Susan G. Cole
Susan G. Cole's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Orwell: 2 + 2 = 5 (2025)
84%
EDIT
“[R]esonates in situations all over the planet today.” –
POV Magazine
Oct 1, 2025
Full Review
Lilith Fair: Building a Mystery (2025)
100%
EDIT
“But it’s the archival goldmine of interviews and performances discovered just as Pankiw thought she’d gathered everything that offers crucial insights. ” –
POV Magazine
Sep 16, 2025
Full Review
How Deep is Your Love (2025)
EDIT
“Whatever its political resonances, How Deep Is Your Love (the Bee Gees hit is never heard here) is one spectacular visual extravaganza.” –
POV Magazine
May 8, 2025
Full Review
Writing Hawa (2024)
EDIT
“Enhanced by Afshin Azari’s beautiful soundtrack featuring Afghan strings and percussion and bolstered by Noori’s interviews of family members and friends, it is a moving portrait of the filmmaker’s family struggling in crisis. ” –
POV Magazine
May 8, 2025
Full Review
Sudan, Remember Us (2024)
100%
EDIT
“A film that’s both upsetting and inspirational.” –
POV Magazine
Sep 18, 2024
Full Review
Secret Mall Apartment (2024)
98%
EDIT
“Like any fascinating meditation on the meaning of art and its potential as a political force, Workman’s doc asks more questions than it answers, which is a very good thing.” –
POV Magazine
Jun 26, 2024
Full Review
My Name Is Andrea (2022)
63%
EDIT
“[A] welcome rehabilitation of the reputation of an iconically gifted writer who paved the way for a movement that put gender violence at the centre of public discourse.” –
POV Magazine
Sep 25, 2023
Full Review
Copa 71 (2023)
98%
EDIT
“[I]f you watch Copa 71, the documentary about a one-off Women’s World Cup competition in Mexico City, you will be amazed, first because almost no one has ever heard of this long-ago tournament. ” –
POV Magazine
Sep 25, 2023
Full Review
God is a Woman (2023)
100%
EDIT
“Peyrot overlays shots of the viewers onto the film images on the screen, an intriguing strategy highlighting the fact that the community has changed.” –
POV Magazine
Sep 25, 2023
Full Review
Sorry/Not Sorry (2023)
82%
EDIT
“Cancelled? As fiery comic Aida Rodriguez puts it, who’s worrying about the many talented female comics whose entire careers, thanks to C.K., were cancelled?” –
POV Magazine
Sep 25, 2023
Full Review
Sholem Aleichem: Laughing in the Darkness (2011)
100%
4/5
EDIT
“An important doc for anyone who cares about literature.” –
NOW Toronto
Sep 23, 2020
Full Review
Hannah Gadsby: Douglas (2020)
93%
3/5
EDIT
“Douglas is a maddeningly inconsistent stand-up special...” –
NOW Toronto
May 27, 2020
Full Review
Be Like Others (2008)
100%
3/5
EDIT
“A sad slice of gender fascism.” –
NOW Toronto
May 18, 2020
Full Review
Mamma Mia! Here We Go Again (2018)
80%
3/5
EDIT
“Just try throwing shade at Mamma Mia! Here We Go Again. Its relentlessly sunny spirit will burn right through it.” –
NOW Toronto
Mar 30, 2019
Full Review
The Misandrists (2017)
75%
1/5
EDIT
“The Misandrists is supposed to be a send-up of radical feminism, but it only occasionally shows any understanding of feminist thinking, and the film isn't funny for a second.” –
NOW Toronto
Jan 29, 2019
Full Review
Nothing Like a Dame (2018)
98%
4/5
EDIT
“Too much time is given to the legends complaining about the rigors of filming this documentary, but it's ultimately big fun having tea with these Dames.” –
NOW Toronto
Nov 28, 2018
Full Review
Selma (2014)
99%
4/5
EDIT
“Listen to Common's track over the final credits. This movie is continuing a conversation that America cannot ignore.” –
NOW Toronto
Oct 4, 2018
Full Review
93Queen (2018)
94%
4/5
EDIT
“What at first looks like a straightforward story about plucky Hasidic women battling to create an all-female emergency force in Brooklyn turns into something much more complex.” –
NOW Toronto
Oct 4, 2018
Full Review
Jane Fonda in Five Acts (2018)
97%
4/5
EDIT
“The filmmaking in this doc may be conventional, but there's nothing conventional about its subject.” –
NOW Toronto
Sep 20, 2018
Full Review
Gloria Bell (2018)
90%
3/5
EDIT
“The glorious Julianne Moore is the best reason to see this American adaptation of Sebastián Lelio's Chilean film.” –
NOW Toronto
Sep 12, 2018
Full Review
Colette (2018)
87%
3/5
EDIT
“This biopic of France's best-selling female author is packed with flaws, but star Keira Knightley carries it off with panache.” –
NOW Toronto
Sep 11, 2018
Full Review
When Arabs Danced (Au temps où les Arabes dansaient) (2018)
4/5
EDIT
“This is a celebration of artistic freedom and beauty - and a provocation.” –
NOW Toronto
Sep 8, 2018
Full Review
Loro (2018)
79%
2/5
EDIT
“I thought the party sequences in The Wolf Of Wall Street were just fine, thank you, but Loro's give new meaning to the word gratuitous.” –
NOW Toronto
Sep 8, 2018
Full Review
Transit (2018)
94%
4/5
EDIT
“Petzold's moody meditation on exile and rootlessness may lack the narrative drive of his brilliant last film, Phoenix, but it's unsettling and powerful nevertheless.” –
NOW Toronto
Sep 6, 2018
Full Review
Sibel (2018)
75%
4/5
EDIT
“The film illuminates patriarchy's persistence - and the sexual repression that goes with it - in rural Turkey but thankfully never uses a sledgehammer.” –
NOW Toronto
Sep 6, 2018
Full Review
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