|
|
Die My Love
(2025)
|
Steven Dávila
|
The film does boast some great performances, and some of Ramsay’s best, most cerebral filmmaking, but it still stands a distance from her most staggering works.
Posted Jan 22, 2026
Edit critic review
|
|
|
Marty Supreme
(2025)
|
Dami Angela Akinniranye
|
The camera never sits still, tracking and circling the tables with a kinetic energy that mirrors Marty’s own frantic mindset. In this world, the sport isn’t a niche oddity, rather fast-paced, buzzy and oddly aspirational.
Posted Jan 22, 2026
Edit critic review
|
|
|
Giant
(2025)
|
Mick Jordan
|
This is a thoroughly engrossing story, very well told, fuelled by the great chemistry between Brosnan and El-Masry.
Posted Jan 09, 2026
Edit critic review
|
|
|
The Killing of a Sacred Deer
(2017)
|
Aoife O'Ceallachain
|
Not for the faint-hearted, Sacred Deer is a good place to start for anyone unfamiliar with Lanthimos’ work, and will not disappoint disciples of the Greek Weird Wave
Posted Jan 05, 2026
Edit critic review
|
|
|
When All Is Ruin Once Again
(2018)
|
June Butler
|
What makes When All Is Ruin Once Again so special is Walsh’s ability to see both sides and allow viewers reach their own conclusions.
Posted Jan 03, 2026
Edit critic review
|
|
|
Windmill Lane
(2020)
|
Liam Hanlon
|
Windmill Lane captures the rise and falls and concludes by exploring the dynamic between Russ Russell and James Morris. It’s a complete narrative with many twists and turns and it’s utterly captivating.
Posted Jan 03, 2026
Edit critic review
|
|
|
Skin + Soul
(2020)
|
June Butler
|
Ciara Nic Chormaic has done an astounding job in gaining such insight into Perry Ogden and this beautiful and enlightening documentary does a terrific job of capturing Ogden's immense talent – a mantle he wears lightly and humbly.
Posted Jan 03, 2026
Edit critic review
|
|
|
Tomorrow Is Saturday
(2020)
|
June Butler
|
It is a delight to observe Hillen’s unfettered joy make its way through the machinations of serendipity.
Posted Jan 03, 2026
Edit critic review
|
|
|
Seamus Heaney and the Music of What Happens
(2019)
|
Aoife O'Neil
|
Heaney’s voice throughout the documentary takes over from the speaker and usually ends the poetry, again giving the viewer the unique opportunity to connect with both poem and writer as one entity.
Posted Jan 03, 2026
Edit critic review
|
|
|
The Castle
(2020)
|
Sarah Cullen
|
Affecting and thought-provoking, Luzyte’s drama is a lament to the talent that is sacrificed everyday in modern Ireland.
Posted Jan 02, 2026
Edit critic review
|
|
|
The Castle
(2020)
|
Marija Laugalyte
|
A film of storytelling crafts(wo)manship and intense performances by new as well as seasoned actors.
Posted Jan 02, 2026
Edit critic review
|
|
|
God's Creatures
(2022)
|
Tanvi Gawali
|
A weighty, pensive film, ultimately, God’s Creatures is not an easy watch; but it’s certainly worthwhile.
Posted Dec 29, 2025
Edit critic review
|
|
|
Dracula
(2025)
|
Neil Cadieux
|
This patience-testing work, which lumps retellings of folklore with procedurally generated zombie attacks, is wholly original and uniquely exhausting.
Posted Dec 24, 2025
Edit critic review
|
|
|
Logan
(2017)
|
Gordon Brennan
|
Logan is the abrasive, emotion-evoking antithesis to all that has come before it.
Posted Dec 17, 2025
Edit critic review
|
|
|
Eternity
(2025)
|
Khushi Jain
|
Trope after trope allows for a cosy little nook to settle into. So much so that even the film’s (arguably) only plot twist is less a twist and more a turn. But nevertheless the lightness of theme keeps pulling it forward.
Posted Dec 12, 2025
Edit critic review
|
|
|
Endless Poetry
(2016)
|
Sadhbh Ní Bhroin
|
Though slightly meandering at times, Poesía sin fin is a dreamy, colourful exploration of the growth of a creative soul which gains its richness from artistic expression, and, using surrealism’s visual symbolism, creates a visual poetry of its own.
