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This City Is a Battlefield
(2025)
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Anthony Kao
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While one might expect this adultery to cause some explosive tension...any conflict...climaxes in a rather flaccid manner and does not...
Posted Dec 02, 2025
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Ma: Cry of Silence
(2024)
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Anthony Kao
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MA – Cry of Silence performs superbly at creating an atmosphere of oppression whilst staying true to the realities of garment worker tribulations in post-coup Myanmar. The film also excels at...
Posted Jul 11, 2025
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An Unfinished Film
(2024)
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Anthony Kao
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... the film feels even more “truthful” and “real” than actual nonfiction documentaries about COVID...
Posted Feb 19, 2025
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12.12: The Day
(2023)
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Anthony Kao
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It’s not often that a movie that’s both so historically accurate and entertaining comes around, which makes 12.12 especially laudable...
Posted Oct 20, 2024
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Breaking and Re-entering
(2024)
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Anthony Kao
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... Taiwanese popular movie vibe that feels distinct from the darker, more sardonic tone of Western heist stories like Money Heist or Ocean’s Eleven...
Posted Aug 08, 2024
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Escape
(2024)
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Anthony Kao
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Despite being about a North Korean soldier who strives to defect across the DMZ, Escape feels more like a veiled commentary on South Korean society...
Posted Jul 03, 2024
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Invisible Nation
(2023)
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Anthony Kao
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Advocates for Taiwan ought to be pleased with Invisible Nation's degree of focus, nuance, and...
Posted Mar 05, 2024
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20 Days in Mariupol
(2023)
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Anthony Kao
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"Incidents that received mere seconds and soundbites in news reports play out in extended, uncensored takes jaggedly filmed under fire, making the destruction seem an order of magnitude worse than what short headlines could reveal..."
Posted Oct 12, 2023
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You & Me & Me
(2023)
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Anthony Kao
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...heartwarming mix of tears, laughs, and sighs of relief...
Posted Sep 28, 2023
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Queen of Justice - Sri Asih
(2022)
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Anthony Kao
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...while Sri Asih has flaws, its role in helping establish Indonesia as a new center of superhero movie innovation makes it worth paying attention to...
Posted Sep 28, 2023
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The Wandering Earth II
(2023)
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Anthony Kao
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More nationalistic types will probably embrace the movie as a way to reinvigorate patriotic sentiments. But don’t be surprised if...
Posted Jul 11, 2023
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Servant of the People
(2016)
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Anthony Kao
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Even if you’re not interested in politics, or didn’t watch Servant of the People season one, this movie is an enjoyable romp that you could easily watch on a weekend night.
Posted Dec 16, 2022
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Hunt
(2022)
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Anthony Kao
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While it’s action-packed and cinematographically competent, the film is like a “greatest hits” compilation of historical tropes from 1980’s South Korea, one that fails to innovate upon the era’s historiography.
Posted Dec 16, 2022
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The Ambush
(2021)
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Anthony Kao
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The Ambush is best analogized to the UAE’s F-16s. It’s something you’d enjoy watching, but not the main attraction compared to America’s latest productions—say, some F-35s stuck in political limbo.
Posted Dec 16, 2022
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Chile '76
(2022)
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Anthony Kao
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1976 shows how oppression need not be active nor visible, for its most pernicious varieties whisper rent-free in people’s heads...
Posted Nov 13, 2022
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Yuni
(2021)
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Anthony Kao
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Yuni offers a distinctive artistic vision with its usage of poetry and color, and is all the more remarkable for emotively addressing potentially sensitive topics amidst Indonesia’s ongoing rise in religious conservatism.
Posted Aug 21, 2022
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Emergency Declaration
(2021)
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Anthony Kao
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While Emergency Declaration feels refreshing as a sort of mid-budget disaster movie that Hollywood doesn’t make often these days, it pales in comparison to other recent Korean media touching on similar themes.
Posted Aug 09, 2022
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Sniper: The White Raven
(2022)
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Anthony Kao
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Sniper: The White Raven seems tailored to the Western zeitgeist, even if it was actually filmed before February 2022’s Russian invasion and likely targeted at domestic Ukrainian audiences
Posted Jul 04, 2022
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Bad Luck Banging or Loony Porn
(2021)
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Anthony Kao
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While Bad Luck Banging is definitely art house, nobody can accuse it of being bland or forgettable...
Posted Jan 21, 2022
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Parallel Mothers
(2021)
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Anthony Kao
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...artistically praiseworthy, though it is worth considering to what degree it'll actually have a political impact, especially when compared to movies about historical memory from elsewhere in the world.
Posted Dec 22, 2021
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Raging Fire
(2021)
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Richard Yu
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Donnie Yen's latest film is heavy on action but begs the question of whether the HK cop drama genre is overdone and in need of a refresh.
Posted Nov 12, 2021
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Under the Open Sky
(2020)
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Anthony Kao
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The ability to compel viewers to re-examine the society around them-that's the mark of a good socially conscious film, and Under the Open Sky earns it.
Posted Aug 09, 2021
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Okay Madam
(2020)
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Anthony Kao
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While it won't shift any societal discourse or pioneer new ways of filmmaking, Okay Madam competently fulfills its likely intended purpose of providing dynamic, family-friendly entertainment.
Posted Aug 09, 2021
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Escape From Mogadishu
(2021)
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Anthony Kao
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...how the film depicts relations between North and South Korean characters is worth deeper examination. Unlike other popular media about inter-Korean relations...
Posted Jul 30, 2021
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A Family
(2020)
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Anthony Kao
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As the first major, internationally streamable movie to address the yakuza's waning influence, A Family is a valuable addition to discourse around Japanese organized crime.
