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Tatsam Mukherjee

Tomatometer-approved critic
Biography:

Tatsam Mukherjee has been working as a film journalist since 2016, and is based out of Delhi NCR. He's also an avid sports fan, and spends an unusual amount of time on Thesaurus.com and hating Novak Djokovic.

Reviews

Movies TV Shows
Dhurandhar (2025) 42% EDIT “... that’s the thing about Dhar’s cinema – it doesn’t want to tell a story, it wants to recruit.” – The Wire (INDIA) Dec 22, 2025 Full Review Avatar: Fire and Ash (2025) 66% EDIT “Avatar: Fire and Ash does the unthinkable by making Cameron look ordinary.” – The Wire (INDIA) Dec 22, 2025 Full Review Inspector Zende (2025) 64% EDIT “Bajpayee is a great choice to play the titular role... he understands the drive that fuels such a long journey outside of tangible gains like promotions, increments, a glowing reputation among superiors and peers. It’s the joy of doing something they love” – The Wire (INDIA) Sep 16, 2025 Full Review War 2 (2025) 30% EDIT “Directed by Ayan Mukerji, this sequel to Siddharth Anand’s 2019 film only cares about beauty, glamour, sleekness, and entertainment. And whatever it takes to engineer them.” – The Wire (INDIA) Sep 16, 2025 Full Review Bring Her Back (2025) 89% EDIT “What would you do, if there was the slightest chance you could bring a loved one back from the dead? What would you sacrifice? Your honour, your sanity?” – The Wire (INDIA) Sep 16, 2025 Full Review Lokah - Chapter 1: Chandra (2025) EDIT “In an age where it’s almost too easy for makers to give into preaching populist, regressive values – with the cop-out explanation that it’s what the audience wants – it’s interesting to see Arun’s film being mindful and deliberate about what it says.” – The Wire (INDIA) Sep 16, 2025 Full Review The Fable (2024) 100% EDIT “Jugnuma - The Fable is a rare Indian film that confidently amalgamates genres ranging from folklore, magic realism, paranoid thriller to family drama – making it one heady concoction, without ever truly losing grip of what it wants to say.” – The Wire (INDIA) Sep 16, 2025 Full Review Dhadak 2 (2025) 63% EDIT “Dhadak 2 wants to be a crusader on caste atrocities, but, even by the end I couldn’t picture it as any more than a worried bystander.” – The Wire (INDIA) Aug 12, 2025 Full Review Sorry, Baby (2025) 97% EDIT “'Sorry, Baby' Is a Quietly Devastating, Darkly Funny Debut ” – The Wire (INDIA) Aug 12, 2025 Full Review Weapons (2025) 93% EDIT “Zach Cregger’s Film is a Gorgeous Blend of Moody Horror, Slick Mystery & Real Hurt” – The Wire (INDIA) Aug 12, 2025 Full Review Sister Midnight (2024) 98% EDIT “As it concludes, it’s impossible to not admire the storm that is Karan Kandhari’s Sister Midnight – even if it leaves behind a whole lot of wreckage in its wake. Such beautiful wreckage.” – The Wire (INDIA) Jun 26, 2025 Full Review Stolen (2023) 88% EDIT “Despite what disenchanted voices will say, Karan Tejpal’s film is a reminder that despite all the bad faith around us, it can’t be an excuse to do nothing.” – The Wire (INDIA) Jun 26, 2025 Full Review Materialists (2025) 77% EDIT “Materialists emulates the rhythm of real life, replicating its ebbs and flows, alternating between the highs of a too-good-to-be-true fairytale, the pitch-darkness of real life and the mundanities of the in-between days.” – The Wire (INDIA) Jun 26, 2025 Full Review Sitaare Zameen Par (2025) 65% EDIT “'At 158 mins, this is the longest Aamir Khan has grovelled for our love and validation...'” – The Wire (INDIA) Jun 26, 2025 Full Review 28 Years Later (2025) 88% EDIT “In 28 Years Later, Danny Boyle Refashions a Zombie Thriller Into a Moving Coming-of-age Tale” – The Wire (INDIA) Jun 24, 2025 Full Review Mission: Impossible - The Final Reckoning (2025) 80% EDIT “Between wanting to give a proper send-off to the franchise’s most-loved characters and wanting to advance its overwrought plot, the film repeatedly goes too far with its sombre, self-reverential tone.” – The Wire (INDIA) May 21, 2025 Full Review Jewel Thief - The Heist Begins (2025) 5% EDIT “I laughed out the loudest when our titular character is asked how he plans to steal the diamond, and he says “… in the gagan (sky)” . ” – The Wire (INDIA) Apr 25, 2025 Full Review Shadowbox (2025) EDIT “Is there a more stoic face in Hindi cinema than Tillotama Shome’s, especially when she’s being told she’s not good enough for something?” – The Wire (INDIA) Apr 25, 2025 Full Review Baby John (2024) 29% EDIT “Nothing screams ‘crisis’ in Hindi cinema right now more than Salman Khan showing up in his second ‘star cameo’ of the year – hedging his bets between two cinematic universes; hoping at least one of them works. Something works.” – The Wire (INDIA) Apr 25, 2025 Full Review Mrs. (2023) 86% EDIT “The Great Indian Kitchen did a sensational job of dispassionately recording the indignities the women in an Indian home... Kadav’s film tries to replicate the same, but isn’t able to do so with a guttural intensity.” – The Wire (INDIA) Apr 25, 2025 Full Review The Diplomat (2025) 47% EDIT “'The Diplomat' wants to be 'Argo' but Ends up Catering to the 'Kerala Story' Audience” – The Wire (INDIA) Apr 25, 2025 Full Review Warfare (2025) 92% EDIT “‘Warfare’ Feels Like a Sobering Admission of America’s Futile, Bloody Invasion of Iraq” – The Wire (INDIA) Apr 15, 2025 Full Review Black Bag (2025) 96% EDIT “Soderbergh’s latest is a velvety relationship drama. Underneath all the spy jargon, malware destabilising rival nations, drone strikes, satellite surveillance, is a married couple – reevaluating and reaffirming their trust in each other.” – The Wire (INDIA) Apr 3, 2025 Full Review Superboys of Malegaon (2024) 87% EDIT “Superboys of Malegaon brings back wide-eyed wonder to Hindi films, which seems to be fast depleting.” – The Wire (INDIA) Mar 5, 2025 Full Review Omaha (2025) 89% EDIT “Through the road trip, 'Omaha' reveals itself to be a stark portrait of the desperation of an America on the margins.” – The Wire (INDIA) Jan 29, 2025 Full Review
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