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Film Threat

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Rating Title | Year Author Quote
7.5/10
Evidence of the Boogeyman (2025) Bobby LePire Evidence Of The Boogeyman is a typical found footage film in terms of its presentation and style. But the screenplay gives the characters room to breathe and only gives out backstory when 100% necessary.
Posted Jan 27, 2026  Edit critic review
10/10
Reflection in a Dead Diamond (2025) Michael Talbot-Haynes It is not just an exercise in style over content, as Cattet and Forzani elevate the spy trappings into a surreal memory spiral that resembles Last Year At Marienbad through a five-foot Graffix bong.
Posted Jan 27, 2026  Edit critic review
9/10
Smile... The Worst Is Yet to Come (2026) Kent Hill The impeccable swallow dive Lenihan pulls off with Smile…The Worst is Yet to Come is magical. Few pictures these days have you walking away from the screen with a smile on your face, and indeed, hope in your heart.
Posted Jan 27, 2026  Edit critic review
6/10
Mercy (2026) Alan Ng Mercy is stupid fun with a few eye-rolling moments.
Posted Jan 27, 2026  Edit critic review
6/10
Belén (2025) Rick Hong Belén is Fonzi’s second-directed film, and she keeps it concise, creating enough suspense and drama without overdoing it.
Posted Jan 27, 2026  Edit critic review
7/10
Love the Skin You're In (2025) Alan Ng Love The Skin You’re In may not be ultra-dark drama, nor are the stakes life-and-death, but it is down-to-earth drama.
Posted Jan 27, 2026  Edit critic review
8/10
Invisible Warriors (2026) Sabina Dana Plasse An excellent effort to preserve history for future generations to learn from, Invisible Warriors is an important historical film that Cooke put an incredible effort into creating a solid historical account.
Posted Jan 27, 2026  Edit critic review
8.5/10
Another Day in America (2024) Alan Ng Look, I’m a fan of laugh-out-loud comedies, but I’m an even bigger fan of movies that make you think and leave a long-lasting impression at the same time. Another Day in America does exactly that.
Posted Jan 22, 2026  Edit critic review
9/10
Dooba Dooba (2024) Bobby LePire Overall, the director proves he has what it takes to scare cinephiles, and he got a cast just as creepy as his plot.
Posted Jan 22, 2026  Edit critic review
8/10
31 Candles (2025) Perry Norton Leo’s journey is handled perfectly. Feingold is a star; cute as a button and funny as hell.
Posted Jan 22, 2026  Edit critic review
8.5/10
Killing Faith (2025) Alan Ng Killing Faith reminds me how much fun a Stephen King adaptation can be and should be. Crowley captures the spirit of the old-time Western and masterfully builds the tension for each encounter our heroes face.
Posted Jan 22, 2026  Edit critic review
7/10
Super Happy Fun Clown (2025) Mikkel Frederiksen Subsequently, Super Happy Fun Clown is not a super happy fun time, but it does deliver a grungy killer clown story meant for fans of the genre who want to squirm at the grossness, cheer at the violence, and indulge in the nonsense.
Posted Jan 22, 2026  Edit critic review
8/10
Promised Sky (2025) Bobby LePire The writing is the star of Promised Sky. The directing is pretty standard, but it does not impede the story’s flow or characterizations.
Posted Jan 21, 2026  Edit critic review
9.5/10
Holy Ghetto (2025) Bobby LePire Holy Ghetto is very straightforward, but it needs to be. It shines a light on forgotten people who need help and the few who are trying to do so. The anecdotes are heartbreaking, surprising, and intense, giving the story a lot of weight.
Posted Jan 20, 2026  Edit critic review
8/10
Bullets for the Bad (2023) Bobby LePire Bullets For The Bad uses almost every cliche one can think of. But that doesn’t mean it is bad, far from it. Baker directs with confidence and love, creating an exciting spaghetti western that has old-school and modern appeal.
Posted Jan 20, 2026  Edit critic review
7.5/10
Our Happy Place (2024) Bradley Gibson Our Happy Place is a crisp thriller, spooling out its secrets deliberately, keeping the viewer in suspense as the terror builds.
