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Zosha Millman

Tomatometer-approved critic

Reviews

Movies TV Shows
If I Had Legs I'd Kick You (2025) 92% EDIT “Only you get to decide what you want it to say — an agony "If I Had Legs I’d Kick You" knows all too well. ” – Thirty, Flirty + Film Nov 6, 2025 Full Review Superman (2025) 83% EDIT “If it’s not always a great movie it’s a fairly consistently great blockbuster.” – Thirty, Flirty + Film Nov 6, 2025 Full Review Hedda (2025) 89% EDIT “In a time (if we’ve ever not been in one!) where queerness feels so under attack, it honestly feels refreshing to see something like "Hedda."” – Thirty, Flirty + Film Nov 6, 2025 Full Review The Smashing Machine (2025) 70% EDIT “To borrow from a different sport, Smashing Machine calls its shot early, demonstrating a lesson it will drill into its audience with all the vigor that Mark approaches his bouts with. And in the end, that’s really all the movie is. ” – Thirty, Flirty + Film Sep 29, 2025 Full Review 28 Years Later (2025) 88% EDIT “What does it mean to keep choosing to live? 28 Years Later stalks this question strangely (complimentary), already a bit of a novelty to take on as earnestly in the zombie genre as it has.” – Thirty, Flirty + Film Jul 10, 2025 Full Review Echo Valley (2025) 52% 5 EDIT “Echo Valley wants to be a lot of different kinds of movie, and in the process, becomes a poor facsimile of both a family drama and a thriller.” – IGN Movies Jun 20, 2025 Full Review The Woman in the Yard (2025) 41% EDIT “Jaume Collet-Serra and writer Sam Stefanak don’t savor the promise of Woman in the Yard’s premise. Instead, they point toward an ending like a pool player calling a pocket. Which makes it all the more disappointing that the movie can’t even sink its shot.” – Polygon Jun 18, 2025 Full Review The Shrouds (2024) 75% EDIT “The Shrouds splashes around in the deep end of a lonely pool, the frustration of loving, longing for, and feeling left behind by a partner who’s passed on.” – Polygon Jun 18, 2025 Full Review Belle (2021) 95% EDIT “A little bit Apple shareholder meeting; a little Social Network; a dash of Disney Princess, and a massive helping of technofuturist anime possibility. ” – Thirty, Flirty + Film May 13, 2022 Full Review Dual (2022) 72% EDIT “Dual is certainly not the type of movie that would appeal to everyone. But there’s something, dare I say, nice buried in the story of a woman studying for a year about how she can kill her identical copy.” – Thirty, Flirty + Film May 13, 2022 Full Review Last Night in Soho (2021) 75% EDIT “Last Night in Soho is exactly the kind of movie you want to be watching, right up to the point you dont.” – Thirty, Flirty + Film Apr 5, 2022 Full Review The Tragedy of Macbeth (2021) 93% EDIT “The world of The Tragedy of Macbeth is a stark one, colored in with shadows. Its hermetic and stage-y a strength, I think. Here we see how the bounds of Shakespeare, film, and acting swell to tell such a story.” – Thirty, Flirty + Film Apr 5, 2022 Full Review The Power of the Dog (2021) 94% EDIT “Campion understands that the experience of this movie for each character was a different one a psychological horror, a hopeful tale of redemption, maybe even a dawning appreciation and each one gets the end they were always headed to.” – Thirty, Flirty + Film Apr 5, 2022 Full Review Deep Water (2022) 35% EDIT “Were it better written there might at least be some drama to the whole affair (even if their sexual games feel far from lurid), but in its battle to feel promiscuous and dangerous it feels like neither. ” – Thirty, Flirty + Film Apr 5, 2022 Full Review Hustlers (2019) 88% EDIT “Memory is notoriously tricky, and an absolute gas to play around with in film. And yet, like so much in Hustlers and beyond, Jennifer Lopez makes it look easy. ” – Thirty, Flirty + Film Feb 3, 2022 Full Review Snake Eyes: G.I. Joe Origins (2021) 35% EDIT “I wanted Snake Eyes to be the sleeper hit of the summer. Instead we have an overcooked studio hodgepodge, hoping to be so many things and ultimately being nothing of consequence at all.” – Thirty, Flirty + Film Feb 3, 2022 Full Review Zola (2020) 88% EDIT “Its fair to say that truth is often stranger than fiction. But Zola supposes that fiction can find greater truth yet. ” – Thirty, Flirty + Film Feb 3, 2022 Full Review Reminiscence (2021) 37% EDIT “Reminiscence is full of desperate people saying maudlin things, packing in as much exposition as mechanically as they can. ” – Thirty, Flirty + Film Feb 3, 2022 Full Review The Last Duel (2021) 85% EDIT “The Last Duel is certainly smart enough to satisfy. For those who see its game and hope it has something more to say than what it is, heres hoping this isnt the final word.” – Thirty, Flirty + Film Feb 3, 2022 Full Review Wild Indian (2021) 90% EDIT “Its Greyeyes who stands out to me the most. His character is like few in the canon, navigating so many emotional and physical layers with such magnanimous, haunting ease.” – Thirty, Flirty + Film Feb 3, 2022 Full Review No Time to Die (2021) 83% EDIT “There is something to sitting and taking in the whole of Bonds machismo across No Time To Die, as it stretches and unfurls. You see the cracks Craig has worked to put in his foundation, his hardheadedness and fragility.” – Thirty, Flirty + Film Feb 3, 2022 Full Review Rebel Hearts (2021) 90% EDIT “In between all the scattered gathering of information and clippings, Rebel Hearts loses the heart of its story: the women themselves.” – Thirty, Flirty + Film Feb 3, 2022 Full Review How It Ends (2021) 69% EDIT “Its strange how, through taking massive leaps, How It Ends ends up far away from our current reality and yet frighteningly close to it. ” – Thirty, Flirty + Film Feb 3, 2022 Full Review House of Gucci (2021) 61% EDIT “Ultimately, the film is just on the worse side of fine. Most tragic of all, its just boring. And it just seems like theres something terribly wrong with that. ” – Thirty, Flirty + Film Feb 3, 2022 Full Review Being the Ricardos (2021) 68% EDIT “Its focus keeps it from dipping into too many cliches, and it manages to make its point sometimes artfully, if also hamfistedly. ... It was hard work, and for all its dramatism Being the Ricardos seeks to honor that.” – Thirty, Flirty + Film Feb 3, 2022 Full Review
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