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The 6th Day
(2000)
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Sean Weitner
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Just because the movie disappoints doesn't mean it's not a pleasant romp - it makes fun use of its great cast... and it certainly hurries speedily along with as few painful bon mots as possible.
Posted Jun 09, 2018
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8MM
(1999)
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Sean Weitner
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There's great potency to stories cut from this cloth, and 8mm manages to avoid it entirely.
Posted Jun 09, 2018
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40 Days and 40 Nights
(2002)
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Rasheed Newson
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40 Days and 40 Nights exceeds expectations by being a funny film that endorses free choice for guys and gals alike.
Posted Jun 09, 2018
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You Can Count on Me
(2000)
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Eric Wittmershaus
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You Can Count on Me is that rare film that comes along and reminds its audience of the beauty and drama inherent in the lives of everyday folks.
Posted Jun 09, 2018
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3000 Miles to Graceland
(2001)
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Andy Stilp
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[Kevin] Costner's performance gives every indication he would have ruined this movie like he has so many others if every part of it wasn't already permeated with an unmistakably rotten smell.
Posted Jun 09, 2018
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15 Minutes
(2001)
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Sean Weitner
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What a frenzied mess 15 Minutes is. It bears a lot of the imprimaturs of good intentions, not the least of which is the ruins to which it leads.
Posted Jun 09, 2018
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Yi Yi
(2000)
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Stephanie Kuenn
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With his impeccable writing and subtle direction, Yang has created a remarkable, realistic slice of life that almost needs to be seen two or three times to fully comprehend everything that happens. In some ways, it's as absorbing as living.
Posted Jun 09, 2018
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300
(2007)
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James Norton
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Echoing the finest visual cliches of martial chopfests such as Zulu Dawn, The Seven Samurai and Starship Troopers, 300 is an incredibly engaging romp.
Posted Jun 09, 2018
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11-09-01: September 11
(2002)
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Jessica Chapel
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By letting international filmmakers translate Sept. 11 through their own cultural background, Brigand has succeeded in producing a moving and meaningful addition to the massive collection of Sept. 11 media.
Posted Jun 09, 2018
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X-Men
(2000)
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Eric Wittmershaus
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X-Men certainly won't go down as the movie of the year, but it just may end up the smartest action film in quite some time.
Posted Jun 09, 2018
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Wild Wild West
(1999)
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Sean Weitner
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Wild Wild West is far from perfect; it only barely enters the sphere of good. But it is good, just not nearly as good as it should have been.
Posted Jun 09, 2018
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Wimbledon
(2004)
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Andy Stilp
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Dunst's acting style of sleepy-eyed, halting recitation may have reached its point of diminishing returns.
Posted Jun 09, 2018
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The Weather Underground
(2003)
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Sean Weitner
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Its gimmick is not only gracefully sustained and made believable, it's integrally tied into the character relationships. In other words, it's a delight to watch.
Posted Jun 09, 2018
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The Woman Chaser
(1999)
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Eric Wittmershaus
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Consistently funny and frequently hilarious, The Woman Chaser stands out because it mines its humor by deftly weaving early '60s cool with the pathos and neuroses of the late '90s.
Posted Jun 09, 2018
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Wallace & Gromit: The Curse of the Were-Rabbit
(2005)
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Andy Stilp
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Without knowledge of those previous shorts, Were-Rabbit is still a great ride, but the adroit and assured nature of that quiet dog might be totally lost.
Posted Jun 09, 2018
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The Virgin Suicides
(1999)
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Eric Wittmershaus
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Sofia Coppola was blessed with the perfect ingredients... But somewhere, it all went wrong, and The Virgin Suicides ended up as an empty, beautifully scored, stunningly shot flick.
Posted Jun 09, 2018
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The Way of the Gun
(2000)
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Sean Weitner
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A pretty mean pleasure.
Posted Jun 09, 2018
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Volver
(2006)
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Sara J. Brenneis
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A brilliant passage through Almodóvar's own personal and professional past, marking the movie as something of a homecoming for a director who never actually left.
Posted Jun 09, 2018
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Vanilla Sky
(2001)
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Christopher Hickman
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Vanilla Sky is not a noble failure... It's safe, it's too long, it's badly written, mostly badly acted, and, worst of all, its message is either incomprehensible or commonplace - it's a boring failure.
Posted Jun 08, 2018
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Veronica Guerin
(2003)
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Seamus Sweeney
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Veronica Guerin trots out all of the "Oirish" tropes and confirms their legitimacy, but also shows how, in the midst of them, real - even heroic - lives are led.
Posted Jun 08, 2018
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Unbreakable
(2000)
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Sean Weitner
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Unbreakable will enrapture you the way great movies do, or, at least, the way certain movies made by great directors do.
Posted Jun 08, 2018
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The Lord of the Rings: The Two Towers
(2002)
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Andy Stilp
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It succeeds on the requisite criteria for a trilogy's successful middle movie and it does it in such slam-dunk fashion that audiences will return to immerse themselves in the War of the Ring.
Posted Jun 08, 2018
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United 93
(2006)
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Sean Weitner
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The most fair characterization of the movie, by a mile, is as an adaptation of The 9/11 Commission Report, and at this it is marvelous. It reads between the report's lines to infer drama but does so scrupulously.
Posted Jun 08, 2018
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Troy
(2004)
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David Essex
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Troy is definitely big, and it retains the general contours of The Iliad, but it's strangely flat. It seems like a lot of committees had to certify all its major elements inoffensive - or maybe they just tested and tweaked it to death.
