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Susan Lambert

Susan Lambert's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Doing Time for Patsy Cline (1997) 78% 3.5/5 EDIT “A clever tale told with a small cast of enormous talent.” – Boxoffice Magazine Jun 13, 2002 Full Review Batman & Robin (1997) 11% 2/5 EDIT “Repetitive, slow and surprisingly messy.” – Boxoffice Magazine Jun 5, 2002 Full Review Mission: Impossible (1996) 67% EDIT “Thick with plot, but thin on story, this mission proves that $64 million dollars can buy you one heck of an elaborate television episode. ” – Boxoffice Magazine Jun 5, 2002 Full Review Down Periscope (1996) 11% 2/5 EDIT “It's embarrassing to see Lauren Holly wasting her time as the butt-of-all-the-obvious-jokes female aboard ship.” – Boxoffice Magazine Jun 5, 2002 Full Review The Rock (1996) 68% 3/5 EDIT “Above Mission Impossible and Twister put together. But being better than two bloated, style-over-substance movies does not equal good.” – Boxoffice Magazine Jun 5, 2002 Full Review Executive Decision (1996) 62% 3.5/5 EDIT “The great thing about the movie is that, although it's ludicrously predictable along the lines of every 'Die Hard on a [name your vehicle],' the filmmakers still manage to wring every scene for the most thrills possible.” – Boxoffice Magazine Jun 5, 2002 Full Review The Nutty Professor (1996) 63% 3.5/5 EDIT “It's just so pleasing that Murphy has cloaked his ego in an effective character and an engaging story this time.” – Boxoffice Magazine Jun 5, 2002 Full Review Picture Perfect (1997) 44% 2/5 EDIT “The script has interesting comments to make about the expectations people place on love, marriage and commitment, but it fails to follow through; its structure disintegrates just at the point when it should take off...” – Boxoffice Magazine Jun 5, 2002 Full Review Lone Star (1996) 91% 4/5 EDIT “Lone Star" sports more fascinating characters and intertwined stories than some Robert Altman films and the plot turns and twists like a pinned rattlesnake. The film's freedom rides on the strong shoulders of its performers and they are superb.” – Boxoffice Magazine Jun 5, 2002 Full Review A Time to Kill (1996) 66% 1.5/5 EDIT “There are no surprises here except for the indecipherable motivations and exacting length of two hours and twenty minutes.” – Boxoffice Magazine Jun 5, 2002 Full Review The Saint (1997) 30% 2.5/5 EDIT “The script is a mixed bag of elaborate and unnecessary pseudo-politics, intriguing ideas and mostly confusing rehashed romantic mishmash.” – Boxoffice Magazine Jun 5, 2002 Full Review Courage Under Fire (1996) 86% 2/5 EDIT “The sharp-edged script by Patrick Sheane Duncan offers a challenging structure, ala Rashamon, to examine issues of courage and truth, but unfortunately the story is never fully realized.” – Boxoffice Magazine Jun 5, 2002 Full Review The Birdcage (1996) 84% EDIT “This feel-good family comedy with a twist is based on the 1978 French film La Cage aux Folles.” – Boxoffice Magazine Jun 5, 2002 Full Review Supercop (1992) 93% EDIT “A super-charged, bang-up action flick the likes of which most Americans still have never seen.” – Boxoffice Magazine Jan 1, 2000 Full Review Kiss or Kill (1997) 84% EDIT “The performances are lovely, the odd characters engaging and the filmmaking interesting.” – Boxoffice Magazine Jan 1, 2000 Full Review The Crow: City of Angels (1996) 16% EDIT “Despite poetic overtones, this film is a hack job--an overlit, underdirected, barely scripted longform music video celebrating violence and bastard amber gel.” – Boxoffice Magazine Jan 1, 2000 Full Review Maximum Risk (1996) 35% EDIT “Lam brings a welcome kinetic energy to the chase scenes, and his action has that fast and furious quality unique to Hong Kong films.” – Boxoffice Magazine Jan 1, 2000 Full Review The Armour of God (1986) 71% EDIT “The final fight scene in an underground Nazi wind tunnel is a work of absolute genius and not to be missed for any reason.” – Boxoffice Magazine Jan 1, 2000 Full Review
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