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Eye for Film

Eye for Film is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Amber Wilkinson, Donald Munro, Jennie Kermode, Keith H. Brown, Stephen Carty.

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Rating Title | Year Author Quote
3/5
Under the Stars (2025) Jennie Kermode Goes down easily, like a house red.
Posted Jan 27, 2026  Edit critic review
4/5
Put Your Soul on Your Hand and Walk (2025) Jennie Kermode The film doesn’t answer every common question that people have in this situation, but it does provide some context.
Posted Jan 22, 2026  Edit critic review
4.5/5
Bad Hostage (2024) Jennie Kermode Thorough and forthright.
Posted Jan 20, 2026  Edit critic review
4/5
Snow Bear (2025) Jennie Kermode Snow Bear has an old fashioned quality which stands out in today’s landscape.
Posted Jan 20, 2026  Edit critic review
4.5/5
Rental Family (2025) Jennie Kermode It’s not a showy performance, but it’s a standout.
Posted Jan 14, 2026  Edit critic review
4.5/5
East of Wall (2025) Jennie Kermode There’s a particularity about this place that is etched into the screen.
Posted Jan 14, 2026  Edit critic review
4/5
Baab (2026) Amber Wilkinson Things don’t so much burrow under the skin of the protagonist of Baab, as get inside her head.
Posted Jan 09, 2026  Edit critic review
4/5
The Testament of Ann Lee (2025) Jennie Kermode Made with consummate care, the film stands out for its exquisite cinematography.
Posted Jan 02, 2026  Edit critic review
3.5/5
Dracula (2025) Jennie Kermode Landry Jones is...expanding his range into a conventional space rather than delivering a refreshingly unconventional take.
Posted Jan 02, 2026  Edit critic review
2.5/5
Arco (2025) Jennie Kermode It’s the sort of sweet-natured fable that makes adults nostalgic for childhood, but both the near and far futures it presents are, to children themselves, already likely to seem out of date.
Posted Dec 30, 2025  Edit critic review
5/5
Hedda (2025) Jennie Kermode DaCosta has managed to create something which feels acutely contemporary and fresh.
Posted Dec 29, 2025  Edit critic review
3/5
Avatar: Fire and Ash (2025) Jennie Kermode Where the story stumbles, the film is carried forward by action.
Posted Dec 29, 2025  Edit critic review
4/5
Santacon (2025) Jennie Kermode The documentary celebrates the early days when members of the public really didn’t know what was going on.
Posted Dec 24, 2025  Edit critic review
4.5/5
The Plague (2025) Jennie Kermode Borrowing tropes from horror, the film adds an uncanny undercurrent to its drama.
Posted Dec 24, 2025  Edit critic review
4.5/5
The Six Billion Dollar Man (2025) Jennie Kermode This is a consistently interesting film and a good exercise in navigating historical narratives, even if it’s not exactly what its UK title might have viewers expecting.
Posted Dec 22, 2025  Edit critic review
3.5/5
Silent Night, Deadly Night (2025) Jennie Kermode Fans shouldn’t be alarmed – there are still some wild sequences full of gore-soaked action.
Posted Dec 15, 2025  Edit critic review
4/5
Baby (2024) Jennie Kermode It is the things taken for granted, as much as the things that stand out, which shape the tale.
Posted Dec 15, 2025  Edit critic review
4/5
Reedland (2025) Jennie Kermode Writer/director Sven Bresser lets events unfold slowly and makes great use of silence.
Posted Dec 15, 2025  Edit critic review
4/5
Elio (2025) Jennie Kermode Complementing the visual variety is an emotional openness and generosity of spirit naturally appealing to those who dream of finding better worlds.
Posted Dec 15, 2025  Edit critic review
2/5
KPop Demon Hunters (2025) Jennie Kermode The film was conceived by Korean American Maggie Kang and it benefits from a knowing humour, playing affectionately with its stereotypes.
Posted Dec 15, 2025  Edit critic review
4.5/5
Endless Cookie (2025) Jennie Kermode Endless Cookie is not like anything else and yet it is very much like life.
Posted Dec 15, 2025  Edit critic review
5/5
The Voice of Hind Rajab (2025) Jennie Kermode There is some very good work here, and all of it tempered where it needs to be, to give due prominence to Hind herself.
Posted Dec 15, 2025  Edit critic review
4/5
Little Amélie or the Character of Rain (2025) Jennie Kermode Amélie doesn’t just narrate but completely dominates this film as a personality.
Posted Dec 15, 2025  Edit critic review
4.5/5
Song Sung Blue (2025) Jennie Kermode Always feels grounded and honest and a little bit awkward in all the right ways.
Posted Dec 11, 2025  Edit critic review
2.5/5
Zootopia 2 (2025) Jennie Kermode A serviceable family film.
Posted Dec 11, 2025  Edit critic review
4/5
Folktales (2025) Jennie Kermode Mythic scenes aside, Ewing and Grady approach their storytelling in a quiet, unobtrusive way which almost gives viewers the impression that they are the ones choosing to follow this particular path through it all.
Posted Dec 05, 2025  Edit critic review
2/5
Son of the Soil (2015) Jennie Kermode Another dead woman, another motivated but otherwise thinly drawn man less interesting than she might have been, given the chance.
