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Hugo Hernández Valdivia

Tomatometer-approved critic
Publications:

Reviews

Movies TV Shows
Bugonia (2025) 88% 65/100 EDIT “The humor that arises from certain situations and the plot twists contribute to the film's charm, but not much more. [Full review in Spanish]” – Cinexcepción Dec 8, 2025 Full Review Frankenstein (2025) 85% 70/100 EDIT “It's clear that del Toro has achieved prodigious craftsmanship. And the form provides a marvelous framework for the story. [Full review in Spanish] ” – Cinexcepción Dec 4, 2025 Full Review The Running Man (2025) 62% 65/100 EDIT “The film's value lies in two interconnected aspects: technology used for manipulation and an organization that wields power through it. [Full review in Spanish]” – Cinexcepción Nov 18, 2025 Full Review One Battle After Another (2025) 94% 100/100 EDIT “A bridge between the rebel movements of Blackness and the resistance of Latinx migrants. It showcases a solid network of solidarity among the latter and presents us with a population organized and prepared to survive. [Full review in Spanish] ” – Cinexcepción Sep 30, 2025 Full Review Dreams (2025) 68% 75/100 EDIT “Franco starts with a script that works well—at least at the beginning—with constant revelations that allow the plot to move smoothly. [Full review in Spanish]” – Cinexcepción Sep 15, 2025 Full Review The Last Journey (2024) 90% 80/100 EDIT “Whether acted or spontaneous, the tribute the son insists on paying to his father is ultimately as moving as it is valuable. [Full review in Spanish]” – Cinexcepción Apr 10, 2025 Full Review September 5 (2024) 92% 70/100 EDIT “n handling technology and solving problems, the technical and reporting team get a 10 out of 10. In terms of handling ethical issues, there is not much to celebrate. [Full review in Spanish]” – Cinexcepción Mar 6, 2025 Full Review I'm Still Here (2024) 97% 85/100 EDIT “I'm Still Here is a magnificent example of how the good use of cinematographic technique contributes to the story fulfilling one of its primary functions: generating emotion. [Full review in Spanish]” – Cinexcepción Feb 21, 2025 Full Review Flow (2024) 97% 80/100 EDIT “Flow seduces with its audiovisual beauty and with an adventure story that builds a bridge with the classics of the genre. [Full review in Spanish]” – Cinexcepción Feb 18, 2025 Full Review Absolution (2024) 56% 65/100 EDIT “Moland opts for a contemplative style, which oscillates between static shots and subtle camera movement. The alternation of both creates a peaceful rhythm that is only broken by the scenes of violence. [Full review in Spanish]” – Cinexcepción Feb 10, 2025 Full Review The Brutalist (2024) 93% 90/100 EDIT “Corbet conceives an extraordinary critique of America... [Full review in Spanish]” – Cinexcepción Feb 7, 2025 Full Review Emilia Pérez (2024) 71% 70/100 EDIT “Emilia Perez is not a masterpiece, but it is not a bad film either. [Full review in Spanish]” – Cinexcepción Feb 4, 2025 Full Review Wolf Man (2025) 48% 65/100 EDIT “Whannell makes a reflection that is pertinent and timely. [Full review in Spanish]” – Cinexcepción Jan 31, 2025 Full Review Companion (2025) 93% 65/100 EDIT “Rather than opting for the romantic register, there are frequent slips into thriller and dark humor, especially in the last third of the film. [Full review in Spanish]” – Cinexcepción Jan 31, 2025 Full Review Anora (2024) 93% 90/100 EDIT “Manages to give grace at the beginning and density at the end. [Full review in Spanish]” – Cinexcepción Jan 17, 2025 Full Review Nosferatu (2024) 85% EDIT “Eggers takes a look at Freud’s works and lucidly explores the twists and turns of melancholy, and the relationship established between sex and death. [Full review in Spanish]” – Cinexcepción Jan 7, 2025 Full Review The Room Next Door (2024) 80% 65/100 EDIT “The film's lifeblood runs through the dialogues, whose themes begin and end with death. [Full review in Spanish]” – Cinexcepción Dec 20, 2024 Full Review Wicked (2024) 88% 70/100 EDIT “What I do know is that the ingredients are there to make an extraordinary potion for the current times: to think. [Full review in Spanish]” – Cinexcepción Dec 3, 2024 Full Review Gladiator II (2024) 70% 60/100 EDIT “A weak, inconsequential film. [Full review in Spanish]” – Cinexcepción Nov 21, 2024 Full Review Kinds of Kindness (2024) 71% 75/100 EDIT “In the end, the whole thing, which lasts 164 minutes, is excessive… necessarily, because perhaps the subject demands it. [Full review in Spanish]” – Cinexcepción Aug 27, 2024 Full Review Alien: Romulus (2024) 80% 65/100 EDIT “Álvarez doesn't offer any plausible action passages, nor does he reach any greater depths in his approach. [Full review in Spanish] ” – Cinexcepción Aug 19, 2024 Full Review Deadpool & Wolverine (2024) 78% 10/100 EDIT “There is nothing in this film that I value in cinema or in the superhero genre. [Full review in Spanish]” – Cinexcepción Jul 29, 2024 Full Review Inside Out 2 (2024) 91% 65/100 EDIT “The outline of these issues seems sensational to me, but not the way they are presented. [Full review in Spanish]” – Cinexcepción Jul 25, 2024 Full Review Godzilla Minus One (2023) 99% EDIT “In Japan, the monster gives food for thought: it offers pretexts to illuminate dark passages of history, to explore the complexities that exist in some human beings, to denounce and expose guilt. [Full review in Spanish]” – Cinexcepción Jul 8, 2024 Full Review MaXXXine (2024) 73% 70/100 EDIT “Thanks to the good use of sets, lights, costumes and makeup, disturbing atmospheres are built that instill a certain unease throughout the film. [Full review in Spanish]” – Cinexcepción Jul 8, 2024 Full Review
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