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Noir City

Noir City is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Kelly Vance, Nathalie Atkinson, Sean Axmaker.

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Rating Title | Year Author Quote
Reprisal (2018) Sean Axmaker The out-of-time iconography, decades-straddling style, and anywhere USA setting invite the audience to relish Reprisal's pulp ethos and appreciate the twists and turns of the ride as Doris unleashes chaos.
Posted Feb 14, 2020  Edit critic review
The Traitor (2019) Kelly Vance The Traitor is a sober indictment of lawlessness and a man who ultimately found no joy in it.
Posted Feb 14, 2020  Edit critic review
Motherless Brooklyn (2019) Kelly Vance With its odd combination of period crime and slapstick, Motherless Brooklyn takes its time warming up, but Norton's Brooklyn - both the place and the man - grow on us.
Posted Nov 22, 2019  Edit critic review
The Death of Dick Long (2019) Kelly Vance Scheinert and Chew's poor-dumb-redneck free-for-all is rescued by its players.
Posted Oct 19, 2019  Edit critic review
Piranhas (2019) Sean Axmaker The scrappy filmmaking and petty criminal antics fit the scale of this Gomorrah Jr.
Posted Aug 12, 2019  Edit critic review
Dogman (2018) Kelly Vance The director, who wrote the screenplay with help from a squad of six other writers, frames his characters with precision in their natural habitat.
Posted May 10, 2019  Edit critic review
Trouble Is My Business (2017) Sean Axmaker It's too long at just under two hours and the performances bounce between intent caricature and knowing lampoon, but the commitment to the project is as authentic as its affection for the genre.
Posted Apr 22, 2019  Edit critic review
Serenity (2019) Kelly Vance I'm no big fan of the twist, but it did not distract me from having fun with the general over-the-top tone of the movie.
Posted Mar 02, 2019  Edit critic review
Destroyer (2018) Kelly Vance Kidman's Erin Bell is a sort of Sphinx. To observe her is to be enchanted and repelled in almost equal measure.
Posted Jan 17, 2019  Edit critic review
Bad Times at the El Royale (2018) Kelly Vance In the end, there's too much incident and too many loose threads for this movie to handle.
Posted Dec 20, 2018  Edit critic review
The Old Man & the Gun (2018) Kelly Vance Every time Forrest and Jewel go into one of their love chats -- in tight close-up, to go along with the grainy '70s-style cinematography -- the movie slows down a little more. By the end, it's barely breathing.
Posted Dec 20, 2018  Edit critic review
The Angel (2018) Kelly Vance Captivatingly nasty.
Posted Dec 20, 2018  Edit critic review
The Girl in the Spider's Web (2018) Kelly Vance In its third generation, the saga has become noticeably threadbare, even trite.
Posted Dec 20, 2018  Edit critic review
Mute (2017) Sean Axmaker Slow and listless, lacking tension or a sense of danger, it's a pastiche with aspirations to being a movie that ends up a very expensive pageant.
Posted Aug 24, 2018  Edit critic review
Anon (2018) Sean Axmaker It should be a nightmarish ordeal; yet, for a film steeped in subjectivity and techno-voyeurism, Anon retains a frustrating, video game-style distance from their experiences.
Posted Aug 24, 2018  Edit critic review
Manhunt (2017) Sean Axmaker It's not as jaw-droppingly astonishing as in Woo's heyday, but still glorious to behold at its best.
Posted Aug 24, 2018  Edit critic review
Unsane (2018) Kelly Vance Kudos to Foy's performance and to Soderbergh's genius for finding the tenderest, most sensitive nerve ending and worrying it mercilessly.
Posted Aug 24, 2018  Edit critic review
Gemini (2017) Kelly Vance Kravitz (Rough Night, Mad Max: Fury Road) is capable of better than this.
Posted Aug 24, 2018  Edit critic review
You Were Never Really Here (2017) Kelly Vance You Were Never Really Here is not for everyone, but its wounded compassion is undeniable.
Posted Aug 24, 2018  Edit critic review
American Animals (2018) Kelly Vance The middle-class kids chose the wrong prank. A seven-year sentence is a dandy proscenium breaker.... And we, the audience, get to vicariously experience an entertaining cautionary tale.
Posted Aug 24, 2018  Edit critic review
Terminal (2018) Kelly Vance Meanwhile, no amount of script doctoring could save Terminal. That train left long ago.
Posted Aug 24, 2018  Edit critic review
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