Rotten Tomatoes
Cancel Movies Tv shows RT App News Showtimes
Publications list

Cinexcepción

Cinexcepción is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Hugo Hernández Valdivia.

Prev Next
Rating Title | Year Author Quote
65/100
Bugonia (2025) Hugo Hernández Valdivia The humor that arises from certain situations and the plot twists contribute to the film's charm, but not much more. [Full review in Spanish]
Posted Dec 08, 2025  Edit critic review
70/100
Frankenstein (2025) Hugo Hernández Valdivia It's clear that del Toro has achieved prodigious craftsmanship. And the form provides a marvelous framework for the story. [Full review in Spanish]
Posted Dec 04, 2025  Edit critic review
65/100
The Running Man (2025) Hugo Hernández Valdivia The film's value lies in two interconnected aspects: technology used for manipulation and an organization that wields power through it. [Full review in Spanish]
Posted Nov 18, 2025  Edit critic review
100/100
One Battle After Another (2025) Hugo Hernández Valdivia A bridge between the rebel movements of Blackness and the resistance of Latinx migrants. It showcases a solid network of solidarity among the latter and presents us with a population organized and prepared to survive. [Full review in Spanish]
Posted Sep 30, 2025  Edit critic review
75/100
Dreams (2025) Hugo Hernández Valdivia Franco starts with a script that works well—at least at the beginning—with constant revelations that allow the plot to move smoothly. [Full review in Spanish]
Posted Sep 15, 2025  Edit critic review
80/100
The Last Journey (2024) Hugo Hernández Valdivia Whether acted or spontaneous, the tribute the son insists on paying to his father is ultimately as moving as it is valuable. [Full review in Spanish]
Posted Apr 10, 2025  Edit critic review
70/100
September 5 (2024) Hugo Hernández Valdivia n handling technology and solving problems, the technical and reporting team get a 10 out of 10. In terms of handling ethical issues, there is not much to celebrate. [Full review in Spanish]
Posted Mar 06, 2025  Edit critic review
85/100
I'm Still Here (2024) Hugo Hernández Valdivia I'm Still Here is a magnificent example of how the good use of cinematographic technique contributes to the story fulfilling one of its primary functions: generating emotion. [Full review in Spanish]
Posted Feb 21, 2025  Edit critic review
80/100
Flow (2024) Hugo Hernández Valdivia Flow seduces with its audiovisual beauty and with an adventure story that builds a bridge with the classics of the genre. [Full review in Spanish]
Posted Feb 18, 2025  Edit critic review
65/100
Absolution (2024) Hugo Hernández Valdivia Moland opts for a contemplative style, which oscillates between static shots and subtle camera movement. The alternation of both creates a peaceful rhythm that is only broken by the scenes of violence. [Full review in Spanish]
Posted Feb 10, 2025  Edit critic review
90/100
The Brutalist (2024) Hugo Hernández Valdivia Corbet conceives an extraordinary critique of America... [Full review in Spanish]
Posted Feb 07, 2025  Edit critic review
70/100
Emilia Pérez (2024) Hugo Hernández Valdivia Emilia Perez is not a masterpiece, but it is not a bad film either. [Full review in Spanish]
Posted Feb 04, 2025  Edit critic review
65/100
Wolf Man (2025) Hugo Hernández Valdivia Whannell makes a reflection that is pertinent and timely. [Full review in Spanish]
Posted Jan 31, 2025  Edit critic review
65/100
Companion (2025) Hugo Hernández Valdivia Rather than opting for the romantic register, there are frequent slips into thriller and dark humor, especially in the last third of the film. [Full review in Spanish]
Posted Jan 31, 2025  Edit critic review
90/100
Anora (2024) Hugo Hernández Valdivia Manages to give grace at the beginning and density at the end. [Full review in Spanish]
Posted Jan 17, 2025  Edit critic review
