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El Heraldo

El Heraldo is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Gisela Savdie.

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Rating Title | Year Author Quote
Goodrich (2024) Gisela Savdie t’s a fun, accessible, and well-acted film, with genuine moments and a cast that holds up even the weaker passages. [Full review in Spanish]
Posted Nov 23, 2025Edit critic review
Die My Love (2025) Gisela Savdie Despite its excesses, the film offers a valuable starting point for reflecting on depression, particularly the kind that follows childbirth—a territory still full of silences and prejudices. [Full review in Spanish]
Posted Nov 23, 2025Edit critic review
Belén (2025) Gisela Savdie Belén not only revisits a recent social wound but also illuminates it with sensitivity, courage, and a cinematic vision that leaves a mark. [Full review in Spanish]
Posted Nov 23, 2025Edit critic review
The Mastermind (2025) Gisela Savdie True to her style, the director relies on silences, minimal gestures, and the viewer’s gaze to complete the psychological portrait of a man who steals not out of ambition, but from an impulse as inexplicable as it is human. [Full review in Spanish]
Posted Nov 23, 2025Edit critic review
Romería (2025) Gisela Savdie It’s not a film for all audiences, nor does it try to be. It’s more a piece that asks for patience, empathy, and a certain willingness to be carried along by what goes unspoken. [Full review in Spanish]
Posted Nov 23, 2025Edit critic review
The Smashing Machine (2025) Gisela Savdie Safdie brings his signature realism into a more intimate universe, where physical violence merges with the emotional; the raw light and tight framing capture both the sweat of the body and the trembling of the soul. [Full review in Spanish]
Posted Nov 23, 2025Edit critic review
Splitsville (2025) Gisela Savdie The film questions whether fidelity and loyalty ensure stability, or if, conversely, emotional freedom entails challenges of comparable complexity. [Full review in Spanish]
Posted Oct 11, 2025Edit critic review
Cover-Up (2025) Gisela Savdie Cover Up offers an honest portrayal of the ethical and personal dilemmas that arise when challenging power through words. [Full review in Spanish]
Posted Oct 11, 2025Edit critic review
A Big Bold Beautiful Journey (2025) Gisela Savdie As time goes on, the story slips into familiar territory and ultimately gives in to sentimentality, losing some of the emotional strength it initially seemed to promise. [Full review in Spanish]
Posted Oct 11, 2025Edit critic review
& Sons (2025) Gisela Savdie This is a work that weaves together dramatic tension, existential inquiry, and a subtle gesture toward science fiction, all while maintaining the human anchor that lends coherence and depth to the narrative. [Full review in Spanish]
Posted Oct 11, 2025Edit critic review
Nouvelle Vague (2025) Gisela Savdie The film takes us back to 1960s Paris, when improvisation—both in dialogue and in formal choices—became a driving creative force. [Full review in Spanish]
Posted Oct 11, 2025Edit critic review
The Life of Chuck (2024) Gisela Savdie That focus on lightness might resonate with a lot of people, but it takes away from the deeper apocalyptic vibe, and the constant highlighting of everyday moments starts to feel a bit too sweet [Full review in Spanish]
Posted Oct 11, 2025Edit critic review
Beloved Tropic (2024) Gisela Savdie Favoring reflection and contemplation over melodrama, the film discovers in intimacy a space of resistance and unexpected bonds. [Full review in Spanish]
Posted Sep 08, 2025Edit critic review
Materialists (2025) Gisela Savdie While Materialists may not delve as deeply into emotion as Past Lives, the film still manages to capture, with wit and sharpness, the tensions of love in the age of digital dating. [Full review in Spanish]
Posted Sep 08, 2025Edit critic review
Holy Cow (2024) Gisela Savdie The film suggests that, in this Alpine microcosm, there is no room for sugar-coated versions of a reality that cannot be judged by urban standards. [Full review in Spanish]
Posted Sep 08, 2025Edit critic review
Misericordia (2024) Gisela Savdie The interplay between life and death, between morality and justice, is constantly called into question. At times, the film turns into a thriller; at others, it becomes a satire portraying the idiosyncrasies of a small town [Full review in Spanish]
Posted Jul 30, 2025Edit critic review
The Penguin Lessons (2024) Gisela Savdie It’s a story that highlights compassion and moral commitment, although it falls short of exploring the political and ethical tensions of one of the darkest periods in Argentina’s history [Full review in Spanish]