Posted Jun 28, 2021
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Sweet & Sour
(2021)
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Anthony Kao
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Sweet & Sour isn't a lighthearted first date movie. However, it'll likely resonate with many East Asian viewers, and provides an unexpectedly rich look at South Korea's contemporary societal woes.
Posted Jun 28, 2021
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Night in Paradise
(2020)
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Anthony Kao
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With its Jeju location and an intriguing female protagonist, Night in Paradise adds new dimensions to the storied tradition of Korean gangster films.
Posted Jun 07, 2021
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The Great War of Archimedes
(2019)
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Anthony Kao
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The Great War of Archimedes becomes a refreshingly self-aware commentary on Japan's militarism and contemporary national ethos.
Posted Jun 07, 2021
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Seobok: Project Clone
(2021)
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Anthony Kao
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...instead, the movie bit off more it could chew, and became a hollow clone of prior works in the "exploration of humanity" sci-fi subgenre.
Posted Jun 07, 2021
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Natural Light
(2021)
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Anthony Kao
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Despite its martial premise and seeming historical significance though, Natural Light will appeal far more to hardcore art film buffs than historians or war movie aficionados.
Posted Mar 26, 2021
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The Call
(2020)
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Anthony Kao
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Through effective world-building and acting, The Call creates a distinctively chilling and suspenseful vibe that will keep audiences on the edge of their seats until its very last moments.
Posted Mar 26, 2021
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Swimming Out Till the Sea Turns Blue
(2021)
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Anthony Kao
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The film presumes familiarity with the authors it depicts, and will carry much more meaning for those with an existing passion for Chinese literature, culture, and history.
Posted Feb 12, 2021
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Notturno
(2020)
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Anthony Kao
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Notturno builds some empathy, but only of a vague, fleeting variety. That might be enough for winning cinematic awards and pleasing the festival circuit. But...
Posted Feb 12, 2021
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Space Sweepers
(2021)
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Anthony Kao
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Space Sweepers deploys A-list stars atop a jumble of narrative and aesthetic tropes that seem generated by a Silicon Valley AI trained with a dataset of K-drama, anime, and Western hits.
Posted Feb 09, 2021
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The Rescue
(2020)
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Richard Yu
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Between action-packed rescues, acrobatic stunts, and scenes where civilians laud the bravery and heroism of China's Coast Guard, The Rescue at least makes for good propaganda, even if it's lacking in dramatic complexity.
Posted Dec 29, 2020
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The Old Town Girls
(2020)
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Richard Yu
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The Old Town Girls will not leave you fulfilled or satisfied, but the essence of a good neo-noir film is not a "feel-good" experience. Films like these are meant to be dark and depressing, and The Old Town Girls delivers on that promise.
Posted Dec 24, 2020
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The Best Is Yet To Come
(2020)
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Anthony Kao
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... a strong solo directorial debut for Wang. The film's choice of an investigative journalist protagonist is also laudable given China's tightening media environment.
Posted Oct 28, 2020
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Yellow Cat
(2020)
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Anthony Kao
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Yellow Cat feels more like a series of thinly grafted vignettes. It also caters heavily to hardcore fans of classic cinema, rather than broader contemporary audiences.
Posted Oct 28, 2020
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Deliver Us From Evil
(2020)
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Anthony Kao
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...the film still provides a great degree of entertainment, and should please anybody looking for a solid action flick.
Posted Oct 28, 2020
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76 Days
(2020)
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Richard Yu
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76 Days excels at putting the toll of the pandemic into human terms. Most people only saw the pandemic in terms of daily case counts, however, behind every statistic is a human face.
Posted Sep 27, 2020
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#Alive
(2020)
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Anthony Kao
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The film offers an enjoyably youthful tone that weaves itself throughout a suspenseful narrative...perfectly tailored for the time of coronavirus.
Posted Sep 08, 2020
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The Eight Hundred
(2020)
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Richard Yu
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"Overall, the film is still worth a watch if you're interested in Chinese history and politics. If the political message doesn't interest you, at least The Eight Hundred has decent special effects amidst explosions and gun battles."
Posted Sep 07, 2020
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Fukushima 50
(2020)
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Anthony Kao
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Fukushima 50 is no Grave of the Fireflies or Chernobyl, and that's regrettable given Japan's historical moviemaking prowess.
Posted Aug 18, 2020
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Detention
(2019)
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Anthony Kao
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The film represents a significant milestone in Taiwan's reckoning with its authoritarian past.
Posted Aug 18, 2020
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My Prince Edward
(2019)
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Richard Yu
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My Prince Edward is a well produced showcase of some of the struggles that young women in Hong Kong...grapple with as they break out from the conservative mindsets of their parents' generation to forge their own independent paths in life.
Posted Aug 10, 2020
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Beasts Clawing at Straws
(2020)
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Anthony Kao
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Easy to enjoy, full of energy, and filled with suspense-Beasts Clawing At Straws should please anybody who wants an entertaining crime thriller...
Posted Feb 25, 2020
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The Closet
(2020)
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Richard Yu
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The Closet is a softer introduction to horror. There's no jump-scares or blood and guts...instead, the film focuses on Sang-won's personal journey in becoming a better dad for Ina.
Posted Feb 20, 2020
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Secret Zoo
(2020)
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Anthony Kao
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The film mixes lighthearted humor with low-key social commentary, offering a heartwarming but passionless viewing experience.
Posted Jan 30, 2020
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The Man Standing Next
(2020)
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Anthony Kao
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Offers a rigorous retelling of events, but results in an overloaded narrative that caters to history buffs at the slight expense of casual viewers and cinephiles.
Posted Jan 30, 2020
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Ashfall
(2019)
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Anthony Kao
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Ashfall might be a trope-ridden blockbuster, but it's one with geopolitical significance.
Posted Jan 16, 2020
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