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Stephen Porzio

Tomatometer-approved critic
Biography:

Stephen Porzio is a senior writer for the publication JOE.ie. He previously wrote about film and TV for Film Ireland, HeadStuff and Hot Press.

Publications:

Reviews

Movies TV Shows
28 Years Later: The Bone Temple (2026) 92% 5/5 EDIT “Might be the franchise's most ambitious and crazy entry yet... Absolutely electric.” – joe.ie Jan 15, 2026 Full Review Giant (2025) 61% EDIT “Giant is funny, heartfelt and tremendously acted. In our opinion, it’s a knock-out.” – joe.ie Jan 10, 2026 Full Review Marty Supreme (2025) 93% EDIT “Marty Supreme blends the period setting and compelling underdog sports drama of The Queen's Gambit with Uncut Gems' levels of authenticity and breakneck thrills.” – joe.ie Jan 8, 2026 Full Review Sentimental Value (2025) 97% EDIT “An ambitious film that feels slightly messier than Trier’s best work... Yet, Sentimental Value’s high points really are transcendent. ” – joe.ie Jan 8, 2026 Full Review Saipan (2025) 90% EDIT “Perhaps a smaller... version of Saipan, where it’s just [Hardwicke and Coogan] acting against each other, would be the perfect way to tell this story. This... still has enough of this to be worth seeking out, even if it leaves you wanting slightly more.” – joe.ie Jan 8, 2026 Full Review Avatar: Fire and Ash (2025) 66% EDIT “At a time when a lot of blockbusters can feel like junk food, Avatar: Fire and Ash is a five-course meal.” – joe.ie Dec 20, 2025 Full Review Silent Night, Deadly Night (2025) 77% EDIT “The real reason to watch the remake... is the charming performance from [Ruby] Modine.” – joe.ie Dec 12, 2025 Full Review Horseshoe (2025) EDIT “The comedy-drama is the type of warm Irish crowdpleaser that will provoke some big chuckles, while subtly tugging on the heartstrings.” – joe.ie Dec 11, 2025 Full Review Lurker (2025) 95% EDIT “[Writer-director Alex] Russell’s movie eschews easy resolution, something that causes it to linger in viewers’ brains long after its credits roll.” – joe.ie Dec 11, 2025 Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% EDIT “A significant improvement on its predecessors, Knives Out and Glass Onion, movies that we already found very entertaining... Rian Johnson crafts his best mystery yet.” – joe.ie Dec 2, 2025 Full Review Train Dreams (2025) 95% EDIT “The movie’s lyrical direction and writing, its screenplay’s epic scope... and its soulful performances all combine to create this highly emotional meditation on the relationship between work and family, humans and the land, and humans and time.” – joe.ie Nov 26, 2025 Full Review Christy (2025) 67% EDIT “All in all, Christy is a good movie as opposed to a great one, even though it’s anchored by a terrific lead performance.” – joe.ie Nov 26, 2025 Full Review In the Lost Lands (2025) 24% EDIT “[Brief] entertaining moments are drowned out in a barrage of cliched dialogue, confusing storytelling and highly artificial and drab-looking sets, which really kill any sense of immersion in the fantasy tale.” – joe.ie Nov 25, 2025 Full Review Opus (2025) 39% EDIT “Even if the payoff isn’t as mind-blowing as viewers may have hoped, the journey to get there is pleasingly creepy, funny and tremendously well-acted.” – joe.ie Nov 25, 2025 Full Review A HOUSE OF DYNAMITE (2025) 75% EDIT “By boldly eschewing clear resolution, the movie and the dilemmas and ideas it presents linger longer with the viewer.” – joe.ie Nov 14, 2025 Full Review Anemone (2025) 53% EDIT “The return of Day-Lewis is worth the price of admission... It’s a typically spine-tingling performance from the Oscar-winner, who does incredible work slowly unfurling Ray’s stern, hyper-masculine facade to reveal the wealth of emotion raging underneath.” – joe.ie Nov 14, 2025 Full Review Predator: Badlands (2025) 86% EDIT “Trachtenberg maintains the mean-and-lean ‘gang on a mission’ storytelling that made Prey a surprise hit, but places it amidst a more dazzling, fun and inventive backdrop.” – joe.ie Nov 14, 2025 Full Review Die My Love (2025) 74% EDIT “There is an over-reliance on exaggerated metaphors and histrionic behaviour (...to give a sense of a character being animalistic, there are numerous scenes of said character walking around on all fours) that does drain a lot of the authenticity...” – joe.ie Nov 14, 2025 Full Review Keeper (2025) 53% EDIT “At a time when many "elevated horrors" prioritise over-explaining their metaphors and themes, rather than delivering scares and thrills, Keeper’s inventiveness, persistent air of unease, and hard-to-pin-down story should be celebrated.” – joe.ie Nov 13, 2025 Full Review Strange Harvest (2024) 92% EDIT “[Strange Harvest's] authentic performances and its impressive aping in its construction and editing of real true crime docs, does a lot to ground Ortiz’s impressively convoluted and twisted yarn.” – joe.ie Nov 2, 2025 Full Review Bugonia (2025) 88% EDIT “Bugonia is indeed extremely disturbing. What’s most impressive about it, though, is that it’s also compulsively watchable. In fact, it’s perhaps Lanthimos’ most mainstream effort to date.” – joe.ie Nov 2, 2025 Full Review The Mastermind (2025) 90% EDIT “The Mastermind is... more for the arthouse crowd, who will probably get a kick out of O'Connor looking cool as he blows up his life and moody jazz music plays in the background.” – joe.ie Oct 29, 2025 Full Review Brick (2025) 44% EDIT “One-dimensional characters, some repetitive scenes and an increasingly muddled plot do detract from the effective on-paper allegory.” – joe.ie Oct 29, 2025 Full Review The Cut (2024) 69% EDIT “Despite the lack of in-ring action (perhaps the result of a low budget)... The Cut makes for a mostly powerful watch, particularly in its first three-quarters.” – joe.ie Oct 29, 2025 Full Review Borderline (2025) 59% EDIT “Even with [several] flaws... a brilliant central performance by Ray Nicholson keeps viewers glued to the screen. ” – joe.ie Oct 29, 2025 Full Review
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