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Classic Movie Guide

Classic Movie Guide is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Diana Saenger.

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Rating Title | Year Author Quote
3/5
Zachariah (1971) A. J. Hakari Zachariah waxes experimental rather than commercial and makes its relatively laid-back philosophy that easier to digest.
Posted Jun 20, 2010Edit critic review
3.5/5
Frankenstein Meets the Wolfman (1943) A. J. Hakari Frankenstein Meets the Wolf Man is quite the class act for a B-flick, a corny but overall fun way of expanding the wide, weird world of Universal horror.
Posted May 15, 2010Edit critic review
3/5
Under Capricorn (1949) A. J. Hakari Several moods are adopted as the drama unfolds, keeping its many mysteries in flux.
Posted May 15, 2010Edit critic review
3/5
Green for Danger (1946) A. J. Hakari British potboilers are famous for their wit and complexity, and Green for Danger does its papas proud.
Posted May 09, 2010Edit critic review
3/5
For Your Eyes Only (1981) A. J. Hakari For Your Eyes Only is the refreshing detox the Bond series had been asking for.
Posted May 09, 2010Edit critic review
3/5
The Uninvited (1944) A. J. Hakari The Uninvited's craftsmanship surpasses its storytelling strengths.
Posted Apr 20, 2010Edit critic review
3/5
Vanishing Point (1971) A. J. Hakari Vanishing Point has its pleasant pursuits, but its mindset is better suited for the more introspective of motorheads.
Posted Apr 03, 2010Edit critic review
3/5
The Werewolf of London (1935) A. J. Hakari For Universal's first big lycanthropic romp, Werewolf of London is in impressive shape.
Posted Feb 13, 2010Edit critic review
5/5
The Wolf Man (1941) A. J. Hakari Monsters of moonlight have come and gone, but 1941's The Wolf Man remains leader of the pack.
Posted Feb 13, 2010Edit critic review
5/5
The Treasure of the Sierra Madre (1948) A. J. Hakari Countless TV airings and 'stinking badges' references later, The Treasure of the Sierra Madre remains a parable that's as fascinating to ponder as it is to just watch.
Posted Jan 09, 2010Edit critic review
2.5/5
The Private Life of Sherlock Holmes (1970) A. J. Hakari Stephens nails the detective's restless disposition, but more than once does he veer dangerously close to drama queen territory.
Posted Dec 29, 2009Edit critic review
2/5
Murders in the Rue Morgue (1932) A. J. Hakari The whole thing is a Darwinian nightmare, an ill-conceived attempt to parlay a taboo topic into a simple horror story.
Posted Dec 29, 2009Edit critic review
3.5/5
Cabaret (1972) A. J. Hakari A little bit naughty and a little bit fun, Cabaret is off-kilter goodness no matter how you slice it.
Posted Dec 13, 2009Edit critic review
3/5
Christmas in Connecticut (1945) A. J. Hakari It's a perfectly pleasant film with a nostalgic appeal that makes it one of the lesser-known holiday favorites but a favorite nonetheless.
Posted Dec 13, 2009Edit critic review
3/5
Dracula (1931) A. J. Hakari Dracula is good stuff, but it's sort of a victim of its own reputation.
Posted Nov 19, 2009Edit critic review
3/5
The Escape Artist (1982) A. J. Hakari ...a unique coming-of-age tale, one that may star a youngster but isn't necessarily a kids-only affair.
Posted Oct 10, 2009Edit critic review
3/5
Little Caesar (1930) A. J. Hakari With little gunplay to hog screen time, Little Caesar devotes more of itself to the tragedy of Rico's criminal ways.
Posted Aug 14, 2009Edit critic review
2.5/5
The Fly (1958) A. J. Hakari Someone's either crying or reciting a monologue, which can be a lot to endure if anthropmorphic bugs are your game.
Posted Aug 14, 2009Edit critic review
2/4
Journey to the Center of the Earth (1959) A. J. Hakari As classy as the '59 Journey is, it's way too buttoned-up and stodgy to truly have fun with.
Posted Jul 28, 2009Edit critic review
2/4
Journey to the Center of the Earth (2008) A. J. Hakari The action is tiresome, the 3-D is a big bother, and the characters are slim...
Posted Jul 28, 2009Edit critic review
2/5
White Zombie (1932) A. J. Hakari White Zombie suffers most from a nasty habit of prolonging scenes where, instead of generating suspense, things just kind of remain inert.
Posted Jul 28, 2009Edit critic review
2/5
Pulp (1972) A. J. Hakari ...the film wanders around aimlessly for about an hour before it comes close to piecing together something that could resemble a plot.
Posted Jul 28, 2009Edit critic review
3/5
Blast of Silence (1961) A. J. Hakari Lonely is the life of an assassin.
Posted Jul 28, 2009Edit critic review
3.5/5
Where Eagles Dare (1969) A. J. Hakari The story isn't based on run-and-gun theatrics but stealthness, white-knuckle intensity...