Nosferatu (2024) Hugo Hernández Valdivia Eggers takes a look at Freud’s works and lucidly explores the twists and turns of melancholy, and the relationship established between sex and death. [Full review in Spanish]
Posted Jan 07, 2025  Edit critic review
65/100
The Room Next Door (2024) Hugo Hernández Valdivia The film's lifeblood runs through the dialogues, whose themes begin and end with death. [Full review in Spanish]
Posted Dec 20, 2024  Edit critic review
70/100
Wicked (2024) Hugo Hernández Valdivia What I do know is that the ingredients are there to make an extraordinary potion for the current times: to think. [Full review in Spanish]
Posted Dec 03, 2024  Edit critic review
60/100
Gladiator II (2024) Hugo Hernández Valdivia A weak, inconsequential film. [Full review in Spanish]
Posted Nov 21, 2024  Edit critic review
75/100
Kinds of Kindness (2024) Hugo Hernández Valdivia In the end, the whole thing, which lasts 164 minutes, is excessive… necessarily, because perhaps the subject demands it. [Full review in Spanish]
Posted Aug 27, 2024  Edit critic review
65/100
Alien: Romulus (2024) Hugo Hernández Valdivia Álvarez doesn't offer any plausible action passages, nor does he reach any greater depths in his approach. [Full review in Spanish]
Posted Aug 19, 2024  Edit critic review
10/100
Deadpool & Wolverine (2024) Hugo Hernández Valdivia There is nothing in this film that I value in cinema or in the superhero genre. [Full review in Spanish]
Posted Jul 29, 2024  Edit critic review
65/100
Inside Out 2 (2024) Hugo Hernández Valdivia The outline of these issues seems sensational to me, but not the way they are presented. [Full review in Spanish]
Posted Jul 25, 2024  Edit critic review
Godzilla Minus One (2023) Hugo Hernández Valdivia In Japan, the monster gives food for thought: it offers pretexts to illuminate dark passages of history, to explore the complexities that exist in some human beings, to denounce and expose guilt. [Full review in Spanish]
Posted Jul 08, 2024  Edit critic review
70/100
MaXXXine (2024) Hugo Hernández Valdivia Thanks to the good use of sets, lights, costumes and makeup, disturbing atmospheres are built that instill a certain unease throughout the film. [Full review in Spanish]
Posted Jul 08, 2024  Edit critic review
75/100
I Don't Expect Anyone to Believe Me (2023) Hugo Hernández Valdivia As daring and unpleasant as it is illuminating. [Full review in Spanish]
Posted Jun 10, 2024  Edit critic review
85/100
Furiosa: A Mad Max Saga (2024) Hugo Hernández Valdivia The result, once again, is remarkable: Furiosa shines. [Full review in Spanish]
Posted May 25, 2024  Edit critic review
70/100
Challengers (2024) Hugo Hernández Valdivia Guadagnino turns in good accounts, better than Bones and All. [Full review in Spanish]
Posted May 09, 2024  Edit critic review
100/100
Perfect Days (2023) Hugo Hernández Valdivia The style is contemplative, but it is not passive. [Full review in Spanish]
Posted Apr 29, 2024  Edit critic review
60/100
Abigail (2024) Hugo Hernández Valdivia Although vampirism is important, in the end what is said about it is pure “rehash”. [Full review in Spanish]
Posted Apr 23, 2024  Edit critic review
85/100
American Fiction (2023) Hugo Hernández Valdivia American Fiction shows that good nature does not know how to hide its hypocrisy, that empathy is lucrative. [Full review in Spanish]
Posted Mar 02, 2024  Edit critic review
85/100
Maestro (2023) Hugo Hernández Valdivia Cooper delivers a pretentious film. But, I believe, these efforts that are not well rounded become a virtue, since they also contribute to the profile of the character. [Full review in Spanish]
Posted Feb 23, 2024  Edit critic review
70/100
Past Lives (2023) Hugo Hernández Valdivia It is a film that is more pretty than profound, it is a film that seeks to present a demonstration based upon speculation: what would have happened if the kids did not separate? [Full review in Spanish]
