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CINE-FILE

CINE-FILE is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Cody Corrall, Steve Erickson.

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Rating Title | Year Author Quote
Censor (2021) Steve Erickson Censor has a hallucinatory tone all its own, halfway between slasher movie and fairy tale.
Posted Jul 13, 2021  Edit critic review
Les Nôtres (2020) Steve Erickson Les nôtres runs on barely suppressed tension, giving the audience more information than the characters. For a narrative which could have set out to shock or turn into melodrama, it's actually fairly hushed.
Posted Jul 06, 2021  Edit critic review
Take Me Somewhere Nice (2019) Steve Erickson Sendijarevic's a confident stylist.
Posted Jul 06, 2021  Edit critic review
Cry Baby (1990) Cody Corrall It's not Waters' most revolutionary or provocative work, but Cry-Baby effectively pokes fun at the sanitized Greases and Romeo and Juliets of the world for the queerdos and freaks alike
Posted Jun 23, 2021  Edit critic review
We Are Little Zombies (2019) Cody Corrall Makoto Nagaisa has certainly proved the value of his unique, albeit intrusive, voice in this feature-and dares to challenge the standards of film form and execution as we know it.
Posted Jun 23, 2021  Edit critic review
And Then We Danced (2019) Cody Corrall And Then We Danced doesn't simply yearn for a world that is "accepting" or "tolerant" of queer people-it dares for the world to see us for everything we are regardless of the hatred and violence that is thrown at us, especially globally.
Posted Jun 23, 2021  Edit critic review
Shirley (2020) Cody Corrall Moss and Stuhlbarg's performances are showstopping-ranging over a striking spectrum from muted passivity to explosive chaos-and are reminiscent of gripping theater.
Posted Jun 23, 2021  Edit critic review
Helmut Newton: The Bad and the Beautiful (2020) Cody Corrall The beauty of The Bad and The Beautiful is how it allows Newton's subjects-and the women who worked with him behind the scenes-to speak for themselves.
Posted Jun 23, 2021  Edit critic review
Black Bear (2020) Cody Corrall Black Bear refuses to give you a simple answer to its own mystery-instead, it engulfs you in its surreal nightmare, wholly and without compromise.
Posted Jun 23, 2021  Edit critic review
Signature Move (2017) Cody Corrall Signature Move uses the glitz and performance of wrestling to initiate thoughtful conversations on the masks we all wear, especially as queer people. It's full of heart, introspection, and endearing humor-all while being wholly Chicago.
Posted Jun 23, 2021  Edit critic review
My Darling Supermarket (2019) Cody Corrall From restocking empty shelves, to painting price signs like fine calligraphy, and meticulously kneading and scoring bread-My Darling Supermarket makes the most ordinary of routines utterly mesmerizing.
Posted Jun 23, 2021  Edit critic review
Gunda (2020) Cody Corrall Gunda is quiet yet undeniably engrossing, and manages to translate the inner workings of animals in a deeply human way.
Posted Jun 23, 2021  Edit critic review
Born to Be (2020) Cody Corrall Tania Cypriano's crucial documentary rejects the notion that gender affirming surgeries are anything but necessary-and tries to imagine a better future for trans healthcare.
Posted Jun 23, 2021  Edit critic review
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