Posted Jan 20, 2026  Edit critic review
9/10
The Calling Witch (2026) Michael Talbot-Haynes If you have an uncontrollable urge to see what the future of horror feels like running down your spine, go find The Calling Witch.
Posted Jan 20, 2026  Edit critic review
7.5/10
Maldoror (2024) Kent Hill To the director Fabrice, his co-writer Domenico La Porta, the entire cast and crew, Maldoror is a picture that invokes memories of great filmmakers and their contributions to the genre, whilst staying culturally unique and period perfect.
Posted Jan 20, 2026  Edit critic review
8.5/10
Vindicta (2026) Bradley Gibson Vindicta cuts open those scars and pours salt on them, but then delivers sublime catharsis. Sedlar shows us one way to fight. We may yet have need of people like Hannah to stand up and push back.
Posted Jan 20, 2026  Edit critic review
8.5/10
Signing Tony Raymond (2025) Kent Hill As feel-good as Moneyball. It’s a treat to see turns from the comically tragic Sorvino, who reminds us why she won an Oscar, plus an awesome little cameo from Brian Bosworth, bringing the sly charm and confident cool as he did in his heyday.
Posted Jan 20, 2026  Edit critic review
7/10
Banana Split (2025) Alan Ng I do like the insights that are uncovered between the pair in Walter Kim’s script.
Posted Jan 20, 2026  Edit critic review
9.5/10
Queen Kelly (1929) Ethan Padgett Seeing von Stroheim’s unfinished film get its chance in the limelight is amazing. Please check out this captivating and wonderfully absurd drama from the last days of the silent era.
Posted Jan 16, 2026  Edit critic review
4/10
Greenland 2: Migration (2026) Alan Ng Greenland 2: Migration is all mind-numbing action with nothing to say.
Posted Jan 15, 2026  Edit critic review
4/10
On the Sea (2025) Alan Ng In the end, I think I’m jaded toward On The Sea, because I’ve seen it done so much better in American cinema. I suppose if you’ve never seen a gay romance drama, this might work, but in the end, it just feels dated and done before.
Posted Jan 14, 2026  Edit critic review
7.5/10
Learning You (2026) Alan Ng Learning You lets you know that you’re not alone and that every person is different, but not forgotten or unseen. Best of all, there is hope.
Posted Jan 14, 2026  Edit critic review
6/10
Herman (2025) Terry Sherwood The heart of the narrative is Herman himself, and Ward carries the film almost entirely, minus the moments just discussed.
Posted Jan 13, 2026  Edit critic review
9/10
Space/Time (2025) Bobby LePire Space/Time is an engaging and wild ride.
Posted Jan 13, 2026  Edit critic review
9.5/10
Good Luck, Have Fun, Don't Die (2025) Alan Ng At the risk of being hyperbolic, Good Luck, Have Fun, Don’t Die is a great movie. It offers laughs, thrills, and it’s a thinker; you will not be disappointed.
Posted Jan 13, 2026  Edit critic review
8.5/10
28 Years Later: The Bone Temple (2026) Bradley Gibson With Garland crafting the script and DeCosta at the wheel, 28 Years Later: The Bone Temple is a winner on all fronts.
Posted Jan 13, 2026  Edit critic review
9/10
The Mother and the Bear (2024) Bobby LePire The Mother And The Bear is a very different spin on the romantic comedy and self-actualization tale. By combining the two, Johnny Ma creates a distinct and engaging story.
Posted Jan 10, 2026  Edit critic review
7.5/10
OBEX (2025) Benjamin Franz An earnest, strange, and delightful adventure. It contains classic 1980s fantasy, science fiction, and horror tropes.
Posted Jan 10, 2026  Edit critic review
8/10
Calle Málaga (2025) Alan Ng In the end, this family drama hits you in the feels like a warm cup of cocoa before turning in for the night.
Posted Jan 08, 2026  Edit critic review
8/10
Cat's in the Cradle: The Song That Changed Our Lives (2025) Benjamin Franz Cat’s in the Cradle: The Song that Changed our Lives is a damn fine documentary. If you watch music documentaries, you should seek this one out. It’s pretty great.