Posted Dec 05, 2025  Edit critic review
4.5/5
Reflection in a Dead Diamond (2025) Jennie Kermode For something so lovely, it is hard-edged, and it sparkles with visual wit.
Posted Dec 01, 2025  Edit critic review
5/5
Doppelgängers³ (2024) Jennie Kermode Doppelgängers demands a lot of its audience, but it has a lot to give in return.
Posted Nov 25, 2025  Edit critic review
2/5
Straight Outta Space (2025) Jennie Kermode It has its moments, and for the most part it’s warm-hearted and likeable enough to make up for the odd mis-step.
Posted Nov 25, 2025  Edit critic review
4/5
Occupy Cannes (2025) Jennie Kermode Cannes glitters, but the celebrated parts of it are always just out of reach – a red carpet stretched out on the other side of a busy road, celebrities ascending famous steps behind a horde of undead.
Posted Nov 25, 2025  Edit critic review
4.5/5
Burning (2024) Jennie Kermode Burning is not just a film about getting to the truth – it’s a film about the construction of truth.
Posted Nov 25, 2025  Edit critic review
4/5
Flophouse America (2025) Amber Wilkinson Strømdahl keeps us within the apartment for virtually the whole film, watching as Mikal tries to negotiate the unpredictability of Tonya and Jason or retreats into a world of video games.
Posted Nov 23, 2025  Edit critic review
4/5
Kenny Dalglish (2025) Amber Wilkinson Fans will be familiar with most of what is presented here but it’s the voiceover from Dalglish and others that elevates this to a must-see for them.
Posted Nov 23, 2025  Edit critic review
4/5
Goodbye Sisters (2025) Amber Wilkinson While the sisters are... often caught in close conversation, Murphy also knows when to hang back so that we get a picture of them in their environment, which emphasises the majesty of the Himalayas... and a sense of their smallness against the world.
Posted Nov 23, 2025  Edit critic review
3/5
The Marbles (2025) Amber Wilkinson Heartfelt and thorough.
Posted Nov 23, 2025  Edit critic review
3.5/5
The Session Man: Nicky Hopkins (2023) Jennie Kermode This is very much a film for musicians, and the more familiar you are with the art of composition, the more you’ll get out of it.
Posted Nov 21, 2025  Edit critic review
2/5
The Carpenter's Son (2025) Jennie Kermode There’s no compelling moral or psychological dimension, and no direct reason to invest in the characters.
Posted Nov 20, 2025  Edit critic review
2/5
Deadly Vows (2024) Jennie Kermode The film becomes a mere series of incidents, superficial, where a little more development could have made a big difference.
Posted Nov 18, 2025  Edit critic review
4.5/5
Bride of Frankenstein (1935) Jennie Kermode Although there are grand themes at work here, the real power of the piece – as often in the Gothic, comes from the ways in which they clash, rather than from something built out of their unity.
Posted Nov 17, 2025  Edit critic review
3/5
Adulthood (2025) Jennie Kermode A character-driven approach to the crime caper, which doesn’t let viewers forget that it’s focused on amateurs, Adulthood occasionally flounders but is, overall, a fun watch.
Posted Nov 17, 2025  Edit critic review
4.5/5
Beyond the Wasteland (2023) Jennie Kermode The stakes feel higher and the possibilities more open because we see much of it from a child’s point of view.
Posted Nov 14, 2025  Edit critic review
3/5
Valley of the Shadow of Death (2024) Jennie Kermode The role of Chan is a brave choice for Au, a pop star with a fairly clean cut image, but it enables him to demonstrate that he’s serious about acting, giving him plenty to wrestle with.
Posted Nov 14, 2025  Edit critic review
3.5/5
Belén (2025) Amber Wilkinson "A largely straightforward drama that is a bit too structurally loose for its own good, Argentina’s Oscar nominee is buoyed considerably by Fonzi’s own central performance and a solid ensemble cast."
Posted Nov 13, 2025  Edit critic review
4.5/5
Exhibition on Screen: Caravaggio (2025) Jennie Kermode This documentary begins with a murderer on the run; it ends with a disappearance still unresolved after 415 years.
Posted Nov 11, 2025  Edit critic review
2/5
Growing Pains (2024) Jennie Kermode The story is sweetly delivered without the heavy moralising that often plagues teen films, and there will be plenty for viewers that age to relate to.
Posted Nov 11, 2025  Edit critic review
3/5
Bad Haircut (2025) Jennie Kermode This isn’t quite as wild and startling an experience as its creators seem to think, but for the most part it’s entertaining.
Posted Nov 10, 2025  Edit critic review
3.5/5
Beloved (2022) Jennie Kermode Handsomely crafted and delicately delivered, Beloved approaches a familiar subject with particularity and grace.
Posted Nov 10, 2025  Edit critic review
4/5
Cotton Queen (2025) Amber Wilkinson A beguiling mix of magic-realist fable, coming-of-age drama and post-colonial critique.
Posted Nov 10, 2025  Edit critic review
3.5/5
The Red Mask (2025) Jennie Kermode There’s smart staging, structural and visual misdirection, and a number of sharp twists.
Posted Nov 07, 2025  Edit critic review
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