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Terry Staunton

Terry Staunton's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
28 Years Later: The Bone Temple (2026) 93% 4/5 EDIT “Williams, the beating human heart of the first instalment in the trilogy, has less to do this time around, although his anxious reactions to the Jimmies’ relentless mayhem still impress as the film’s moral compass of sorts. ” – Radio Times Jan 21, 2026 Full Review Bulk (2025) 83% 3/5 EDIT “Bulk is less about structured narrative and more a playful exercise in bafflement and absurdity that risks infuriating as many viewers as it entertains.” – Radio Times Jan 21, 2026 Full Review Song Sung Blue (2025) 78% 4/5 EDIT “Jackman and Hudson are so on their game, so engaged in making Mike and Claire believable that only stone-hearted cynics won’t end up loving them. ” – Radio Times Jan 21, 2026 Full Review The Day the Earth Blew Up: A Looney Tunes Movie (2024) 86% 4/5 EDIT “Eric Bauza's voice work on both main characters is spot-on, zesty and reverential to the legendary Mel Blanc of yore.” – Radio Times Dec 24, 2025 Full Review Man on the Run (2025) 3/5 EDIT “Morgan Neville's documentary examines Macca's career throughout the 1970s, from the end of the Fab Four up to the shocking murder of John Lennon in 1980, using archive footage and new, probing off-screen interviews with his subject. ” – Radio Times Dec 24, 2025 Full Review The Housemaid (2025) 74% 4/5 EDIT “The end result is a satisfyingly scary chiller that benefits from not always taking itself seriously.” – Radio Times Dec 24, 2025 Full Review Oh Canada (2024) 66% 3/5 EDIT “Gere gives a great performance as a selfish, unlikeable character who's still held in awe by his acolytes, not least Michael Imperioli as the younger director...” – Radio Times Dec 24, 2025 Full Review Ella McCay (2025) 22% 2/5 EDIT “On paper, Brooks may have been aiming for pithy wit laced with liberal political savvy, but in practice he's landed on misfiring pantomime.” – Radio Times Dec 24, 2025 Full Review Silent Night, Deadly Night (2025) 77% 4/5 EDIT “Writer/director Mike P Nelson stays faithful to the narrative of the 1984 film, improving on it with a tighter script, sly humour, stronger performances and more convincing gore.” – Radio Times Dec 24, 2025 Full Review Tinsel Town (2025) 47% 2/5 EDIT “The premise mirrors the American fish-out-of-water set-up of Ted Lasso, but without any of that TV show's wit or personality.” – Radio Times Dec 17, 2025 Full Review Dracula (2025) 71% 3/5 EDIT “Jones is a one-note goth-boy pinup, while the performances of Bleu and Matilda De Angelis as Mina's best friend are borderline amateurish. ” – Radio Times Dec 17, 2025 Full Review Five Nights at Freddy's 2 (2025) 16% 2/5 EDIT “It should be funnier, it should be more frightening, and it needed everyone involved to bring a feistier game to a film that began life as, well, a game. Here’s hoping any future reservation at the deathly diner has a more mouth-watering menu.” – Radio Times Dec 4, 2025 Full Review Houston: The Legend of Texas (1986) 2/5 EDIT “Viewer-friendly western tropes are few and far between, and a figure as significant as Houston deserves a biopic with more depth.” – Radio Times Nov 20, 2025 Full Review Sweethearts (2024) 62% 3/5 EDIT “This sharp-witted, slightly raunchy romcom follows platonic college pals who make a pact to split up with their respective high-school sweethearts over the Thanksgiving break. ” – Radio Times Nov 20, 2025 Full Review One More Shot (2025) 67% 2/5 EDIT “Overall, beyond the admittedly skilful editing, it's another uninspired bullet-fest that fires too many blanks.” – Radio Times Nov 20, 2025 Full Review Relay (2024) 82% 3/5 EDIT “James is perhaps a tad one-dimensional as the woman at the centre of the storm, so thankfully Ahmed has the intensity and low-key charisma to make an understated but effective hero, fast on his feet and sharp of mind.” – Radio Times Nov 11, 2025 Full Review Anemone (2025) 53% 3/5 EDIT “Often intense and intermittently dense, but it affords Day-Lewis more than one show-stopping, impassioned monologue while airing Ray's grievances and assessing the roads that brought the siblings to this point. ” – Radio Times Nov 11, 2025 Full Review The Public Image Is Rotten (2017) 63% 4/5 EDIT “Lydon is an engaging interviewee, especially when recounting his struggles to keep the band going.” – Radio Times Nov 11, 2025 Full Review South of the Rio Grande (1945) 2/5 EDIT “The songs tend to break the flow of an already short film and ultimately serve little purpose, beyond padding out the running time of a story with few surprises.” – Radio Times Nov 11, 2025 Full Review Slave of the Cannibal God (1977) 2/5 EDIT “Andress and Keach bring an element of star power, although neither make much of an impression in a film whose sole purpose is to shock and outrage.” – Radio Times Nov 5, 2025 Full Review The Hand That Rocks The Cradle (2025) 42% 3/5 EDIT “Winstead tends to overdo the wide-eyed nerves and doesn't always convince... so it's left to an impressively subtle Monroe to do the heavy lifting as the innocent-faced ingénue with a sinister ulterior motive.” – Radio Times Nov 5, 2025 Full Review Springsteen: Deliver Me from Nowhere (2025) 61% 3/5 EDIT “Deliver Me From Nowhere works best when it’s small, when its sharper focus is on a troubled thirty-something burying himself in the creation of what would become one of his most celebrated records, digging deep into music both haunting and healing.” – Radio Times Nov 5, 2025 Full Review The Session Man: Nicky Hopkins (2023) 3/5 EDIT “Broadcaster Bob Harris's narration covers plenty of ground, but the most memorable moments come from snatches of the music Nicky embellished, and tributes from the superstars who called upon his talents.” – Radio Times Nov 5, 2025 Full Review The Woman in Cabin 10 (2025) 28% 2/5 EDIT “A look at the talented cast list for this stagnant murder mystery promises riches that never surface.” – Radio Times Oct 29, 2025 Full Review Ballad of a Small Player (2025) 48% 2/5 EDIT “Farrell makes a good fist of his portrayal of a man on the verge of a breakdown, but not enough attention is paid to his combative relationships with the criminally underused Swinton and equally shady rival high-roller Alex Jennings.” – Radio Times Oct 29, 2025 Full Review
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