Posted Jul 30, 2025Edit critic review
One to One: John & Yoko (2024) Gisela Savdie One to One revives a legendary concert, elegantly balancing music with the historical context, crafting a narrative that will resonate both: those who lived through that era, and the new generations. [Full review in Spanish]
Posted Jul 30, 2025Edit critic review
All We Imagine as Light (2024) Gisela Savdie In times when reality asserts itself harshly, Kapadia reminds us that dreaming is also a form of resistance [Full review in Spanish]
Posted Jul 30, 2025Edit critic review
The Phoenician Scheme (2025) Gisela Savdie Despite its impeccable settings and the relevance of its subject matter, the film becomes heavy-handed and lacks a solid narrative to support its elaborate visual display [Full review in Spanish]
Posted Jul 30, 2025Edit critic review
Sentimental Value (2025) Gisela Savdie In a global context marked by political conflicts, wars, and injustices, this intimate work offers a moment of respite and an invitation to look inward. Although some moments may seem predictable, the result is moving. [Full review in Spanish]
Posted Jun 12, 2025Edit critic review
The Secret Agent (2025) Gisela Savdie The film explores with nostalgia and satire those difficult years when the political climate was suffocating and corruption permeated even the most intimate corners of everyday life. [Full review in Spanish]
Posted Jun 12, 2025Edit critic review
Sirāt (2025) Gisela Savdie From the beginning, the film presents an underlying political critique, a backdrop that remains present throughout the story, suggested through the characters’ bodies, glances, and gestures. [Full review in Spanish]
Posted Jun 12, 2025Edit critic review
Leave One Day (2025) Gisela Savdie The film chooses not to delve into the complexity of these situations, resorting to musical numbers that make it lighter and diminish the impact of the conflicts presented [Full review in Spanish]
Posted Jun 12, 2025Edit critic review
The Marching Band (2024) Gisela Savdie Although at times the movie is predictable, it manages to move the viewer with its balance between humor and drama, showing how art can overcome barriers and serve as a refuge in difficult moments. [Full review in Spanish]
Posted Apr 09, 2025Edit critic review
Conclave (2024) Gisela Savdie The film highlights the contradictions between what is preached and what happens: while advocating for the equality of all, the institution is immersed in hierarchies, and strict codes that even its own members fail to uphold. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
The Seed of the Sacred Fig (2024) Gisela Savdie This story offers a raw and realistic look at political repression in general and its devastating consequences. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
I'm Still Here (2024) Gisela Savdie With an original and moving vision, excellent character development, and a wonderful performance by Torres, Salas brings the memory of this historical episode to life, a reminder that, beyond Brazil, remains relevant worldwide. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
The Brutalist (2024) Gisela Savdie The Brutalist shows that there is no definitive answer or escape from the aftermath of the Holocaust. It is a conflict so brutal that it may be disguised, but never completely resolved. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
Parthenope (2024) Gisela Savdie The film explores themes such as art, religion, and politics, all addressed within the context of the Italy that Sorrentino often portrays: a nation trapped between contradictions, with a unique geography and its corrupt leaders. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
Better Man (2024) Gisela Savdie Some of his most iconic concerts are depicted on grand stages, merging fantasy and reality until the surreal presence of the chimpanzee completely captivates the viewer, drawing us into Williams' psyche. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
Flow (2024) Gisela Savdie With a minimalist approach, director Gints Zilbalodis takes the viewer on a deep emotional journey, where the purity of the animation and the design of the settings communicate more than any word. [Full review in Spanish]
Posted Mar 22, 2025Edit critic review
Anora (2024) Gisela Savdie A love story marked by the complex mechanisms of economic power and social hierarchies, which can mercilessly destroy the human being. [Full review in Spanish]
Posted Feb 01, 2025Edit critic review