Posted Dec 08, 2025
Edit critic review
|
|
|
Testimony
(2025)
|
Will Penn
|
The use of home recordings, news clips, propaganda footage, and reenactments all paint a vivid picture of the withholding and destruction of evidence by the Church and state.
Posted Dec 03, 2025
Edit critic review
|
|
|
Peak Everything
(2025)
|
Dev Murray
|
The humour is both goofy and quick-witted, but even if you don’t find yourself laughing out loud, Peak Everything is nonetheless a very pleasant watch.
Posted Dec 02, 2025
Edit critic review
|
|
|
Pillion
(2025)
|
Olivia O'Riada
|
Harry Lighton’s self-assured debut offers laughs and tears in equal measure while managing to slip some salient points about modern queer culture in through the process.
Posted Dec 02, 2025
Edit critic review
|
|
|
Christmas Karma
(2025)
|
Tanvi Gawali
|
An easy watch? Definitely, but this film digs deeper with an important message of hope and healing
Posted Dec 02, 2025
Edit critic review
|
|
|
Spinal Tap II: The End Continues
(2025)
|
Olivia Phoenix
|
This is a sequel that will do your heart good.
Posted Nov 24, 2025
Edit critic review
|
|
|
Stella Days
(2011)
|
Dakota Heveron
|
This is a piece of cinema that is, in itself, a love letter to the form and well worth another look back if anyone missed it the first time around.
Posted Nov 24, 2025
Edit critic review
|
|
|
Sisu: Road to Revenge
(2025)
|
Will Penn
|
SISU: Road to Revenge delivers exactly what it promises: relentless carnage, zero pretence, and maximum fun.
Posted Nov 24, 2025
Edit critic review
|
|
|
Making
(2024)
|
Seán Brereton Hurley
|
Collins' direction lingers on hands in motion, surfaces being smoothed, tools being handled, revealing craft as a dialogue between the maker, the material, and the traditions they inherit.
Posted Nov 22, 2025
Edit critic review
|
|
|
Born That Way
(2025)
|
Mutale Kampuni
|
Poignantly drawing from memories, photographic mementoes and archival material, this inspirational story of humility and love of community is woven.
Posted Nov 22, 2025
Edit critic review
|
|
|
How to Train Your Dragon
(2025)
|
Ihinose Enebi
|
How to Train Your Dragon remains a triumph, building a world that visually honours the original films while expanding it into something new.
Posted Nov 18, 2025
Edit critic review
|
|
|
Rocketman
(2019)
|
Liam De Brùn
|
Rocketman is the kind of experimental, risky film that isn’t supposed to succeed - but it does. If you’re a fan of cinema, you’ll love it.
Posted Nov 18, 2025
Edit critic review
|
|
|
Steve
(2025)
|
Thomas Caffrey
|
Anchored by a dependably compelling Cillian Murphy and supported by a committed cast, it delivers some of the year’s most artful moments of cinema.
Posted Nov 14, 2025
Edit critic review
|
|
|
One Battle After Another
(2025)
|
Michael Lee
|
This is a uniquely kinetic cinematic adventure, born out of the imagination of an auteur at the peak of his earthly powers.
Posted Nov 14, 2025
Edit critic review
|
|
|
Wolf Children
(2012)
|
Thomas Caffrey
|
It is a uniquely naturalistic anime film and ends on a satisfying compromise, rich with emotional complexity.
Posted Nov 14, 2025
Edit critic review
|
|
|
Werewolf (Wilkolak)
(2018)
|
Gemma Creagh
|
Werewolf is a well-made, clever, thoughtful film which goes in unexpected directions.
Posted Nov 14, 2025
Edit critic review
|
|
|
Ballad of a Small Player
(2025)
|
Mick Jordan
|
Endlessly entertaining and always engrossing, Ballad of a Small Player follows a fairly predictable path.
Posted Nov 14, 2025
Edit critic review
|
|
|
Lake Mungo
(2008)
|
Sarah Cullen
|
Lake Mungo remains a haunting rumination on the nothingness that follows the death of a loved one.