Posted Feb 20, 2024  Edit critic review
65/100
Bob Marley: One Love (2024) Hugo Hernández Valdivia in the end it seems to me that Marley is closer to a saint than a legend, which makes the most appropriate title not Bob Marley: the legend, but Bob Marley: the hagiography. [Full review in Spanish]
Posted Feb 20, 2024  Edit critic review
75/100
Poor Things (2023) Hugo Hernández Valdivia Poor Things is as fascinating as it is disturbing. [Full review in Spanish]
Posted Feb 05, 2024  Edit critic review
90/100
The Holdovers (2023) Hugo Hernández Valdivia Payne's film builds a drama that is as exciting as it is edifying. [Full review in Spanish]
Posted Jan 25, 2024  Edit critic review
100/100
The Boy and the Heron (2023) Hugo Hernández Valdivia Miyazaki, also the author of the script, returns to the imagery that inhabits his filmography and delivers an impressive work. [Full review in Spanish]
Posted Jan 12, 2024  Edit critic review
40/100
Napoleon (2023) Hugo Hernández Valdivia The mediocrity of the film does not reside in the distance from the character who supposedly inspires it, but in the lack of narrative progression and the lack of depth it reaches. [Full review in Spanish]
Posted Dec 06, 2023  Edit critic review
100/100
Killers of the Flower Moon (2023) Hugo Hernández Valdivia Scorsese delivers a formally brilliant film. [Full review in Spanish]
Posted Nov 08, 2023  Edit critic review
90/100
A Haunting in Venice (2023) Hugo Hernández Valdivia The style, lucid from beginning to end, supports the ambiguity that inhabits the film. [Full review in Spanish]
Posted Sep 26, 2023  Edit critic review
65/100
Strays (2023) Hugo Hernández Valdivia Greenbaum delivers a tape with abundant doses of incorrectness, but correct in formal terms. [Full review in Spanish]
Posted Aug 31, 2023  Edit critic review
70/100
Barbie (2023) Hugo Hernández Valdivia Gerwig turns in a comedy that lightly approaches topics that, outside the screen, adhere to a higher gravity. [Full review in Spanish]
Posted Jul 24, 2023  Edit critic review
90/100
Oppenheimer (2023) Hugo Hernández Valdivia Nolan has a happy habit of outdoing Nolan. [Full review in Spanish]
Posted Jul 21, 2023  Edit critic review
70/100
Mission: Impossible - Dead Reckoning Part One (2023) Hugo Hernández Valdivia McQuarrie takes the level of action a little further than previous installments... [Full review in Spanish]
Posted Jul 13, 2023  Edit critic review
75/100
Where the Tracks End (2023) Hugo Hernández Valdivia With a sharp and attentive gaze, the filmmaker records vignettes of life itself in which petty gestures and daily actions are as expressive as they are eloquent. [Full review in Spanish]
Posted Jun 29, 2023  Edit critic review
50/100
Elemental (2023) Hugo Hernández Valdivia The installment has some funny passages, but in the end it is somewhat bland. [Full review in Spanish]
Posted Jun 27, 2023  Edit critic review
65/100
The Flash (2023) Hugo Hernández Valdivia The special effects aren't particularly flashy, and Flash's races are singularly clumsy. [Full review in Spanish]
Posted Jun 20, 2023  Edit critic review
65/100
Asteroid City (2023) Hugo Hernández Valdivia The story has charm... and it is moving at times. [Full review in Spanish]
Posted Jun 09, 2023  Edit critic review
75/100
The Boogeyman (2023) Hugo Hernández Valdivia Savage explores what happens to family members who don't process their grief and drift away. [Full review in Spanish]
Posted Jun 02, 2023  Edit critic review
65/100
Avatar: The Way of Water (2022) Hugo Hernández Valdivia A lot of audiovisual marvels offer a sensible mark upon a film that does not reach greater depths. [Full review in Spanish]
Posted Mar 09, 2023  Edit critic review
Prev Next