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El nacional

El nacional is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Aglaia Berlutti.

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Rating Title | Year Author Quote
A+
No Other Choice (2025) Aglaia Berlutti Park Chan-wook turns workplace anxiety into a dark fable about frustration and violence in ‘No Other Choice’.[Full Review in Spanish]
Posted Jan 25, 2026Edit critic review
Blue Moon (2025) Aglaia Berlutti Between reflections on talent, a look at romance as a form of redemption, Blue Moon delves into the life of an artist at the lowest point in his life. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
A
The Plague (2025) Aglaia Berlutti In Charlie Polinger's The Plague, adolescence becomes a failed social experiment. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
B
Kiss of the Spider Woman (2025) Aglaia Berlutti Between prison cells, songs, and fantasies borrowed from classic cinema, this new adaptation of Manuel Puig's iconic work attempts to turn suffering into a moving spectacle with double meanings. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
A
Pillion (2025) Aglaia Berlutti Nothing is as simple as it seems: beneath leather and suggestive glances lies an uncomfortable, funny, and surprisingly lucid story about growing up when you're supposed to already know who you are. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
A+
The Secret Agent (2025) Aglaia Berlutti Halfway between a political thriller and an intimate drama about the nature of fear, Kleber Mendonça Filho's film seems to emerge from a feverish dream [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
B
Nuremberg (2025) Aglaia Berlutti James Vanderbilt's Nuremberg analyzes the historic trial of Nazi leaders and officials from the perspective of a cruel lesson for the future. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
C
Keeper (2025) Aglaia Berlutti A house in the middle of the woods, a couple who doubt even their own shadows, and a director obsessed with déjà vu. 'Keeper' plays at scaring, but sometimes it just provokes boredom. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
A+
Sentimental Value (2025) Aglaia Berlutti Joachim Trier returns with a film about the fragility of family ties, artistic vanity, and the weight of time. All wrapped up in dry humor, luminous melancholy, and open wounds. [Full Review in Spanish]
Posted Jan 17, 2026Edit critic review
B
The Smashing Machine (2025) Aglaia Berlutti Benny Safdie breaks the rules of the sports biopic in The Smashing Machine, a film that eschews spectacle and epic storytelling to portray Mark Kerr (Dwayne Johnson) with rawness and detachment [Full Review in Spanish]
Posted Oct 04, 2025Edit critic review
A
Downton Abbey: The Grand Finale (2025) Aglaia Berlutti La despedida de Downton Abbey llega con un cierre que apuesta más por la nostalgia que por la sorpresa. [Full Review in Spanish]
Posted Sep 12, 2025Edit critic review
A+
Together (2025) Aglaia Berlutti With “Together”, by Michael Shanks, the good moment that body horror is going through reaches a completely different dimension. [Full Review in Spanish]
Posted Jul 31, 2025Edit critic review
C
Eddington (2025) Aglaia Berlutti Ari Aster returns to the fray with a film that seems made to discomfort, not because it has anything particularly revealing to say, but because it plants itself in the middle of still-hot debates without wanting to offer answers. [Full Review in Spanish]
Posted Jul 17, 2025Edit critic review
A+
Sorry, Baby (2025) Aglaia Berlutti 'Sorry, Baby' by Eva Victor avoids simplifying, belittling or sugarcoating trauma and instead spends time on a brilliant, honest and devastating exploration of suffering. [Full Review in Spanish]
Posted Jul 03, 2025Edit critic review
A+
Fréwaka (2024) Aglaia Berlutti Halfway between pure horror and a frontal exploration of human cruelty, director Aislinn Clarke's 'Fréwaka' explores fear, existential angst and loss of hope effectively. [Full Review in Spanish]
Posted Jun 20, 2025Edit critic review
B
Dangerous Animals (2025) Aglaia Berlutti In 'Dangerous Animals', director Sean Byrne explores the terror of an unconventional threat. A serial killer capable of using the violence of a shark to kill. [Full Review in Spanish]
Posted Jun 12, 2025Edit critic review
A+
The Life of Chuck (2024) Aglaia Berlutti With The Life of Chuck, Mike Flanagan turns his exploration of Stephen King's work into a profound, heartfelt and moving metaphor for life, time and even the substance of reality. [Full Review in Spanish]
Posted Jun 05, 2025Edit critic review
A+
