Guest of Honour (2019)
41%
B-
EDIT
“While wrestling to keep its unwieldy plot twists under control at times, the result is a complex, at times melancholic study of a father-daughter relationship gone awry over with the passing of time.” –
The Playlist
Sep 16, 2019
Full Review
The Perfect Candidate (2019)
93%
4/5
EDIT
“Maryam doesn't want to change the whole political system, she just wants to be able to do her job as a doctor properly, and The Perfect Candidate cleverly highlights the lengths she has to go to be listened to and respected.” –
One Room With A View
Sep 4, 2019
Full Review
Joker (2019)
68%
2/5
EDIT
“The film begins in a pretty dark place and it only gets more and more miserable as it goes on, with no relief in sight.” –
SciFiNow
Sep 3, 2019
Full Review
The King (2019)
71%
EDIT
“Henry V has been interpreted in different ways regarding its stance on war, and The King does well to grapple with the question of whether violence is a necessity.” –
Little White Lies
Sep 3, 2019
Full Review
Seberg (2019)
36%
C+
EDIT
“With exquisite costume design and cinematography-and a talented supporting cast-there's plenty to admire in the sprawling Seberg.” –
The Playlist
Aug 31, 2019
Full Review
Jawline (2019)
97%
4/5
EDIT
“Jawline is an in-depth, sensitive exploration of male social media stars and their fans, the grind it takes to get to the top, and the dangers of relying on instant fame as a career plan, even when it seems close enough to touch.” –
One Room With A View
Jun 10, 2019
Full Review
Diamantino (2018)
87%
4/5
EDIT
“Utterly bonkers, heartfelt and perfectly tied together. Goal!” –
Little White Lies
Apr 16, 2019
Full Review
Pet Sematary (2019)
57%
2/5
EDIT
“Although it brings occasional jump scares, Pet Sematary struggles to identify what makes its ideas so terrifying, ending up as an uninspiring, conventional horror.” –
One Room With A View
Apr 8, 2019
Full Review
Captain Marvel (2019)
79%
4/5
EDIT
“With a well-written story, dedicated and fun performances and a sprinkling of '90s nostalgia, Captain Marvel is a gratifying ride with a badass woman at its heart.” –
One Room With A View
Mar 5, 2019
Full Review
We Are Little Zombies (2019)
93%
4/5
EDIT
“We Are Little Zombies is a vibrant film brimming with snappy, dark humour that can only be used to handle such a sad premise as four children becoming orphans.” –
One Room With A View
Feb 19, 2019
Full Review
Elisa & Marcela (2019)
47%
3/5
EDIT
“While the film does have some stylistic and pacing faults, Elisa y Marcela is an emotional drama that sends an important message of hope to minority groups.” –
One Room With A View
Feb 19, 2019
Full Review
Flesh Out (2019)
100%
4/5
EDIT
“With excellent performances from the young cast, Occhipinti has created an engaging, direct drama on a current issue.” –
One Room With A View
Feb 15, 2019
Full Review
Minding the Gap (2018)
100%
5/5
EDIT
“Minding the Gap is an intelligent documentary with an emotional core that is rare to find in a film about dudes hanging out on their boards and drinking beer.” –
One Room With A View
Feb 12, 2019
Full Review
Glass (2019)
37%
3/5
EDIT
“Glass is overcome with big ideas that overshadow some of the smaller, more intimate moments that Shyamalan has proved he can do exceptionally well.” –
One Room With A View
Jan 19, 2019
Full Review
White Boy Rick (2018)
56%
3/5
EDIT
“White Boy Rick is a film with too many stories to tell, but Demange just about keeps it from becoming too tangled up, with sharp humour and a cast that keeps the film afloat in a wild tale of drugs and family.” –
One Room With A View
Dec 12, 2018
Full Review
Shadow (2018)
94%
4/5
EDIT
“Shadow is mostly black and white in design, the costumes and set looking as if they've been dipped in ink. But everything looks surprisingly deep and rich despite the lack of colour.” –
One Room With A View
Sep 14, 2018
Full Review
The Crossing (Guo Chun Tian) (2018)
82%
4/5
EDIT
“Energetic and character driven, with the crime plot balancing well with Peipei's growth as a teenager, The Crossing is a bold debut feature that experiments with what cinema can do to tell a story.” –
One Room With A View
Sep 10, 2018
Full Review
Wildlife (2018)
94%
3/5
EDIT
“A competent debut, but perhaps too neat at times, Wildlife captures the feeling of the world falling away that comes with the separation of a family.” –
One Room With A View
Sep 9, 2018
Full Review
The Predator (2018)
34%
2/5
EDIT
“The story also seems fairly vague and spread across several different narrative threads that never quite add up. No one has a clear motive, including the Predator himself, and this makes for confusing, tensionless viewing.” –
One Room With A View
Sep 9, 2018
Full Review
Spaceship (2016)
53%
1/5
EDIT
“Spaceship could have been so much more exciting and remarkable if it had only dropped its need to be complex and deep.” –
One Room With A View
Aug 24, 2018
Full Review
Ten Years (2015)
100%
3/5
EDIT
“Ten Years is a challenging but ultimately fascinating viewing experience.” –
One Room With A View
Aug 24, 2018
Full Review
Don't Blink -- Robert Frank (2015)
84%
4/5
EDIT
“Placed in the present and looking back into the past, it is a thoroughly fascinating watch to anyone interested in 20th century American art, literature and photography from this perspective.” –
One Room With A View
Aug 24, 2018
Full Review
Arrival (2016)
94%
4/5
EDIT
“Despite an overly emotional narrative in order to ground the film in humanity, it is beautifully shot and designed, with an undercurrent of threat and a conclusion that is simultaneously baffling and amazing.” –
One Room With A View
Aug 24, 2018
Full Review
Rara (2016)
100%
4/5
EDIT
“A delight to watch, Rara takes its time to present a complex family full of three-dimensional characters.” –
One Room With A View
Aug 24, 2018
Full Review
Prevenge (2016)
92%
4/5
EDIT
“Alice Lowe's directorial debut Prevenge is funny and incredibly dark in a way that only British cinema seems to be able to achieve well.” –
One Room With A View
Aug 24, 2018
Full Review
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