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Punch Drunk Critics

Punch Drunk Critics is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Julian Lytle, Mae Abdulbaki, Roxana Hadadi, Travis Hopson.

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Rating Title | Year Author Quote
4/5
The Weight (2026) Travis Hopson The Weight is exciting stuff, with Hawke strong in a physically demanding role that he makes look easy.
Posted Jan 28, 2026  Edit critic review
2/5
undertone (2025) Travis Hopson For those interested because they themselves are podcasters (isn’t everyone), the film’s depiction is absurd enough it might help you stay awake during the most dreary stretches.
Posted Jan 28, 2026  Edit critic review
2.5/5
In the Blink of an Eye (2026) Travis Hopson It’s unfortunate that this ambitious project, spanning the past, present, and far-flung future, is such a cloying effort with awful casting choices.
Posted Jan 27, 2026  Edit critic review
4/5
Soul Patrol (2026) Travis Hopson A profoundly affecting story of the first all-Black spec-ops team during the Vietnam War.
Posted Jan 26, 2026  Edit critic review
3.5/5
Frank & Louis (2026) Travis Hopson This stirring drama about one man forgetting his past and another trying to atone for his, packs a powerful emotional punch.
Posted Jan 26, 2026  Edit critic review
3/5
Union County (2026) Travis Hopson A compassionate drama about the hard road to recovery, and how that journey is peppered with small, individual choices that are made along the way.
Posted Jan 26, 2026  Edit critic review
3.5/5
I Want Your Sex (2026) Travis Hopson I’ll take a thousand provocative Gregg Araki comedies like I Want Your Sex over another bland retread from Tinseltown.
Posted Jan 25, 2026  Edit critic review
4/5
The Invite (2026) Travis Hopson This is the best work of Wilde’s career as a director and an actress, and when the credits roll, you’ll be eager to be invited back for more.
Posted Jan 25, 2026  Edit critic review
2.5/5
The Shitheads (2026) Travis Hopson The tone bounces unsteadily from broad humor to something more considered, with little rhyme or reason, and never pushes the envelope as far as it could go.
Posted Jan 24, 2026  Edit critic review
3.5/5
The Moment (2026) Travis Hopson The Moment is a funny and perceptive peek at the roller coaster that is Charli XCX’s life, and her fans are going to love it.
Posted Jan 24, 2026  Edit critic review
3.5/5
Josephine (2026) Travis Hopson Make no mistake, this movie will terrify you just as much as it will break your heart.
Posted Jan 24, 2026  Edit critic review
3/5
Buddy (2026) Travis Hopson It’s a film that will delight most Midnight audiences and stoners will dig it, but it’s also hard to escape that parodies of Barney feel so yesterday.
Posted Jan 23, 2026  Edit critic review
3/5
Carousel (2026) Travis Hopson Carousel is a gentle, sensitive movie about second chances, starting over, and learning to be happy again.
Posted Jan 23, 2026  Edit critic review
2/5
Mercy (2026) Travis Hopson A misguided effort that doesn’t warn of the dangers of AI in our justice system, but gives it a pass without much thought.
Posted Jan 21, 2026  Edit critic review
4/5
The Rip (2026) Travis Hopson While Carnahan is great at keeping the anxiety levels high, The Rip is also just a killer action flick, too.
Posted Jan 16, 2026  Edit critic review
3.5/5
All You Need Is Kill (2025) Travis Hopson All You Need is Kill works because it dares to be something different than its source material.
Posted Jan 15, 2026  Edit critic review
4/5
28 Years Later: The Bone Temple (2026) Travis Hopson 28 Years Later: The Bone Temple is a phenomenal sequel, and different enough from the prior film that those who didn’t like it may find themselves enjoying this one.
Posted Jan 14, 2026  Edit critic review
3.5/5
Greenland 2: Migration (2026) Travis Hopson Another successful chapter in the franchise that kept me hooked from beginning to end.
Posted Jan 11, 2026  Edit critic review
3.5/5
Primate (2025) Travis Hopson You’ll never have so much fun watching a rabies-infected chimp go…well, apesh*t.
Posted Jan 09, 2026  Edit critic review
4/5
Rosemead (2025) Travis Hopson Delivering the performance of her career, Liu is quietly devastating as a widow, mother, and immigrant who has already lost so much, and is on the verge of losing everything.
Posted Jan 07, 2026  Edit critic review
3.5/5
We Bury the Dead (2024) Travis Hopson While We Bury the Dead is more contemplative than most horrors, it still affords Ridley the chance to run around with an axe for a while.
Posted Jan 01, 2026  Edit critic review
2/5
Anaconda (2025) Travis Hopson Anaconda, which aims to be a comedy and has the right cast for it, but is about as funny as being bitten by a poisonous snake.
Posted Dec 24, 2025  Edit critic review
4/5
Song Sung Blue (2025) Travis Hopson Genuinely heartfelt and designed to send the audience home happy, humming a tune.
Posted Dec 23, 2025  Edit critic review
4/5
The Testament of Ann Lee (2025) Travis Hopson The Testament of Ann Lee is one of the best in recent years, perhaps because it isn’t like a traditional biopic at all.
Posted Dec 22, 2025  Edit critic review
3.5/5
The Housemaid (2025) Travis Hopson The Housemaid knows its audience, and gives them all of the trashy goodness they’re hoping for.