Bring Her Back (2025) Aglaia Berlutti In 'Bring Her Back', Danny and Michael Philippou explore the idea of death, the unknown and loss, through two traumatized children.[Full Review in Spanish]
Posted May 31, 2025Edit critic review
A
Drop (2025) Aglaia Berlutti Christopher Landon's 'Drop' plays with the tropes of romance cinema to construct a macabre satire on contemporary love. [Full Review in Spanish]
Posted May 24, 2025Edit critic review
B
Death of a Unicorn (2025) Aglaia Berlutti Director Alex Scharfman turns the mythical figure of the unicorn into that of an unstoppable and dangerous killer beast. But also, in a well posed metaphor about opulence, late capitalism and even the pharmaceutical industry. [Full Review in Spanish]
Posted May 24, 2025Edit critic review
A+
Warfare (2025) Aglaia Berlutti Tough, direct and uncompromising, Ray Mendoza and Alex Garland's vision of 'Warfare' is more pessimistic than exciting. [Full Review in Spanish]
Posted May 24, 2025Edit critic review
A+
The Ugly Stepsister (2025) Aglaia Berlutti In Emilie Blichfeldt's 'The Ugly Stepsister', the Cinderella story becomes an extravagant vision of evil, fear and inner darkness. [Full Review in Spanish]
Posted Apr 26, 2025Edit critic review
C
The Alto Knights (2025) Aglaia Berlutti Robert De Niro returns to mafia stories with Barry Levinson, in a dual performance that is intended to be the main attraction of the production. [Full Review in Spanish]
Posted Apr 17, 2025Edit critic review
B
The Woman in the Yard (2025) Aglaia Berlutti Jaume Collet-Serra turns a typical horror story into an allegory about evil and amoral suffering. [Full Review in Spanish]
Posted Apr 17, 2025Edit critic review
A+
Black Bag (2025) Aglaia Berlutti Steven Soderbergh's Black Bag is many things at once. On the one hand, it is a spy thriller that explores loyalty, fear of betrayal and its characters' search for purpose. [Full Review in Spanish]
Posted Mar 22, 2025Edit critic review
A
The Last Showgirl (2024) Aglaia Berlutti Gia Coppola turns 'The Last Showgirl' into a melancholy exploration of triumph, pain and redemption. [Full Review in Spanish]
Posted Jan 30, 2025Edit critic review
A+
I'm Still Here (2024) Aglaia Berlutti Walter Salles analyzes the harsh scenario of disappearances in Brazil during the dictatorship that controlled the country, focusing his attention on the perspective of the victims. [Full Review in Spanish]
Posted Jan 30, 2025Edit critic review
B
Presence (2024) Aglaia Berlutti Steven Soderbergh's 'Presence' presents an unusual scenario in the horror genre. That, by exploring the point of view of an entity trapped in a familiar house, with no history and in the midst of the bewilderment of oblivion. [Full Review in Spanish]
Posted Jan 30, 2025Edit critic review
C
Emilia Pérez (2024) Aglaia Berlutti But beyond its undoubted virtues, the script struggles with its quality as an idealized spectacle that attempts to delve into a complicated dilemma, all with Mexico as a backdrop. [Full Review in Spanish]
Posted Dec 26, 2024Edit critic review
A
Queer (2024) Aglaia Berlutti In 'Queer', Luca Guadagnino takes William S. Burroughs' novel and transforms it into an initiatory journey about love and desire in the 1950s. [Full Review in Spanish]
Posted Dec 05, 2024Edit critic review
A
Conclave (2024) Aglaia Berlutti In Edward Berger's 'Conclave', religion and power are confused in the midst of a critical election. [Full Review in Spanish]
Posted Nov 28, 2024Edit critic review
A
The Devil's Bath (2024) Aglaia Berlutti In 'The Devil's Bath' by Veronika Franz and Severin Fiala, the lurking monster is pain, fear and despair. [Full Review in Spanish]
Posted Nov 21, 2024Edit critic review
A
Heretic (2024) Aglaia Berlutti In 'Heretic', director duo Scott Beck and Bryan Woods delve into the idea of contemporary evil from a corrosive and cynical point of view. [Full Review in Spanish]
Posted Nov 14, 2024Edit critic review
A
Juror #2 (2024) Aglaia Berlutti What could be Clint Eastwood's last film is a tense judicial drama that also questions and analyzes contemporary justice from its baseness and perversions. [Full Review in Spanish]
Posted Nov 08, 2024Edit critic review
A+
Anora (2024) Aglaia Berlutti Sean Baker's Anora moves in several scenarios at once and in all of them, the story celebrates love, debauchery and the wonder of desire. [Full Review in Spanish]
Posted Nov 01, 2024Edit critic review
A
Woman of the Hour (2023) Aglaia Berlutti Actress Anna Kendrick made her debut in the director's chair with a tense and harrowing film, in which she narrates a true story that still baffles. [Full Review in Spanish]
Posted Oct 18, 2024Edit critic review
A-
Lee (2023) Aglaia Berlutti 'Lee' by Ellen Kuras is an in-depth and exciting look at the life and legacy of photographer Lee Miller.