Posted Jul 28, 2009Edit critic review
2.5/5
Trio (1950) A. J. Hakari ...Trio is only two-thirds of the classic it could've been.
Posted Jul 28, 2009Edit critic review
4/5
Touch of Evil (1958) A. J. Hakari Touch of Evil is more than deserving of its status as a noir classic...
Posted Jul 28, 2009Edit critic review
3/5
Tomorrow Never Dies (1997) A. J. Hakari The film's job is pretty simple: come in, throw out a couple of winks at long-time Bond fans, and blow up a lot of stuff in the process. But it works.
Posted Jul 28, 2009Edit critic review
2/5
Thunderball (1965) A. J. Hakari ...it lazily slogs through its set pieces without the slightest hint of spirit or spark.
Posted Jul 28, 2009Edit critic review
3.5/5
This Gun for Hire (1942) A. J. Hakari There's quite a bit of ambition running through This Gun for Hire's veins, and it's a much more memorable movie for its efforts.
Posted Jul 28, 2009Edit critic review
5/5
The Sting (1973) A. J. Hakari Even eight years after I first discovered it, the movie remains an absolute joy to watch...
Posted Jul 28, 2009Edit critic review
4/5
Superman: The Movie (1978) A. J. Hakari The most vital aspect of Superman is that Superman himself isn't depicted as a flawless do-gooder.
Posted Jul 28, 2009Edit critic review
3/5
State Fair (1945) A. J. Hakari I'll always have a certain amount of affection for State Fair.
Posted Jul 28, 2009Edit critic review
2.5/5
She-Wolf of London (1946) A. J. Hakari ...it's either a unique entry in the studio's horror pantheon or one of the biggest rip-offs of all time.
Posted Jul 28, 2009Edit critic review
3.5/5
Scarface (1932) A. J. Hakari Scarface is the quintessential example of the American Dream being turned on its ear.
Posted Jul 28, 2009Edit critic review
2.5/5
The Quiet Man (1952) A. J. Hakari The script has a tendency to oversimplify certain elements of the story...
Posted Jul 28, 2009Edit critic review
2.5/5
Phantom of the Opera (1943) A. J. Hakari As a horror film, Phantom doesn't amount to anything spectacular.
Posted Jul 28, 2009Edit critic review
4/5
The Mummy (1932) A. J. Hakari The tragic romance is tinged with enough of the supernatural to make the story much deeper than the average fright film.
Posted Jul 28, 2009Edit critic review
2/5
Moonraker (1979) A. J. Hakari For as chintzy a demeanor as the Roger Moore movies adopted, this one really takes the cake.
Posted Jul 28, 2009Edit critic review
3.5/5
The Man With the Golden Gun (1974) A. J. Hakari Aside from a few minor hang-ups, the movie finds a way to entertain on an escapist level.
Posted Jul 28, 2009Edit critic review
2.5/5
The Living Daylights (1987) A. J. Hakari ...what The Living Daylights does is steal away Bond's thunder by slapping him in a story more fit for Schwarzenegger or Stallone...
Posted Jul 28, 2009Edit critic review
3.5/5
Licence to Kill (1989) A. J. Hakari Few people dug Timothy Dalton's turn at the James Bond wheel, but you can't deny that the man brought a certain edginess to the character.
Posted Jul 28, 2009Edit critic review
2/5
The Last Tycoon (1976) A. J. Hakari ...in the end, it has about as much to do with the movies as Psycho had to do with shower curtains.
Posted Jul 28, 2009Edit critic review
3.5/5
The Last Man on Earth (1964) A. J. Hakari ...another low-budget endeavor from the infamous American International line that just so happens to be pretty darn good.
Posted Jul 28, 2009Edit critic review
2.5/5
King Kong (1976) A. J. Hakari ...the '70s take on Kong is still a fairly enjoyable flick, even if it's on a much cheesier level than some might care for.
Posted Jul 28, 2009Edit critic review
3/5
The Hound of the Baskervilles (1939) A. J. Hakari Rathbone's portrayal of Holmes is second to none...
Posted Jul 28, 2009Edit critic review
4.5/5
Hannah and Her Sisters (1986) A. J. Hakari Hannah is about as pitch-perfect as movies can get.
Posted Jul 28, 2009Edit critic review
3.5/5
007: Goldfinger (1964) A. J. Hakari It's not difficult to see why moviegoers went ga-ga for Goldfinger.
Posted Jul 28, 2009Edit critic review
3/5
GoldenEye (1995) A. J. Hakari The action is crisp, the pacing is quick, and, most importantly, Brosnan proves he can wear a tux just as well as Sean Connery could.
Posted Jul 28, 2009Edit critic review
4/5
From Russia With Love (1963) A. J. Hakari From Russia with Love's appearance shows that filmmakers had a lot more confidence about how to handle Bond.
Posted Jul 28, 2009Edit critic review
2.5/5
Fiend Without a Face (1958) A. J. Hakari ...the turn of events in the story is so familiar by now, the movie tends to run into some slow patches.
Posted Jul 28, 2009Edit critic review
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