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Screen Zealots

Screen Zealots is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Louisa Moore.

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Rating Title | Year Author Quote
Mercy (2026) Louisa Moore Though it barely scratches the surface of its big ideas, the movie’s sheer entertainment value smooths over the missed opportunities.
Posted Jan 22, 2026  Edit critic review
Sirāt (2025) Louisa Moore Though its meandering structure and minimal plot can test patience, the film’s shocking turns and immersive atmosphere make it a haunting, if imperfect, experience.
Posted Jan 22, 2026  Edit critic review
To the Victory! (2025) Louisa Moore Part comedy, part tragedy, and part heartbreak, the film honestly addresses the messy, painful aftermath of war.
Posted Jan 21, 2026  Edit critic review
Cover-Up (2025) Louisa Moore A sharp, unflinching look at the constant tug-of-war between truth and power, showing how systemic secrecy and self-preservation can rot the foundations of democracy.
Posted Jan 21, 2026  Edit critic review
Goodbye June (2025) Louisa Moore This depressing holiday drama is predictable, emotionally draining, and ultimately forgettable.
Posted Jan 21, 2026  Edit critic review
One More Shot (2025) Louisa Moore A fresh take on the time loop genre, the film blends comedy, drama, and romance with a bit of cheeky science fiction fantasy.
Posted Jan 10, 2026  Edit critic review
The Voice of Hind Rajab (2025) Louisa Moore This testament to courage, humanity, and lives lost is unforgettable, if you can handle the heartbreak.
Posted Jan 10, 2026  Edit critic review
The Plague (2025) Louisa Moore A dark meditation on adolescence, cruelty, and the cost of belonging.
Posted Jan 10, 2026  Edit critic review
Is This Thing On? (2025) Louisa Moore Trades grand drama for lived-in naturalism, creating one of the more convincing portraits of a marriage nearing its end.
Posted Jan 07, 2026  Edit critic review
Anaconda (2025) Louisa Moore This is the kind of movie that sounds like it could be painfully stupid on paper, but instead turns out to be genuinely funny, self-aware, and far more charming than it has any right to be.
Posted Jan 03, 2026  Edit critic review
Rental Family (2025) Louisa Moore A small but meaningful reminder of how important kindness and human connection really are in a world that seems to be losing both.
Posted Jan 03, 2026  Edit critic review
It Was Just an Accident (2025) Louisa Moore Asks whether it’s possible to hold onto your humanity while staring down the person you believe destroyed it.
Posted Jan 01, 2026  Edit critic review
The Testament of Ann Lee (2025) Louisa Moore Admirable in its audacity and unforgettable in its execution, this film is unlike anything you have ever seen.
Posted Dec 29, 2025  Edit critic review
Marty Supreme (2025) Louisa Moore There’s a lot to appreciate here, but be prepared for a character study of narcissism rather than a highly entertaining drama.
Posted Dec 29, 2025  Edit critic review
Song Sung Blue (2025) Louisa Moore The film settles for bland mediocrity, drowning its musical dreams and emotional ambitions in clichés, strained performances, and a dispiriting lack of inspiration.
Posted Dec 29, 2025  Edit critic review
Late Shift (2025) Louisa Moore The film strikes a careful balance that provides suspense without sensationalizing, tension without melodrama, and respect for the real-world heroes the film depicts. Those who work in the field will no doubt find much that rings true.
Posted Dec 29, 2025  Edit critic review
Don't Let the Cat Out (2025) Louisa Moore The movie walks a fine line between horror and comedy, but it never goes full camp. It’s more awkwardly funny than outright hilarious, which somehow makes it even more disturbing.
Posted Dec 29, 2025  Edit critic review
Lovely Day (2025) Louisa Moore A charming, funny, and quietly devastating portrait of a man learning to face not just marriage, but himself.
Posted Dec 29, 2025  Edit critic review
The Smashing Machine (2025) Louisa Moore The fights, the travel, and the cycles of addiction are presented with such blunt persistence that they begin to feel more like an endurance test than a work of art that’s designed to draw the audience in.
Posted Dec 29, 2025  Edit critic review
The Housemaid (2025) Louisa Moore It’s a shame "The Housemaid" lacks the sharp satire, psychological bite, and suspense that Feig has been known to handle so well. Instead, the film is a sour and unpleasant experience that’s lazy, mean-spirited, and embarrassingly obvious.
Posted Dec 17, 2025  Edit critic review
Trash Baby (2025) Louisa Moore Highlights the beauty, resilience, and struggles of growing up in a world that doesn’t always offer an easy way out.
Posted Dec 16, 2025  Edit critic review
A HOUSE OF DYNAMITE (2025) Louisa Moore This is a fast-moving, tense film, and Bigelow proves once again that she’s unmatched at handling complex, suspenseful, and frighteningly realistic material like this.
Posted Dec 16, 2025  Edit critic review
Dust Bunny (2025) Louisa Moore Underneath the colorful visuals and the gory fairytale setup is a hollow, disjointed mess of a story. A quirky idea is buried under over-direction, under-writing, and faux profundity. It’s just too weird, too messy, and too hollow to work.
Posted Dec 14, 2025  Edit critic review
Hamnet (2025) Louisa Moore This lush, mournful, and beautifully crafted film takes a deeply personal approach to one of the most mythologized figures in Western literature.
Posted Dec 14, 2025  Edit critic review
Sentimental Value (2025) Louisa Moore Digs deep into family messiness and the blurry line between art and life, and it will hit hard with those who find within it connection and meaning.
Posted Dec 14, 2025  Edit critic review
Dead Man's Wire (2025) Louisa Moore The darkness of class resentment echo the frustrations of the present day working and middle class, making the film oddly relevant despite its period setting.
