naai Sekar
(2022)
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Sruthi Raman
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Vadivelu gets his starring-role comeback in Suraj’s film. But this is not the comeback the ace comedian or his fans deserved.
Posted Jul 11, 2024
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Run Baby Run
(2023)
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Ranjani Krishnakumar
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With none of the characters demanding any empathy from the audience, Run Baby Run’s only leverage is the whodunnit. That can only take the film so far.
Posted Jul 11, 2024
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Kannai Nambathey
(2023)
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Harshini S V
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The crime thriller hardly attempts anything new, but whatever it does, it does so impeccably.
Posted Jul 11, 2024
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Rudhran
(2023)
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Ranjani Krishnakumar
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Raghava Lawrence gives the audience a headache with his Kanchana hangover.
Posted Jul 11, 2024
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Good Night
(2023)
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Sruthi Raman
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Vinayak Chandrasekaran’s film rests on the extremely capable shoulders of Manikandan, who is all sorts of wonderful in this comedy about minor inconveniences.
Posted Jul 11, 2024
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Yaathisai
(2023)
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Sruthi Raman
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Dharani Rasendran's 7th century period piece charts the age-old origins of war and its purpose with a burst of originality.
Posted Jul 11, 2024
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Pichaikkaran 2
(2023)
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Vishal Menon
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Despite the option to develop its idea into a film like Billa, Pichaikkaran turns into a soapy melodrama that deviates too much from its campy genesis.
Posted Jul 11, 2024
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Farhana
(2023)
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Harshini S V
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A sincere Aishwarya Rajesh and a non-judgmental gaze in writing are the biggest strengths of Farhana.
Posted Jul 11, 2024
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Maamannan
(2023)
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Vishal Menon
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Despite the compromises in the second half, Mari Selvaraj's third film remains powerful, proving to be a testament to how his voice remains the loudest.
Posted Jul 11, 2024
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Asvins
(2023)
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Sruthi Raman
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A good atmospheric horror often always evokes dread with a kind of effort that's never visible on screen. Tarun Teja's Asvins is a technical coup, but take that away, and what we're left with is laboured and unaffecting plotting.
Posted Jul 11, 2024
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Jailer
(2023)
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Sruthi Raman
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It is the kind of film that quite happily declares to us that whatever type of dinosaur Rajinikanth may be, he is never the type to get extinct.
Posted Jul 11, 2024
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Appatha
(2023)
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Harshini S V
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This Priyadarshan directorial has the right intentions but is hardly engaging.
Posted Jul 11, 2024
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Rebel
(2024)
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Harshini S V
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When the film is done being predictable, it either force-feeds deeply affecting scenes or is busy focusing on the aesthetics of its action sequences.
Posted Jul 11, 2024
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Blurr
(2022)
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Rahul Desai
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At over two hours, it all starts to feel like a blur – a murky whydunit where the film becomes a needy killer while the viewers slowly lose their ability to see the film.
Posted Jul 11, 2024
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Wild Wild Punjab
(2024)
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Rahul Desai
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Cultural parody at its worst.
Posted Jul 10, 2024
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Sharmajee Ki Beti
(2024)
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Rahul Desai
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If this film were a person, its own parents would use Kiran Rao’s Laapata Ladies as a sobering point of comparison and the real ‘Sharmajee Ki Beti.’ Be like her. Aim for balance. Work smart, not loud.
Posted Jun 29, 2024
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Maharaja
(2024)
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Sruthi Raman
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Complicated destiny is everything in Vijay Sethupathi’s terrific hyper-link thriller. It is this labyrinthine web of writing choices that also urges us to overlook its missteps.
Posted Jun 28, 2024
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All We Imagine as Light
(2024)
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Anupama Chopra
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All We Imagine As Light is a film that reveals its gifts at a measured pace and marinates in your head. The second hour, when the action moves to a village, is less effective but Payal is a formidable filmmaker. I can’t wait to see it again.
Posted Jun 28, 2024
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KALKI
(2024)
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Sagar Tetali
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If you're patient with the early sections, the film offers several reviews.
Posted Jun 27, 2024
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KALKI
(2024)
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Rahul Desai
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Nag Ashwin's gargantuan Rs. 600-crore spectacle, Kalki 2898 AD, breaks this holy tradition – by being strictly middling.
Posted Jun 27, 2024
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Maharaj
(2024)
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Prathyush Parasuraman
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An intellectually disingenuous, narratively floppy film...
Posted Jun 26, 2024
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Ishq Vishk Rebound
(2024)
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Rahul Desai
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A clunky, unfunny romcom...
Posted Jun 25, 2024
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Mumbaikar
(2023)
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Deepanjana Pal
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Ridiculous, amateurish and forgettable...
Posted Jun 24, 2024
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Satyabhama
(2024)
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Sagar Tetali
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Convoluted and hit-or-miss...
Posted Jun 14, 2024
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Chandu Champion
(2024)
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Rahul Desai
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Far from perfect, but a big leap in the context of a commercial biopic...
Posted Jun 14, 2024
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Turbo
(2024)
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Film Companion Staff
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The film painstakingly tackles a doomed romance, a financial scam, an ousted hero figure and a political nexus, all together...the meandering writing fails to impress...
Posted Jun 13, 2024
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Ugram
(2023)
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Ram Venkat Srikar
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Naresh is the strongest link in Ugram. Despite some teething troubles, he is wonderful as angry and grieving...
Posted Jun 10, 2024
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Garudan
(2023)
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Sruthi Raman
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Familiar yet engaging...
Posted Jun 03, 2024
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Mr. & Mrs. Mahi
(2024)
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Rahul Desai
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At least the film, like the real Mahi, took the game deep.
Posted Jun 03, 2024
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Aarambham
(2024)
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Sruthi Raman
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What Aarambham lacks in technical know-how, it tries to make up for it with its emotional core — which is Miguel's relationship with his mother.
Posted May 29, 2024
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PT Sir
(2024)
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Harshini S V
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The message gets lost in templated choices...
Posted May 29, 2024
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Bhaiyya Ji
(2024)
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Rahul Desai
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The most jarring aspect is the filmmaking itself.
Posted May 24, 2024
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Guruvayoor Ambalanadayil
(2024)
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Vishal Menon
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It explores an excellent idea for such a comedy with one particularly important detail that often seems to have been left behind when a marriage...
Posted May 22, 2024
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Election
(2024)
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Vishal Menon
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Despite the compromises in the second half,. Mari Selvaraj's third film remains powerful...
Posted May 17, 2024
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The Fall Guy
(2024)
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Sharanya Kumar
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What sizzles in this film is the action rather than the romance, and that's not a bad thing...
Posted May 13, 2024
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Maidaan
(2024)
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Rahul Desai
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Maidaan fails to score.
Posted May 10, 2024
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Srikanth
(2024)
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Rahul Desai
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Bland and oversincere....
Posted May 10, 2024
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