The Abyss (1989)
76%
EDIT
“The first 90 minutes are as good as anything Cameron has done: hi-tech, blue-collar film-making; tense, brittle, on the knuckle. The last hour and a bit is increasingly OTT, sentimental and unconvincing.” –
Time Out
Dec 5, 2025
Full Review
A Christmas Carol (1984)
98%
EDIT
“[George C. Scott's] intelligence and quickness at last give us a Scrooge of many dimensions; a man of tortured and forbidding nobility, made cruel by uncaring parentage and a malign fate, rather than the usual thin miser.” –
Time Out
Nov 26, 2025
Full Review
Sheba, Baby (1975)
28%
EDIT
“Pap, made with contempt.” –
Time Out
Apr 8, 2025
Full Review
Capone (1975)
32%
EDIT
“As the complex internecine warfare unfolds (with good emphasis on the nationalities involved), the script becomes increasingly schematic, finally degenerating into one endless shoot-out.” –
Time Out
Apr 8, 2025
Full Review
Little Nemo: Adventures in Slumberland (1992)
55%
EDIT
“Visually remarkable, but with a gallon of Sherman syrup poured over it.” –
Time Out
Mar 7, 2023
Full Review
Andy Warhol's Trash (1970)
80%
EDIT
“Flesh and Trash are both eulogies to Dallesandro's body, but are also both moralistic to the point of being puritan about sex in general, and the female sex in particular.” –
Time Out
Sep 21, 2022
Full Review
The Autobiography of Miss Jane Pittman (1974)
90%
EDIT
“Aiming for the stars, the film hits a magazine spread by Norman Rockwell, and obstinately stays there: a respectable enough achievement in its way, but one that ultimately dims the mind as it stirs up the emotions.” –
Time Out
Feb 5, 2021
Full Review
National Lampoon's European Vacation (1985)
37%
3/5
EDIT
“Overall, it's not quite funny or memorable enough.” –
Time Out
Aug 13, 2020
Full Review
National Lampoon's Christmas Vacation (1989)
72%
4/5
EDIT
“Sure, it's crude, episodic and half the jokes don't work, but 'Christmas Vacation' may be the only modern Christmas comedy which really stands up to repeat viewings.” –
Time Out
Aug 12, 2020
Full Review
The King of Staten Island (2020)
76%
2/5
EDIT
“The talented cast and authentic locales aren't enough to combat a sluggish script, filled with superfluous tangents that inflate the runtime past two hours.” –
Time Out
Jun 9, 2020
Full Review
Cherrybomb (2009)
42%
2/5
EDIT
“It's cheering to see a Northern Irish story moving beyond the Troubles, but the merely adequate theatrics on display aren't noteworthy in themselves. Grint looks set for better things.” –
Time Out
May 13, 2020
Full Review
The Air I Breathe (2007)
11%
1/5
EDIT
“This pompous, concept-driven debut from American director Jieho Lee is about as hollow and doom-harbouring as an empty coffin.” –
Time Out
Apr 30, 2020
Full Review
Villain (1971)
67%
EDIT
“A ludicrous exposé of the lower depths of London crime, it tarts up the hoariest old gangster clichés with a bit of homosexuality and a lot of thuggery, and manages to be both brutish and maudlin.” –
Time Out
Mar 26, 2020
Full Review
Blue Water, White Death (1971)
100%
EDIT
“Still surprisingly unclichéd; a film definitely to get your teeth into.” –
Time Out
Mar 18, 2020
Full Review
The Beast in the Cellar (1971)
17%
EDIT
“Familiar stuff with the addition of a bit of nastiness and gore; very average.” –
Time Out
Mar 17, 2020
Full Review
F (2010)
79%
3/5
EDIT
“Grounded by Schofield's central turn, F makes much of its limited resources, locking us into its nocturnal world and throwing away the key.” –
Time Out
Sep 24, 2019
Full Review
Pieces of Dreams (1970)
EDIT
“[A] soapy melodrama.” –
Time Out
Feb 4, 2019
Full Review
Rudolph the Red-Nosed Reindeer (1964)
95%
EDIT
“This classic tale is still beloved today, as its feel-good story about the most famous reindeer of all wins every kid (and, fine, adult) over.” –
Time Out
Nov 27, 2018
Full Review
Von Richthofen and Brown (1971)
56%
EDIT
“Corman's Poe-derived motifs are transposed exuberantly to the skies as WWI biplanes fight it out with romantic heroism.” –
Time Out
Oct 13, 2018
Full Review
Alice in Wonderland (1951)
83%
EDIT
“Disney's frantic take on Lewis Carroll may lack much of the book's illogical charm, but it does contain one of the great proto-psychedelic sequences in cinema.” –
Time Out
Dec 2, 2014
Full Review
Salome (1922)
67%
EDIT
“Despite careful stylisation and exquisite photography, this adaptation of Oscar Wilde's play boasts a healthy streak of vulgarity of which Wilde, one suspects, would have secretly approved.” –
Time Out
Mar 5, 2014
Full Review
Love's Kitchen (2011)
18%
2/5
EDIT
“This English country pub romance dishes up a helping of soapy, teatime-TV harmlessness.” –
Time Out
Nov 18, 2011
Full Review
Leap Year (2010)
24%
1/5
EDIT
“Adams does her level best, but her perkiness quickly wears as thin as her spiky heels on those pesky rural roads.” –
Time Out
Nov 16, 2011
Full Review
Ménilmontant (1926)
100%
EDIT
“In Kirsanoff's work, such devices are overridden and firmly welded together by the romantic impressionism which casts a haunting aura of malevolent beauty over Ménilmontant and its suburban axe murderer.” –
Time Out
Apr 12, 2011
Full Review
Pocahontas (1995)
59%
EDIT
“Pocahontas can't get stirred dramatically for political correctness, the finale will please nobody, and the songs are duff. That said, there are enough incidental felicities to pass the time pleasantly.” –
Time Out
Jun 24, 2006
Full Review
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