Posted Nov 14, 2025
Edit critic review
|
|
|
2000 Meters to Andriivka
(2025)
|
Peter Bodie
|
2000 Meters to Andriivka is a very challenging piece of work, but yet feels strangely calm. Probably because it is so starkly factual.
Posted Nov 14, 2025
Edit critic review
|
|
|
Dogtooth
(2009)
|
Oscar O’Sullivan
|
Dogtooth is unsettling in the best possible way.
Posted Nov 14, 2025
Edit critic review
|
|
|
And Then We Danced
(2019)
|
June Butler
|
The pace is exquisitely measured, stepped, and metered.
Posted Nov 14, 2025
Edit critic review
|
|
|
The Brutalist
(2024)
|
June Butler
|
Given its budget, The Brutalist is simply astounding from beginning to end. A film of this length needs to occupy and keep viewers’ attention – in this, Brady Corbet has succeeded.
Posted Nov 13, 2025
Edit critic review
|
|
|
The Mastermind
(2025)
|
Peter Bodie
|
The Mastermind simply fails to ignite.
Posted Nov 13, 2025
Edit critic review
|
|
|
Die My Love
(2025)
|
Lauren Gallagher
|
Bleak, candid and profoundly patient, Die My Love is a story of contradictions that gives grace to both tenderness and destruction.
Posted Nov 13, 2025
Edit critic review
|
|
|
Abode
(2025)
|
Thomas Caffrey
|
Abode is an often very funny work that effectively mines the familiarity of Irish settings, accents, and situations, resulting in a film best experienced in a sold-out Irish cinema.
Posted Nov 10, 2025
Edit critic review
|
|
|
How to Be Normal and the Oddness of the Other World
(2025)
|
Will Penn
|
How To Be Normal never fully articulates what can only be felt or seen, respecting both its subject and its audience by communicating the visceral, but ultimately optimistic, experience of psychosis in a groundbreakingly entertaining way.
Posted Nov 07, 2025
Edit critic review
|
|
|
Cold Pursuit
(2019)
|
Anthony Kirby
|
Cold Pursuit has a quirky sense of humour, especially in the graphics that appear on screen after each evil character is dispatched.
Posted Nov 03, 2025
Edit critic review
|
|
|
Lucifer Rising
(1972)
|
Neil Cadieux
|
Lucifer Rising remains one of the most visually fascinating and wholly unconventional horror films ever made.
Posted Oct 22, 2025
Edit critic review
|
|
|
Boorman and the Devil
(2025)
|
Shane McKevitt
|
Kittredge’s film moves at a breakneck pace, brilliantly edited and surprisingly funny.
Posted Oct 22, 2025
Edit critic review
|
|
|
The Shrouds
(2024)
|
Olivia O'Riada
|
It’s a confrontational and off-putting manner of exploration that will make it a tough sell for many, but The Shrouds is a fascinating exercise in late style from one of the defining voices of the last 50 years of cinema.
Posted Oct 14, 2025
Edit critic review
|
|
|
The Miracle Club
(2023)
|
Yuliia Riabova
|
The movie feels almost like a fairytale.
Posted Oct 14, 2025
Edit critic review
|
|
|
Mrs. Robinson
(2024)
|
Carmen Bryce
|
As charismatic and inspirational as its subject, Mrs. Robinson will make you proud to be Irish.
Posted Oct 14, 2025
Edit critic review
|
|
|
Buried Alive
(2025)
|
Ronan Power
|
Ultimately, Beo Faoin bhFód / Buried Alive is more than a film about a strange record attempt, rather it's honours a complex man who dreamed big, and tells a story that lingers on long after the credits roll.
Posted Oct 08, 2025
Edit critic review
|
|
|
Red Rooms
(2023)
|
Conor Bryce
|
It’s a rewarding stare into life’s shadows that might make you think twice about binge-listening to that latest true crime podcast.
Posted Oct 03, 2025
Edit critic review
|
|
|
Re-Creation
(2025)
|
Will Penn
|
One thing that this film is not, and does very well to avoid, is becoming bogged down in forensic minutiae.
Posted Oct 03, 2025
Edit critic review
|