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Town & Country (UK)

Town & Country (UK) is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Yasmin Omar.

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Rating Title | Year Author Quote
4/5
Free Solo (2018) Yasmin Omar Equal parts anxiety-inducing and affecting, Free Solo is a fascinating examination of an intrepid athlete's determination to achieve his lifelong ambition.
Posted Jun 25, 2021  Edit critic review
3.5/5
Black Bear (2020) Yasmin Omar Black Bear offers a singular viewing experience. The film morphs and mutates before our very eyes, spinning and whirring towards its bewildering conclusion.
Posted Jun 25, 2021  Edit critic review
3.5/5
Shiva Baby (2020) Yasmin Omar The writer-director Emma Seligman creates an excruciatingly uncomfortable comedy, a piece of anxiety-spiking cinema that makes your skin crawl.
Posted Jun 25, 2021  Edit critic review
3.5/5
Apples (2020) Yasmin Omar Apples is a tart allegory and its 'pics or it didn't happen' attitude serves as a damning critique of how social-media use shapes our experiences.
Posted Jun 25, 2021  Edit critic review
4/5
Sorry Angel (2018) Yasmin Omar Anchored by the fluid performances of its charismatic leads, Sorry Angel is a delicate study of the human impact of the Aids crisis.
Posted Jun 25, 2021  Edit critic review
4/5
Rocketman (2019) Yasmin Omar Rocketman transcends its well-worn form with beautifully executed flights of fantasy that encapsulate the carefree joy of song.
Posted Jun 25, 2021  Edit critic review
2.5/5
The Aeronauts (2019) Yasmin Omar The Aeronauts is preoccupied with heavy, energy-deflating exposition that does little to sketch out the frustratingly thin characters.
Posted Jun 25, 2021  Edit critic review
4/5
Knock Down the House (2019) Yasmin Omar Knock Down the House is a showcase of fist-pumping feminism, a shining example of what hard work and determination can achieve.
Posted Jun 25, 2021  Edit critic review
4/5
Varda by Agnès (2019) Yasmin Omar Varda by Agnès is a fitting send-off for the director, since it follows her signature technique of tingeing playful exuberance with sadness.
Posted Jun 25, 2021  Edit critic review
4/5
Pain and Glory (2019) Yasmin Omar Stripped of Almodóvar's signature kitsch aesthetic and larger-than-life narratives, the film becomes a powerful confessional tale on the nature of storytelling.
Posted Jun 25, 2021  Edit critic review
5/5
Matthias & Maxime (2019) Yasmin Omar A devastating exploration of repressed desire and unspoken longing.
Posted Jun 25, 2021  Edit critic review
4/5
Knives Out (2019) Yasmin Omar Knives Out is a thoroughly satisfying murder mystery populated with well-drawn, idiosyncratic characters who collectively present a tapestry of modern America.
Posted Jun 25, 2021  Edit critic review
2/5
Bombshell (2019) Yasmin Omar In its eagerness to magnify the true-life scandal that inspired it, the film seems to forget that behind the headlines are human beings who were traumatised daily in a boys'-club environment.
Posted Jun 25, 2021  Edit critic review
4/5
Another Round (2020) Yasmin Omar Another Round's premise is far-fetched to say the least, but the actors fully sell it, imbuing their characters with a warm sincerity that thaws disbelief.
Posted Jun 25, 2021  Edit critic review
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