Posted Dec 17, 2025  Edit critic review
3.5/5
Avatar: Fire and Ash (2025) Travis Hopson While the stories are following a familiar pattern, it’s undeniable that Cameron is giving audiences the complete theatrical experience to keep them coming back for more.
Posted Dec 16, 2025  Edit critic review
1/5
Ella McCay (2025) Travis Hopson Nothing about Ella McCay is genuine, not the comedy, its politics, the performances.
Posted Dec 12, 2025  Edit critic review
2.5/5
Merv (2025) Travis Hopson Now, that’s not to say the film lacks charm, but it certainly does lack bite.
Posted Dec 11, 2025  Edit critic review
3/5
Dust Bunny (2025) Travis Hopson You won’t find a hitman movie like it anywhere, and Fuller has a unique vision that is always welcome.
Posted Dec 11, 2025  Edit critic review
3/5
Goodbye June (2025) Travis Hopson Goodbye June is a warm blanket of a movie. You might only drape yourself in it once, but it’s comforting when needed.
Posted Dec 11, 2025  Edit critic review
3.5/5
Dead Man's Wire (2025) Travis Hopson A visceral, gripping crime drama that is surreal, unfathomable, and as urgent as Dog Day Afternoon.
Posted Dec 09, 2025  Edit critic review
3.5/5
Marty Supreme (2025) Travis Hopson A high-stress, kinetic whirlwind starring Timothee Chalamet as the ultimate egotist ping-pong player, Marty Mauser.
Posted Dec 04, 2025  Edit critic review
1/5
Five Nights at Freddy's 2 (2025) Travis Hopson Five Nights at Freddy’s 2 somehow manages to be even more ponderous and weak than before.
Posted Dec 04, 2025  Edit critic review
2.5/5
Wildcat (2025) Travis Hopson While it emulates the Cockney vernacular and mix of comedy similar to the works of Guy Ritchie, it’s a sloppy attempt that wastes the talents of Beckinsale and her co-stars.
Posted Nov 28, 2025  Edit critic review
4/5
Zootopia 2 (2025) Travis Hopson Zootopia 2 has loads of heart, a compelling mystery, loads of new, unforgettable characters, and most importantly, it still has a message of inclusion that still resonates.
Posted Nov 25, 2025  Edit critic review
3.5/5
Sisu: Road to Revenge (2025) Travis Hopson While it’s slower and carries more emotional weight, the slaughter on display is impressively brutal, funny, and probably isn’t going away any time soon.
Posted Nov 21, 2025  Edit critic review
3/5
Wicked: For Good (2025) Travis Hopson The second chapter in this yellow-bricked epic is constrained by its need to dovetail neatly with the familiar ‘Oz’ arc. It’s a film that still soars, just not as high off the ground.
Posted Nov 19, 2025  Edit critic review
3/5
The Running Man (2025) Travis Hopson While its frantic energy and balls-to-the-wall performance by Glen Powell are entertaining as Hell, it doesn’t feel like it will hold the same long-lasting appeal as its predecessor.
Posted Nov 11, 2025  Edit critic review
3.5/5
King Ivory (2024) Travis Hopson King Ivory is a gripping, expansive drug war epic.
Posted Nov 11, 2025  Edit critic review
3.5/5
Die My Love (2025) Travis Hopson This is Jennifer Lawrence’s show, and she’s magnificent, tragic, intensely carnal, and continues to show what a great mind for comedy she has.
Posted Nov 07, 2025  Edit critic review
2.5/5
Stone Cold Fox (2025) Travis Hopson It lacks the spark, the violence, and character to escape feeling like another generic crime movie.
Posted Nov 06, 2025  Edit critic review
4/5
Predator: Badlands (2025) Travis Hopson Overall, Predator: Badlands kicks ass, especially if you’re a devoted fan of these films.
Posted Nov 06, 2025  Edit critic review
4/5
Violent Ends (2025) Travis Hopson Violent Ends is a small-scale crime drama that feels like one of Scorsese’s crime epics.
Posted Oct 31, 2025  Edit critic review
2/5
Last Days (2025) Travis Hopson As interesting as Chau’s story is, Last Days offers a shallow understanding and at times seems fearful of taking a hard stance about him at all.
Posted Oct 24, 2025  Edit critic review
2/5
Regretting You (2025) Travis Hopson Regretting You has way too much going on for a movie that’s so poorly written.
Posted Oct 22, 2025  Edit critic review
3/5
Bugonia (2025) Travis Hopson While Stone is fantastic, the plot is compelling, and the film looks great thanks to DP Robbie Ryan, Bugonia always seems to be swimming upstream.
Posted Oct 22, 2025  Edit critic review
4/5
Rental Family (2025) Travis Hopson It’s a film that runs the gamut of emotions, with Fraser delivering a sensitive performance that ranks among his best.
Posted Oct 20, 2025  Edit critic review
3.5/5
Eternity (2025) Travis Hopson It’s a callback to when romantic comedies could be witty, thoughtful, zany, and progressive.
Posted Oct 20, 2025  Edit critic review
4/5
Nuremberg (2025) Travis Hopson This one is compelling throughout and features an incredibly charismatic lead performance by Russell Crowe as Hermann Göring
Posted Oct 20, 2025  Edit critic review
2.5/5
The Mastermind (2025) Travis Hopson While there’s a surprising amount of comic hijinks than in your typical Reichardt film, the combination of her deliberate pacing with an aimless narrative proves to be a tough sell.
Posted Oct 18, 2025  Edit critic review
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