Loretta Goff
Loretta Goff's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Dance (2021)
EDIT
“The Dance is an engaging, inspiring exploration of the creative process unleashed and given the freedom to blossom into a special collaboration.” –
Film Ireland Magazine
Dec 14, 2021
Full Review
The Sheriff (2020)
EDIT
“A well-crafted and interesting documentary, The Sheriff, is a strong debut from [director Grace Sweeney].” –
Film Ireland Magazine
Dec 23, 2020
Full Review
The Winter Lake (2020)
73%
EDIT
“Marks a strong, carefully constructed feature debut for [director Phil] Sheerin.” –
Film Ireland Magazine
Aug 13, 2020
Full Review
The Cave (2019)
0%
EDIT
“Ultimately, the film's pacing and style let it down.” –
Film Ireland Magazine
Nov 18, 2019
Full Review
Cellar Door (2018)
83%
EDIT
“Cellar Door tackles the difficult topic of Irish institutional abuse, drawing connections in a thoughtful way and forcing the audience to think throughout.” –
Film Ireland Magazine
Jan 25, 2019
Full Review
One Million American Dreams (2018)
83%
EDIT
“One Million American Dreams is a timely, well-crafted, poignantly shot and animated documentary that speaks to a number of contemporary social issues neatly encapsulated by Hart Island-the story of which is remarkable in itself.” –
Film Ireland Magazine
Nov 30, 2018
Full Review
Town of Strangers (2018)
83%
EDIT
“All in all, the documentary offers a sensitive and engaging depiction of human connection, with all its fragilities, and, in doing so, beautifully reflects on contemporary rural Ireland.” –
Film Ireland Magazine
Nov 29, 2018
Full Review
The Curious Works Of Roger Doyle (1970)
EDIT
“While this shapes our perspective of the song, each musical break in the documentary primarily focuses on the music itself, allowing the audience to become immersed in it and reflect.” –
Film Ireland Magazine
Nov 20, 2018
Full Review
Float Like a Butterfly (2018)
88%
EDIT
“It captures humanity at its best and worst, offering a message of hope throughout.” –
Film Ireland Magazine
Nov 16, 2018
Full Review
Brand New-U (2015)
EDIT
“While the concept behind this film is both timely and intriguing, it unfortunately falls a bit flat in the film.” –
Film Ireland Magazine
Mar 28, 2018
Full Review
11 Minutes (2015)
76%
EDIT
“While the narrative strands leave something to be desired in this film, many of the performances are strong and its technical composition is very well done, creating an exhilarating, atmospheric film that leaves a lasting impression.” –
Film Ireland Magazine
Mar 28, 2018
Full Review
A Dark Song (2016)
91%
EDIT
“Rather than relying on spontaneous shocks, the horror of A Dark Song instead lingers with you.” –
Film Ireland Magazine
Mar 27, 2018
Full Review
Between Land and Sea (2016)
100%
EDIT
“Stunning local big-wave destinations Riley's Wave and Aileen's Wave, at the base of the scenic Cliffs of Moher, feature in the film.” –
Film Ireland Magazine
Mar 27, 2018
Full Review
I Am Not a Serial Killer (2016)
93%
EDIT
“Deftly blending genres-part thriller, horror, comedy, drama and romance-I Am Not a Serial Killer is a unique film full of surprises.” –
Film Ireland Magazine
Mar 27, 2018
Full Review
No Party for Billy Burns (2017)
EDIT
“While No Party for Billy Burns evokes a number of classic Westerns throughout, such as High Noon (1952) and Butch Cassidy and the Sundance Kid (1969), it also allows the space for Billy to create his own path in the narrative.” –
Film Ireland Magazine
Mar 21, 2018
Full Review
Photo City (2017)
EDIT
“Importantly, Photo City examines a range of photographic practices used today, from film developed in a darkroom to the instant accessibility and shareability of digital photography.” –
Film Ireland Magazine
Mar 21, 2018
Full Review
The Lodgers (2017)
56%
EDIT
“Overall, while the film's narrative does let it down in some places, feeling a bit simplified, this is made up for by its stunning visual style, gothic-drenched atmosphere and strong acting by the two leads.” –
Film Ireland Magazine
Mar 21, 2018
Full Review
Michael Inside (2017)
100%
EDIT
“Dafhyd Flynn delivers an understated, emotional performance as Michael.” –
Film Ireland Magazine
Jan 12, 2018
Full Review
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