Posted Jun 08, 2018
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Two Family House
(2000)
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Eric Wittmershaus
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This charming, well-balanced film comes out smelling sweetly. It's cute without being trite and sentimental yet largely believable.
Posted Jun 08, 2018
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Tristram Shandy: A Cock and Bull Story
(2005)
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David Essex
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One never really gets to suspend disbelief in any of Cock and Bull's subplots, but the time flies by even without the standard narrative drive.
Posted Jun 08, 2018
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Trouble Every Day
(2001)
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Jeff Rigsby
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Denis' strengths lie elsewhere, but they shimmer through even in this poorly chosen project.
Posted Jun 08, 2018
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The Transporter
(2002)
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Andy Stilp
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At heart, this is a Besson pic, and a poor one at that.
Posted Jun 08, 2018
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Training Day
(2001)
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Rasheed Newson
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The film's cynical lessons are dated... Yet by keeping its themes elementary, Training Day allows the audience to indulge in its other enticing elements.
Posted Jun 08, 2018
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Traffic
(2000)
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Stephanie Kuenn
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But with Traffic, [Steven Soderbergh] moves beyond high-quality storytelling to making a compelling film that leaves a deeper mark on its audience.
Posted Jun 08, 2018
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Tokyo Godfathers
(2003)
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Tony Nigro
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Like the best intellectual anime, Tokyo Godfathers employs its plethora of references to maximum effect.
Posted Jun 08, 2018
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Timecode
(2000)
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Sara J. Brenneis
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Seen primarily for its digital escapades, with a plot that entertains without overly distracting, Time Code has the capacity to turn you on four times over.
Posted Jun 08, 2018
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Time Regained
(1999)
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Sean O'Neill
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Time Regained skillfully appeals to the viewer who has never read Proust as well as to the madeleine-tasting, die-hard Proustians.
Posted Jun 08, 2018
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The Thomas Crown Affair
(1999)
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Sean Weitner
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The Thomas Crown Affair is puffery, but it's dynamite puffery blessed with a recognizable human heart. It's the kind of summer movie you wish there were more of.
Posted Jun 08, 2018
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The Thirteenth Floor
(1999)
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Sean Weitner
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A movie whose slogan is "Question reality" has to provide more to chew on than this one does.
Posted Jun 08, 2018
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Those Who Love Me Can Take the Train
(1997)
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James Norton
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Its easy to walk out of the theater feeling confused and slightly tired, rather than challenged and engaged.
Posted Jun 08, 2018
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Terminator 3: Rise of the Machines
(2003)
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Nick Gorski
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Manages to encompass so many of our new fears in just 109 short minutes.
Posted Jun 08, 2018
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Tarzan
(1999)
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Sean Weitner
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You'll all be dazzled, and its makers deserve your recognition for their toil and craft. Just pause to acknowledge what is being presented to you for what it is and what it isn't.
Posted Jun 08, 2018
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The Tao of Steve
(2000)
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Mac Slocum
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A hip comedy that mixes pop culture's slacker appeal with the wisdom of ancient philosophers.
Posted Jun 08, 2018
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Talk to Her
(2002)
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Sara J. Brenneis
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Almodvar craftily weaves the absurd with the everyday, painting a picture not so much of Spanish society but of human compassion and marginality taken to the extreme.
Posted Jun 08, 2018
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Sunshine State
(2002)
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Stephen Bracco
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The film's strength is quieter than Sayles' politics, which, despite his broad strokes, displays genuine, adult interest in the demarcation of character.
Posted Jun 08, 2018
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Suzhou River
(2000)
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Sean Weitner
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Haunting and poetic, Suzhou River does right both by its heritage and by an audience looking to have its mind a little blown.
Posted Jun 08, 2018
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Sweet Land
(2005)
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Joey Rubin
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Speaks about love in the most honest, and cinematically effective, way: by hardly saying anything about it at all.
Posted Jun 08, 2018
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The Sum of All Fears
(2002)
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Sean Weitner
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Sum's three predecessors provided it, to different degrees, succeeding by making the political personal... Sum inverts this balance, disastrously.
Posted Jun 08, 2018
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Star Wars: Episode I - The Phantom Menace
(1999)
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Sean Weitner
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The Phantom Menace is a thoroughly and sincerely enjoyable blockbuster. It's well-cast, actually pulls off some limited and necessary levity and is, particularly in its last half-hour, truly masterfully edited.
Posted Jun 08, 2018
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Star Wars: Episode II - Attack of the Clones
(2002)
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Niall Lynch
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Episode II does not remain content to regurgitate its brand identity. Rather, it embellishes that identity in several different ways, with delightful and intriguing results.
Posted Jun 08, 2018
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Summer of Sam
(1999)
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Will Schmenner
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The worst sort of film: adrift, thoughtless and over-determined but visually well-crafted enough to be disturbing.
Posted Jun 08, 2018
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State and Main
(2000)
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Eric Wittmershaus
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With the exception of a couple of goofy, largely uninteresting subplots, there's little here we haven't already seen.
Posted Jun 08, 2018
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Spy Kids 3: Game Over
(2003)
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Sean Weitner
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It's the least of the series and is definitely a trip down the rabbit hole.
Posted Jun 08, 2018
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Spy Kids
(2001)
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Sean Weitner
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It's likely to become a kid's classic, a box-office success and a franchise - and it couldn't happen to a nicer movie.
Posted Jun 08, 2018
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