Posted Oct 17, 2024Edit critic review
C
Salem's Lot (2024) Aglaia Berlutti Gary Dauberman's Salem's Lot, attempts to capture the slow-burning terror of the book, without quite succeeding. [Full Review in Spanish]
Posted Oct 17, 2024Edit critic review
A
We Live in Time (2024) Aglaia Berlutti His great bet is to tell a story that, little by little, unravels the wonders of loving - and feeling love in correspondence - in the midst of the possibility of death. [Full Review in Spanish]
Posted Oct 16, 2024Edit critic review
B
A Different Man (2024) Aglaia Berlutti This macabre fable about vanity ponders beauty and acceptance from a surrealistic point of view. [Full Review in Spanish]
Posted Sep 27, 2024Edit critic review
C-
The Front Room (2024) Aglaia Berlutti In “The Front Room,” old age is the ultimate horror, and directors Sam and Max Eggers elevate it to a gloomy level of self-consciousness and dread that becomes increasingly uncomfortable. [Full Review in Spanish]
Posted Sep 12, 2024Edit critic review
A+
Oddity (2024) Aglaia Berlutti Damian McCarthy's “Oddity” explores folk horror from a perspective that bases its effectiveness on simplicity. But that doesn't make the film any less sinister. [Full Review in Spanish]
Posted Jul 25, 2024Edit critic review
B-
MaXXXine (2024) Aglaia Berlutti Ti West's 'MaXXXine' pays tribute to the twisted, violent and hypersexualized Hollywood of the 1980s. But like its predecessors, it is a brutal slasher that closes a trilogy destined to become iconic in contemporary horror cinema. [Full Review in Spanish]
Posted Jul 11, 2024Edit critic review
A+
Longlegs (2024) Aglaia Berlutti Oz Perkins' "Longlegs" is more than just a horror film. Which it is, and of outstanding quality. At the same time, it is a dense, suffocating and most of the time stark exploration of the evil [Full Review in Spanish]
Posted Jul 04, 2024Edit critic review
A+
In a Violent Nature (2024) Aglaia Berlutti Chris Nash's “In A Violent Nature” transforms the familiar premise of a slasher based on an unstoppable killer into a bloody exploration of evil. [Full Review in Spanish]
Posted May 30, 2024Edit critic review
C-
The Strangers: Chapter 1 (2024) Aglaia Berlutti “The Strangers: Chapter 1” attempts, unsuccessfully, to delve into the idea that evil, must make some sense. Or that horror, at least, must lead somewhere. [Full Review in Spanish]
Posted May 23, 2024Edit critic review
B-
Boy Kills World (2023) Aglaia Berlutti With a peculiar visuals and a mute hero, director Moritz Mohr rethinks violence and explores it in an urban setting with primitive airs. [Full Review in Spanish]
Posted May 16, 2024Edit critic review
B
I Saw the TV Glow (2024) Aglaia Berlutti "Jane Schoenbrun's I Saw the TV Glow examines and explores the great cultural obsessions. It also delves into the fabric of pop culture with care and finds the dark spots in its most unique elements. [Full Review in Spanish]
Posted May 09, 2024Edit critic review
A+
Humane (2024) Aglaia Berlutti Caitlin Cronenberg rehearses in her feature debut a cruel dystopia in which death becomes a bargaining chip. Humane is as disturbing as it is brutal, with no blood in sight. [Full Review in Spanish]
Posted May 02, 2024Edit critic review
A+
Challengers (2024) Aglaia Berlutti Luca Guadagnino's Challengers explores the mysteries of desire from the sporting arena. In particular, by equating sexual tension with sporting rivalry and then love with the triumph of the most urgent desires. [Full Review in Spanish]
Posted Apr 25, 2024Edit critic review
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