Posted Dec 14, 2025  Edit critic review
Unidentified (2025) Louisa Moore A smart, socially conscious, female-driven thriller that grows into its story, director Haifaa Al-Mansour’s film unfolds like a straightforward crime thriller. But it’s the surprise twist in the second half that really gives the film its bite.
Posted Dec 14, 2025  Edit critic review
Die My Love (2025) Louisa Moore A suffocating, overwrought exercise in self-importance. By the end, the film is so consumed by its own darkness that it forgets to be about anything other than itself.
Posted Dec 14, 2025  Edit critic review
The Balloonists (2025) Louisa Moore An entertaining adventure documentary about obsession, risk, and the human desire to do the impossible.
Posted Dec 14, 2025  Edit critic review
Jay Kelly (2025) Louisa Moore A film full of beautifully crafted moments and little truths about fame, regret, and the fragile possibility of redemption.
Posted Dec 14, 2025  Edit critic review
Five Nights at Freddy's 2 (2025) Louisa Moore The type of genre movie that’s not quite good enough to recommend, but also not amusingly bad enough to be a full-blown cult classic in the making.
Posted Dec 05, 2025  Edit critic review
Merrily We Roll Along (2025) Louisa Moore A modest yet engaging stage-to-screen adaptation, lifted by Jonathan Groff’s charisma and a strong ensemble, even if the music doesn’t always translate smoothly to film.
Posted Dec 05, 2025  Edit critic review
Zootopia 2 (2025) Louisa Moore This entertaining sequel develops the characters, expands the world, and delivers an exciting story that’s fun for kids but smart enough for finicky adults.
Posted Dec 04, 2025  Edit critic review
Frankenstein (2025) Louisa Moore Gory, emotional, and morally complex, this visually stunning take on a timeless story delivers both spectacle and substance in equal measure.
Posted Dec 04, 2025  Edit critic review
Sorry, Baby (2025) Louisa Moore A remarkably mature and empathetic film about friendship, womanhood, and finding the courage to keep showing up for yourself.
Posted Dec 04, 2025  Edit critic review
Wake Up Dead Man: A Knives Out Mystery (2025) Louisa Moore Rian Johnson takes Knives Out into darker, more gothic territory, delivering the trilogy’s best film that's packed with clever twists and an unexpectedly rich battle between faith and logic.
Posted Dec 04, 2025  Edit critic review
The Running Man (2025) Louisa Moore A wildly entertaining Stephen King adaptation with standout casting, slick visuals, thrilling action, and a smart modern spin.
Posted Dec 04, 2025  Edit critic review
Wicked: For Good (2025) Louisa Moore For fans of the musical or anyone who enjoys a big budget spectacle, this movie definitely hits the high notes.
Posted Dec 04, 2025  Edit critic review
Peter Hujar's Day (2025) Louisa Moore This is one of those films that you instantly know is made for a very specific kind of viewer and if you’re that viewer, you’ll probably love it.
Posted Dec 04, 2025  Edit critic review
Train Dreams (2025) Louisa Moore Not everyone will connect with a film this restrained, but this is a haunting, textured, and beautifully crafted piece of meditative cinema.
Posted Dec 04, 2025  Edit critic review
The Thing with Feathers (2025) Louisa Moore The film’s ambition in merging genres doesn’t always work, and certain sequences feel more conceptually clever than emotionally resonant. No matter what, you have to admire the audacity.
Posted Nov 29, 2025  Edit critic review
The Merchants of Joy (2025) Louisa Moore Festive, funny, and full of heart, this is the kind of documentary that makes you stop and think about the people behind holiday traditions we take for granted.
Posted Nov 26, 2025  Edit critic review
Whistle (2025) Louisa Moore Turns what might sound like a novelty subject into something surprisingly joyful, funny, and even moving.
Posted Nov 26, 2025  Edit critic review
If I Had Legs I'd Kick You (2025) Louisa Moore Whether the film resonates or repels will depend heavily on your personal experience and tolerance for stress-heavy storytelling.
Posted Nov 26, 2025  Edit critic review
After the Hunt (2025) Louisa Moore This highly provocative, confrontational, and unsettling film is talky, thorny, and often infuriating, but that’s precisely how it finds its power.
Posted Nov 26, 2025  Edit critic review
Bugonia (2025) Louisa Moore Gorgeously twisted, funny, and disturbing, this peculiar and pessimistic film is gleefully unafraid to push boundaries. It’s jaw-dropping, wildly creative, and batshit crazy, three hallmarks of a Yorgos Lanthimos classic.
Posted Nov 26, 2025  Edit critic review
John Candy: I Like Me (2025) Louisa Moore A heartfelt, tear-inducing tribute to a once-in-a-generation talent and the gentle soul behind the laughs. This documentary made me remember just how much joy Candy has brought into my life, and there’s something special (and bittersweet) about that.
Posted Nov 26, 2025  Edit critic review
Christy (2025) Louisa Moore The film doesn’t quite find the right balance between celebrating its subject’s achievements and confronting her trauma. It leans too hard on the latter, turning what could have been an inspiring sports biopic into an overly grim cautionary tale.
Posted Nov 26, 2025  Edit critic review
Hedda (2025) Louisa Moore Nia DaCosta’s biting reimagining of a literary classic is an accurate, disturbing reflection of one woman’s rage. This is a literary adaptation that’s been modernized in all the right ways.
Posted Nov 26, 2025  Edit critic review
Sweetness (2025) Louisa Moore A dark and disturbing cautionary tale about obsession, power, and the reckless intensity of teenage emotions, "Sweetness" may go too far for some. But for those who can stomach its dark turns, it’s an unforgettable, well-crafted film.
Posted Nov 26, 2025  Edit critic review
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