One Battle After Another (2025)
94%
EDIT
“This is a uniquely kinetic cinematic adventure, born out of the imagination of an auteur at the peak of his earthly powers.” –
Film Ireland Magazine
Nov 14, 2025
Full Review
Killers of the Flower Moon (2023)
93%
EDIT
“It's a film with an unyielding commitment to the power of cinema and artistic expression.” –
Film Ireland Magazine
Nov 3, 2023
Full Review
Oppenheimer (2023)
93%
EDIT
“Cillian Murphy sets the screen ablaze, with a ferocious and intimate performance, and his face is a gateway into another reality. It's perhaps the single greatest performance in any Nolan film, and a testament to Murphy's devotion to his craft.” –
Film Ireland Magazine
Jul 27, 2023
Full Review
The Banshees of Inisherin (2022)
96%
EDIT
“McDonagh has crafted a bona fide story about the end of a friendship and in doing so created an entertaining and heartfelt film laden with meaning and purpose.” –
Film Ireland Magazine
Oct 27, 2022
Full Review
Licorice Pizza (2021)
90%
EDIT
“It's a radiant coming-of-age romance, that fills your heart with electricity and actively propels you straight into another dimension.” –
Film Ireland Magazine
Jan 7, 2022
Full Review
The French Dispatch (2021)
75%
EDIT
“It's a must for loyal Anderson devotees, but otherwise it's likely to strain eyeballs, test patience, and rise the ire of viewers that don't read pretentious tomes or wear fancy pants.” –
Film Ireland Magazine
Oct 25, 2021
Full Review
Wildfire (2020)
95%
EDIT
“Wildfire is an arresting drama that burns and melts with incredible performances and establishes Cathy Brady as a visionary feature director.” –
Film Ireland Magazine
Sep 23, 2021
Full Review
Tenet (2020)
70%
EDIT
“It's an intricate Rubik's cube of a film that... never quite pieces itself together. But in this ever-changing world in which we live in, we need filmmakers like Nolan, who dare to be bold and try to look at the world differently.” –
Film Ireland Magazine
Sep 4, 2020
Full Review
The Lighthouse (2019)
90%
EDIT
“A piercing psychological horror.” –
Film Ireland Magazine
Jan 31, 2020
Full Review
Uncut Gems (2019)
91%
EDIT
“Past the glisten of diamonds and the cocaine mist of Uncut Gems, the Safdie Brothers have a crafted a potent mediation about the cost of our desires.” –
Film Ireland Magazine
Jan 13, 2020
Full Review
Joker (2019)
68%
EDIT
“Ultimately, Joker is near Shakespearean in its tragic scope. It's Macbeth for the comic book movie generation, and easily the most morally complex comic book film since The Dark Knight.” –
Film Ireland Magazine
Oct 4, 2019
Full Review
Once Upon a Time... In Hollywood (2019)
86%
EDIT
“Ends with a bang that will reverberate throughout cinematic history.” –
Film Ireland Magazine
Aug 16, 2019
Full Review
Mary Queen of Scots (2018)
62%
EDIT
“Behind the mesmerizing performance of one of the best leading women of her generation, Saoirse Ronan, and a spellbinding performance by Margot Robbie, this film is let down by a lacklustre script.” –
Film Ireland Magazine
Jan 18, 2019
Full Review
The Favourite (2018)
93%
EDIT
“The performances are staggering and endearingly comic.” –
Film Ireland Magazine
Jan 2, 2019
Full Review
Suspiria (2018)
65%
EDIT
“This isn't some serious comment on feminism, or motherhood or anything else, this is a film so absorbed in the concept of its own greatness, that it loses sight of its own theme, until it withers and dies on screen before us.” –
Film Ireland Magazine
Nov 20, 2018
Full Review
Room (2015)
93%
EDIT
“In Room, [director Lenny] Abrahamson has created a masterful oddity; a world that's spatially confined, but emotionally limitless and arresting.” –
Film Ireland Magazine
Mar 28, 2018
Full Review
You Were Never Really Here (2017)
89%
EDIT
“[Director Lynne] Ramsey creates a highly subjective experience with her visuals largely mirroring the rocky instability of Joaquin's Veteran Joe.” –
Film Ireland Magazine
Mar 13, 2018
Full Review
Phantom Thread (2017)
91%
EDIT
“It's tantamount to cinematic transubstantiation and Anderson and Day-Lewis deliver, turning blood to bread and water to wine, leaving us all but paralyzed.” –
Film Ireland Magazine
Feb 5, 2018
Full Review
Blade Runner 2049 (2017)
88%
EDIT
“Blade Runner 2049 safely derives from the ancestral roots of Ridley Scott's iconic visionary opus without compromising its value in any way.” –
Film Ireland Magazine
Oct 13, 2017
Full Review
It Comes at Night (2017)
88%
EDIT
“Shults has crafted a beautifully intelligent psychological thriller, where the most monstrous and horrific thing is ourselves.” –
Film Ireland Magazine
Jul 14, 2017
Full Review
Alien: Covenant (2017)
65%
EDIT
“Alien: Covenant is half Prometheus sequel/ half Alien prequel and in many ways, it feels like a missed opportunity, but it's probably the best Alien film this side of Alien Resurrection or Alien 3; so for now at least I'm happy to chew the fat.” –
Film Ireland Magazine
May 18, 2017
Full Review
Without Name (2016)
81%
EDIT
“Finnegan is clearly a filmmaker of tremendous capacity and vision, and even when [Without Name] doesn't entirely work, he doesn't fail in teasing the promise of his visionary talent.” –
Film Ireland Magazine
May 11, 2017
Full Review
It's Only the End of the World (2016)
44%
EDIT
“While Dolan's previous film Mommy (2014) was hailed a masterpiece, somehow his follow-up, for me at least, doesn't live up to that kind of hype. It's not exactly surprising that the critical reaction so far has been mixed to say the least.” –
Film Ireland Magazine
Apr 27, 2017
Full Review
Neruda (2016)
92%
EDIT
“LarraĆn doesn't water the content down for the audience; instead, he manages to keep it potent, and, what's further still, accessible.” –
Film Ireland Magazine
Apr 21, 2017
Full Review
La La Land (2016)
91%
EDIT
“La La Land offers a warming, renewing sense of magic and hope in the world, the perfect antidote to all the chaos of the present. In the end it's an unapologetically bona fide love affair with love and dreams.” –
Film Ireland Magazine
Jan 25, 2017
Full Review
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