Posted Jan 08, 2026  Edit critic review
8/10
12 Hours in October (2025) Alan Ng While the characters are fictional, he strove to be as “real and accurate” as possible...
Posted Jan 07, 2026  Edit critic review
7/10
Homegrown (2024) Jason Delgado Homegrown is not a film that takes a stance one way or the other on the extreme political divide Donald Trump has created in the nation.
Posted Jan 07, 2026  Edit critic review
5/10
My Boyfriend Is a Superhero!? (2025) Alan Ng If you’re curious, go for it, but it won’t win over the AI skeptic.
Posted Jan 07, 2026  Edit critic review
6.5/10
A Murder Between Friends (2026) Alan Ng A Murder Between Friends makes for a fun night of low-stakes sleuthing, and it’s great to have Joan Collins back. It is a simple mystery playing on our greed and our appetite for spicy relationships at the same time.
Posted Jan 06, 2026  Edit critic review
8.5/10
The Dummy Detective (2025) Ethan Padgett Anyone who loves a good mystery and the crime genre will be thoroughly entertained by The Dummy Detective.
Posted Jan 06, 2026  Edit critic review
7/10
A Self-Made Failure (2022) Ethan Padgett A Self-Made Failure is a testament to the ingenuity of indie filmmaking and honoring the roots of silent cinema’s pioneers. Go ahead and check out this self-made winner!
Posted Jan 06, 2026  Edit critic review
8/10
Come Closer (2024) Sabina Dana Plasse Come Closer brings a world far from the U.S. a little bit nearer with a story that so many can understand, as loss and grievance have no bounds, but people grieve the same everywhere and at every age.
Posted Jan 06, 2026  Edit critic review
7/10
Crumb Catcher (2023) Terry Sherwood The picture is a wonderful example of social horror, fear of strangers who are not what they seem, worth a look for the production values well used, and the committed actors.
Posted Jan 06, 2026  Edit critic review
7.5/10
Dhurandhar (2025) Alan Ng For all its violent excess, Aditya Dhar’s Dhurandhar thrives on Ranveer Singh’s magnetism and Akshaye Khanna’s icy, yet controlled menace, and they’re the reason you’re in it until the very, very, very end.
Posted Jan 02, 2026  Edit critic review
6.5/10
Videola (2016) Michael Talbot-Haynes As Videola is a decade old now, it serves well as an odd time capsule for what was a pivotal time in the new century, technology-wise.
Posted Jan 02, 2026  Edit critic review
7/10
Seclusion (2025) Alan Ng In the end, writer/director Lovinder Gill’s Seclusion isn’t chasing cheap jump scares so much as it’s building tension out of mistrust, isolation, and the fear that help might be worse than danger.
Posted Dec 31, 2025  Edit critic review
7/10
Misfits (2025) Alan Ng McMenamin beautifully balances love lost with the kind of love that sticks around.
Posted Dec 30, 2025  Edit critic review
7.5/10
David (2025) Alan Ng Ultimately, David is a strong, solid film for kids.
Posted Dec 30, 2025  Edit critic review
3/10
Queen of Coal (2025) Alan Ng In the end, Queen of Coal never finds a groove beyond its cookie-cutter biopic beats, leaving the story feeling more like a checklist than an authentic human experience, since no two lives are ever the same.
Posted Dec 30, 2025  Edit critic review
7/10
Uppercut (2025) Alan Ng This European tale takes a fresh look at a typical American journey; it becomes something messier and more human, and that’s where its punch lands.
Posted Dec 30, 2025  Edit critic review
6.5/10
Anaconda (2025) Alan Ng Still, between Black’s signature enthusiasm and Rudd’s insecure actor persona, there is fun to be had.
Posted Dec 29, 2025  Edit critic review
7/10
Half Dead Fred (2023) Alan Ng This may be scrappy in that old indie spirit, but it’s got enough character, attitude, and mystery-machine momentum to keep you watching all the way to the end.
Posted Dec 24, 2025  Edit critic review
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