A Real Pain (2024) Gisela Savdie Each character responds in their own way to the echoes of history that appear along the way, making us reflect on the different ways of dealing with suffering. [Full review in Spanish]
Posted Jan 28, 2025Edit critic review
Babygirl (2024) Gisela Savdie The film challenges the boundaries of romantic narrative, opening the debate on women's sexual autonomy and the power dynamics in romantic relationships [Full review in Spanish]
Posted Jan 19, 2025Edit critic review
Strange Darling (2023) Gisela Savdie Although it starts with a well-known premise, that of a serial killer, the director presents an original way of telling the story that ultimately becomes incredibly unique and surprising [Full review in Spanish]
Posted Jan 19, 2025Edit critic review
Nosferatu (2024) Gisela Savdie The artistic component, the visual aspect, and the atmosphere are excellent, but the script has significant flaws, especially in the build-up of tension. [Full review in Spanish]
Posted Jan 08, 2025Edit critic review
His Three Daughters (2023) Gisela Savdie The film has a clear theatrical influence, favoring intense dialogues and interactions between the characters. [Full review in Spanish]
Posted Dec 18, 2024Edit critic review
Maria (2024) Gisela Savdie Larraín is known for his affinity for exploring the most vulnerable moments of the most iconic female characters of the 20th century, as they are subjected to the scrutiny of a society that magnifies every detail. [Full review in Spanish]
Posted Dec 18, 2024Edit critic review
Heretic (2024) Gisela Savdie Heretic leaves us reflecting on the themes of religion and faith, while confronting us with the terrifying consequences of blindly believing. [Full review in Spanish]
Posted Dec 18, 2024Edit critic review
In Her Place (2024) Gisela Savdie Mercedes, quiet and compliant, embodies a reflection that contrasts with her deepest desires—the chance to live a free and autonomous life, taking control of her own existence, even if it means facing imprisonment. [Full review in Spanish]
Posted Nov 22, 2024Edit critic review
Woman of the Hour (2023) Gisela Savdie The film highlights the misogynistic and sexist dynamic that women face daily. Without being overly explicit, it's a powerful commentary on the manipulation and assault on women because of their gender. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
The Room Next Door (2024) Gisela Savdie The film raises profound questions about the control of our destiny, the role of the medical profession, and the sacrifice involved in living a few more years. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
The Count of Monte Cristo (2024) Gisela Savdie The script, the set design and the music contribute to captivate the audience from start to end, inviting us to reflect on timeless themes such as justice, revenge, betrayal, mercy, and patience. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
The Apprentice (2024) Gisela Savdie The Apprentice is an analysis of the character that embodies the origins of Trump's narcissism, his lack of affection, and his disloyalty, leaving us perplexed as we wonder how such a person could gain access to power again. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
Four Daughters (2023) Gisela Savdie The core of this narrative is maternal love, symbolizing hope in a region of the world where much remains to be done to overcome deeply rooted traditions that oppress women and other minorities. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
The Fall (2006) Gisela Savdie The fantastical stories transport the girl and the audience through marvelous settings and landscapes, which serve as a tribute to storytellers, to love, to the power of imagination, and to cinema [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
Haunted Heart (2024) Gisela Savdie The rapid transformation of the script, is not entirely convincing. While such changes break the monotony of a conventional narrative, in this context they feel somewhat implausible. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
Ezra (2023) Gisela Savdie This is a deeply human film that invites reflection on the experience of families facing mental health issues. Moreover, it highlights the importance of accepting diversity instead of trying to change others. [Full review in Spanish]
Posted Nov 19, 2024Edit critic review
It Ends With Us (2024) Gisela Savdie Although the narrative may seem predictable in some aspects, the film presents unique elements, such as the way the camera captures episodes of violence, reflecting people's tendency to ignore such signs. [Full review in Spanish]
Posted Aug 19, 2024Edit critic review
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